Picking headphones for guitar amps isn’t easy. Most standard headphones don’t work well with distortion and other guitar effects. And studio headphones can be quite expensive and difficult to choose from.
In this KGR Review, we’ve tested and listed the 7 Best Headphones for Guitar Amps you can buy today. We’ve chosen from various models based on their unique features, sound quality, comfort, and how they felt while practicing and recording guitar.
We used the same Fender Stratocaster and a Boss Katana amplifier to test all the headphones that didn’t already have amps built into them. We also explored their versatility in various scenarios, including direct-to-amp, via an audio interface into a PC and also through a HeadRush Pedalboard. These models will easily allow you to practice silently and record accurately.
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The Shure SRH840A are versatile studio headphones that work well with guitar and are comfortable to wear for extended practice sessions, making them our Top Pick. They deliver excellent sound with a relatively flat response and have a durable build.
The Mackie MC-100 is the Best Budget option and offers surprisingly good performance with a tinge of character at an affordable price. While their build is somewhat unreliable, they’re great for beginners and work well with most amps.
The Boss Waza Air is our Editor’s Choice. It’s purpose-built for use with guitars and features the very best in wireless amp simulation technology — perfect for portable, silent practice. The onboard Katana tones sound fantastic and while it’s a bit bulky, it’s still comfortable to wear.
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We were impressed with the Shure SRH840A straight out of the box. Shure has a reputation for quality, and these headphones reflect that well. The unboxing was smooth, as the pair was packed safely in a bag, and it included a quarter-inch screw-on adaptor for the aux cable.
The SRH840A comes with a sleek finish and a sturdy yet elegant design. We put them on for testing and found the closed-back, around-ear design comfortable for long hours of guitar practice and casual listening. The earpads are breathable and soft, too.
The noise isolation works well as the speaker units have no noticeable bleed and no one around us could hear what we were listening to. The headband and overall construction are solid and easily adjustable.
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The 40mm neodymium dynamic drivers provide exceptional detail across all frequency ranges. We could clearly enjoy every nuance of our guitar playing, including the sweet bends and the growl of crunchy power chords. We don’t usually like how headphones can make the guitar sound ‘boxy’, but these had slightly more air to them with a medium-wide soundstage and remarkable midrange clarity.
They cover a 5 Hz to 25 kHz range and the overall response is quite neutral, so they’re great for creating new tones for studio recordings. And we found they work quite well for mixing and music production as well.
The quarter-inch adapter isn’t the only benefit of the cable that comes with the 840A. The other end can be screwed into the headphones so you won’t accidentally yank it out while playing.
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Verdict: The Shure SRH840A are an excellent pair of studio headphones with detailed character and a relatively flat response, making them great for guitar practice, studio work, and even mixing. They look elegant, offer superior comfort, and come at a reasonable price from a brand that’s known for reliability and durability.
The Mackie MC-100 surpassed our expectations considering its affordable price. Out of the box, the packaging was simple, with a straightforward around-ear design and average build quality. There’s a 3 m cable that comes included along with a quarter-inch adapter.
We found the materials used and the finishing on the MC-100 are quite comfortable once you wear them. The adjustable headband has a decent amount of padding, but it clamped a bit hard initially. After stretching them out, they were easy to wear. The design is quite flexible and the pads are rotatable, so you can wear them on one ear like a DJ.
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The noise isolation is decent but not perfect. When we tested them, we could still hear some outside sounds, but it was good enough for guitar practice. In our opinion, the long cable is incredibly convenient since guitarists need space and flexibility, but it’s not coiled and is a bit prone to getting tangled.
The thing that stood out most for us were the custom 40mm drivers. They have a good bass response and a detailed midrange, but lack upper-range clarity. With a frequency response of 15 Hz to 20 kHz, these cans covered everything necessary, but lacked some of the harmonics we’ve seen in better pairs. This made a few songs sound slightly darker.
We found that durability is likely a concern with these. The plastic isn’t that sturdy and the earpads are quite prone to tearing up. But you can easily take the earpads out and replace them if they get too worn out.
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Verdict: The Mackie MC-100 are the Best Budget studio headphones we’ve tested, with just enough comfort. Their sound isn’t that flat, but it has enough detail and clarity to enjoy practicing guitar on them. And with their affordable price, they’re a good pair of spare headphones to go. They work particularly well with headphone amps.
The Boss Waza-Air has been popular among guitarists ever since it came out. On paper, it looks like the perfect wireless solution to playing the guitar silently, and it did not disappoint at all. The headphones come with a wireless transmitter which is enough to use 6 amp presets (modeled after the Boss Katana), but you can get the mobile app to get full functionality.
The Waza-Air has a beautiful chrome finish, although they’re a bit bulky. We found that the ear cups were incredibly plush and easily detachable for cleaning, and the closed-back design offered excellent isolation. Pairing them with our phone and the transmitter was quick and easy. We did face one sudden disconnection while playing, but it was easy to reconnect.
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What we loved about these headphones was their surround-sound experience. The gyro-sensors make it possible to simulate a real room, and moving your head pans the sound as it would for an actual amp. This made for an authentic guitar session — one of the most fun ones we’ve ever had while using headphones.
The 50mm drivers of the Waza-Air deliver a punchy sound that’s fit for guitar. They’re not designed to be flat, but they work perfectly with the Katana-modeled amp tones. We were able to adjust the tones easily using the app, making this a completely wireless experience. We tested this further by walking around the room while playing and there were no issues at all.
The Waza-Air also gives you the option to stream backing tracks while playing. We also enjoyed listening to music on them via Bluetooth. The stated battery life for the headphones is 5 hours, and 9 hours for the WL-T wireless transmitter. In our tests, we got about the same period on regular usage. Overall, everything about their design is convenient and intuitive.
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Verdict: The Boss Waza Air is a well-designed pair of wireless headphones with some of the most innovative technology we’ve seen. It’s got excellent amp tones from the Katana series (such as our favorite, the 50w MKII), and incredible room simulation with surround sound. The build is ruggedly durable, and they’re comfortable to wear for long jam sessions. While they’re expensive, they’re well worth it if you need a portable solution for silent guitar practice.
The Vox VGH Rock is an affordable headphone amp solution purposefully created for guitarists in collaboration with Audio-Technica. It’s based on their amPlug technology, which we loved while reviewing the best guitar headphone amps.
The Vox VGH’s design is quite sturdy and portable, and we were able to fit it into a backpack easily. The lengthy cable has a quarter-inch jack so it can connect directly to your guitar as a mini-amp. There’s also an aux input, so we were able to connect our mobile and play along to a backing track.
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We felt the ear cups were a bit small, and the cushioning was a tad thin, so it may not be comfortable for long hours of practice. But they were fine when we wore them for half an hour and the noise isolation was quite good with no noticeable bleed around us. The sound, however, is a bit focused and not as detailed and spacious as other headphones we’ve tried.
What we loved about the VGH Rock was its ability to deliver classic crunch tones. There are 3 different amp modes available along with onboard effects like reverb, delay, and chorus. All the effects are controlled using knobs on the headphones themselves.
Since it’s battery-powered, you don’t need any electric outlets. It’s as simple as plugging your headphones into the guitar anywhere. We liked this plug-and-play approach, making it convenient for quick jam sessions anywhere. With three AAA batteries, you can get up to 16 hours of battery life, and they lasted about 14-15 for us.
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Verdict: The Vox VGH Rock is a fantastic headphone with a guitar
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