, Ohio – In coming up with the list of the 100 greatest guitar songs, we took a unique approach by framing it within the confines of the Rock & Roll Hall of Fame.
Each song on our list comes from an act that has been inducted into the Rock Hall. So you won't see anything by acts that aren't eligible yet (i.e. John Mayer, Jack White or Foo Fighters).
Sadly, you also won’t see songs from the long list of Rock Hall snubs, which left music from King Crimson, Jethro Tull, Dick Dale, Link Wray and several others.
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Fortunately, we were still left with plenty of iconic material to choose from. It's not just about the solos, core riffs or quality of the song. It's all of the above, and then some.
During The Doors’ peak years, Robby Krieger often had to tone down his guitar skills to keep the band’s songs rather simplistic. “Roadhouse Blues” is one of the tracks where he gets to cut loose and show what he can do with a boogie rock solo for the ages.
Mike Campbell rarely got enough credit for his precise and stunning guitar work on some of Tom Petty’s greatest songs. That starts with “Breakdown, ” Petty and the Heartbreakers’ first single highlighted by Campbell’s solo that comes 2 minutes in.
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Ricky Nelson became a teen idol during 1950s on the strength of being one of the first rock and roll pioneers to earn pop star status. But the backbone of his top-10 hit It's Up To You lies in its guitar part, courtesy of the great James Burton.
A favorite of the “Guitar Hero” video game series, R.E.M.’s 1987 hit stands as a showcase for how clever guitarist Peter Buck could be.
You know the Edge’s guitar when you hear it, and nothing gets a live crowd going like the opening to “Mysterious Ways.” The song came to life with The Edge toying around with a Korg A3 unit, which would lead to the funky and infectious chorus.
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Much of the Clash’s music came to define punk rock. But Mick Jones’ swaggering riff on “Should I Stay or Should I Go” approaches arena rock territory.
Bo Diddley's 1955 song named after himself is, not surprisingly, the legend's trademark tune. The song's beat would become highly influential. But not to be overlooked is Diddley's precise guitar playing, which would help push rhythm and blues forward.
“Stay With Me” is truly a showcase of each individual part of Faces lineup. But Ronnie Wood’s work on electric and slide guitars is the most thrilling and the moment where the song begins to sore.
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Jett took the original recording of “I Love Rock ‘n Roll” and turned it into a simple, but massive anthem. The song’s run at No.1 would make Jett a bonafide female guitar hero in a male dominated world.
Steve Howe has a lot of standout moments on guitar (“Starship Trooper” and “Roundabout” come to mind). But he seems most at home on “I’ve Seen All Good People, ” which shows off his country/folk influences in stunning fashion.
You surely know the Elvis Presley version better. But Carl Perkins’ original Sun Records version of “Blue Suede Shoes” and his energetic work on a Les Paul guitar truly helped establish the label in its early days.
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Guitarist Andy Summers originally intended the riff on “Message in a Bottle” for another song. But it (redone in slightly different form) made it onto the final version of one of The Police’s most recognizable hits.
Chet Atkins was the first to adapt jazz guitarist Johnny Smith’s instrumental “Walk, Don’t’ Run.” But the Ventures took and ran with it, creating one of the greatest and most important surf rock songs of all time.
Buddy Guy’s stunning “Stone Crazy!” came out of nowhere in 1979, far removed from blues golden age. But Guy never stopped playing amazing music, cementing his status as a guitar giant that could stand the test of time.
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Everything about “You Shook Me All Night Long” is a master class in how to create party rock. Angus Young’s riff does the heavy lifting, while his solo takes on a life of its own, building and building.
Springsteen’s guitar work doesn’t take center stage on that many of his songs. But that doesn’t mean he can’t play. On “Adam Raised Cain, ” from “Darkness on the Edge of Town, ” he lets lose.
When you think of Bon Jovi, you think of party rock, with one noticeable exception. “Wanted Dead or Alive” highlights Jon Bon Jovi and Richie Sambora’s songwriting partnership, and the latter’s ability on guitar, delivering an iconic solo on a multi-necked 12-string.
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Ann Wilson and Nancy more than proved they could hang with the hard-rock boys. The guitar sound on “Barracuda” rides like a death horse chugging its way to the listeners demise.
Pick a great guitar song from the Chili Peppers and there’s no doubt John Frusciante, one of the most skilled guitarists of his generation, is behind it. That includes the bouncy funk of “Can’t Stop.”
Gene Vincent and His Blues Caps made waves in the 1950s with the hit “Be-Bob-A-Lula.” The band never matched its success but released better songs, including “Race with a Devil, ” a stunning rockabilly guitar showcase, especially for the period it was released.
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Muddy Waters’ classic electric blues song was so impactful it supposedly is where both the magazine Rolling Stone and the group the Rolling Stones got their name.
There’s no escaping the riff on “Sharp Dressed Man, ” the song that serves as the backbone to ZZ Top’s monster album “Eliminator.” And in case you thought the band was playing it simple with the single, Billy Gibbons kicks things into high gear with one of his most memorable solos ever.
Cochran’s “Summertime Blues” was constructed so perfectly, it also because a hit for The Who and Brian Setzer, among others, and a live showcase for Jimi Hendrix.
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Did anyone do guitar intros better than Keith Richards? Few were better than “Jumpin’ Jack Flash, ” a song where Richards plays a Gibson Hummingbird six-string that’s tuned to an open D.
Guitarist Mick Ronson was just weird and eccentric enough to be the perfect musical partner for David Bowie during his most fruitful period. “The Width of a Circle” runs over eight minutes. But Ronson’s guitar remains the centerpiece throughout, ranging in style from traditional rock and roll to entering the realm of heavy metal.
“The End” is often considered The Beatles’ greatest guitar moment, mostly because it features two stunning minutes of John Lennon, Paul McCartney and George Harrison trading epic solos.
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It doesn’t really get bigger than this. “La Villa Stangiato” runs for more than 9 and a half minutes with Alex Lifeson delivering the musical version of a dream he had using various guitar techniques and sounds.
King’s soulful blues track became his most popular ever, especially with other musicians, given its guitar harmonies that lend themselves so easily to rock and roll.
“Hey Hey My My (Into the Black)” (not to be confused with the acoustic “Out of the Blue” version) is the song that revitalized Neil Young’s career and helped inspire grunge music. Sadly, it’s probably best known to some as having its lyrics included in Kurt Cobain’s suicide note.
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Outside of the musicians who played music with James Brown, no one did more to showcase the art of the funk guitar than Curtis Mayfield. With its album version at over nine minutes long, “Move On Up” was Mayfield’s first definitive statement after leaving The Impressions.
Considered by man to be the first rock and roll song, Chuck Berry’s “Maybellene” marks the onset of the modern rock guitar.
Anyone who thinks John Coltrane didn’t impact rock and roll need look no further than The Byrds’ classic, which was influenced by the jazz musician’s free form style. “Eight Miles High” also borrows from Ravi Shankar with Jim McGuinn’s memorable guitar work taking on the sound of the sitar.
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Paired with distorted bass guitar riffs, Ad-Rock’s guitar on Sabotage isn’t all that technical. It’s a pure onslaught. The song and its corresponding music video became the hallmark of the Beastie Boys’ journey into more alt-rock style during the mid 1990s.
Separated on its own, “Slipknot” is a mind-blowing instrumental that has taken on various forms in a live setting. Paired with “Help on the Way, ” the song was used to open many Dead sets and showcased the everything great about Garcia’s underrated guitar playing.
Seals and Crofts originally wrote and recorded “Summer Breeze.” But the Isley Brothers’ version brings the soulful funk and Ernie Isley’s mesmerizing solo.
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There certainly was life left in The Allman Brothers Band after the tragic death of Duane Allman. One of the group’s best compositions remains guitarist Dickey Betts’ fantastic showcase “Jessica, a song played with just two fingers on the left hand as a tribute to gypsy guitarist Django Reinhardt.
Many blues musicians have played “Hideaway.” But no one slayed the instrumental better than Freddie King, who turned it into a hit on the pop charts.
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