These names aren’t merely marketing-speak; they are long-established conventions for specific flat-top steel-string acoustic guitar body shapes and sizes (some of which date back more than a century) common to all instrument makers. These names, shapes and sizes are all useful in determining whether you want a larger guitar or a smaller one; a louder one or a softer one; one that’s better for finger-style playing or one that’s better for flat-picking.
Generally speaking, deeper bodies add greater resonance and more resounding bass; shallower bodies have more projection and focus, with better bass-to-treble balance. Also, most of these styles can include a cutaway—either rounded (Venetian) or sharp (Florentine)—that provides unimpeded access to the higher frets.

A slender, small-bodied old-world guitar design popular around the turn of the 20th century, often with a slotted headstock, rounded shoulders, no pickguard and a neck that joins the body at the 12th fret. You’re not likely to run across parlor guitars in stock at your local retailer, but they are nonetheless currently enjoying slightly resurgent popularity. General dimensions: 18 1/4 or less long, 4 deep, 9 1/2 or less upper body width, 13 1/4 or less lower body width.
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Dating to around 1854 and the standard size around the time of the U.S. Civil War and for many years thereafter. Its bright, trebly sounding design gradually gave way to larger, more bass-heavy guitars, although the style has enjoyed a recent resurgence. General dimensions: 18 inches long, 4 1/4 deep, 10 upper body width, 13 1/2 lower body width. Take a look at the Tim Armstrong Hellcat for a real-life example of a concert-style acoustic guitar.
Introduced in 1877; smallest of the major styles and derived directly from the classical guitar, with a shallow body and rounded shoulders; one of the quietest designs. It’s diminutive size makes it well suited to younger or smaller players, and it’s excellent for finger-style playing. General dimensions: 18 inches long, 4 inches deep, 10-inch upper body width, 14-inch lower body width.
Also referred to as “orchestra, ” the auditorium style was introduced in the early 1920s and was one of the largest guitars through the end of that decade. Now a medium-size guitar with a thinner waist than a dreadnought and a broad upper bout with flatter shoulders, it produces a big sound and good treble-bass balance that make it great for finger-style playing. General dimensions: 19 inches long, 4 inches deep, 11 1/4-inch upper body width, 15-inch lower body width.
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Sometimes called 000, this shape is similar to a grand concert, but wider and sometimes deeper; with very balanced tone and great volume and dynamic range. General dimensions: 20 long, 4 deep, 11” upper body width, 16” lower body width.
Introduced under this name in 1931, although its direct ancestors date to circa 1916. Currently the most popular style and the guitar for flat-picking and bluegrass, with a deep body, broad waist and a relatively small upper bout. A big guitar named for the large dreadnought warships of the early and middle 20th century. Tremendous projection and booming bass. General dimensions: 20” long, 4” deep, 11 1/2 upper body width, 15 lower body width.
A big guitar, proportioned similar to a grand auditorium and having a lot of resonant space for great volume, sustain and deep dreadnought-like tone. Often considered the quintessential “cowboy” guitar. General dimensions: 20 long, 4 deep, over 11 upper body width, over 16 lower body width.The history of the acoustic guitar can be traced back over 4000 years. The instrument has evolved much during, becoming perfected during the last century.
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There is not just a single type of acoustic guitar though, there is a lot of variety in shapes, size, body style and sound.
Now that you have some idea of what the differences are between the various body styles, let's dive deeper into their intricacies.
The jumbo is the loudest and biggest acoustic guitar shape (at least on this list). Introduced first during the late 1930s by Gibson as the J-200, jumbos are targeted toward professional guitarists who seek volume in their guitar sounds. Thanks to acoustic amplification system advances, jumbos have gone down in popularity.
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The guitar style’s lower bout should offer widths of close to 17 inches (ca. 43 cm), delivering a high volume ceiling and huge projection. In other words, the guitar can churn out louder sounds without any distortion.
The dreadnought is extremely popular and a true classic when it comes to acoustic guitar body styles. The shape is made available at both budget and the more expensive acoustic guitar price ranges.
Created in 1916 by Martin, the dreadnought can be identified by its wide, large soundboard. The body length is typically 20 inches (ca. 51 cm) and the width is close to 16 inches (ca. 41 cm).
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Thanks to its bigger shape, dreadnoughts produce a balanced, bold sound with bright trebles, a snappy midrange, and a strong low-end. These attributes make the guitar popular with rock, bluegrass, and country music players.

Thanks to the very high volume ceiling, dreadnoughts are ideal for flat pickers and aggressive strummers, particularly those who seek a solid low-end.
The parlor is an extremely petite acoustic guitar, which came to the fore during the late 1800s. Though parlor acoustic guitars are not as popular as they were up until the 1950s, the body type still has its legion of fans, which is why some important guitar brands are continually making the parlor acoustic guitar body.
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The parlor is compact and elongated, with the overall length being small compared to other body styles. The style retains a conventional nut width, making them ideal for all playing styles, from fingerstyle to strumming.
Parlors are also known for their boxy’ sound that traditional players fancy, which explains why the guitar type is still relevant after so many decades. It appeals to slide, folk and blues players in particular.
Shallower at around 4.1 inches (ca. 10 cm) and narrower than a dreadnought, the orchestra model (OM) guitar body style sits right between a parlor and dreadnought guitar. Since there isn’t much mass curving your strumming hand around, the OM body style feels more comfortable and intimate, making it ideal for stage use as well.
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With more emphasis on the mid-range, this guitar style keeps pace with both fingerpicking and strumming styles. Regardless, a well-built OM would sound great irrespective of how you play it.
The auditorium is possibly the second most popular acoustic guitar body style after dreadnought, primarily for the performance it delivers and its tone versatility.

It was introduced by Martin and the Grand Auditorium was introduced later by Taylor. The major and perhaps the only difference between the two guitar body shapes is that the Grand has a slightly wider body than the regular auditorium body type.
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Auditorium guitars sit between a concert and a dreadnought, with the lower bout width being typically around 15-16 inches (ca. 38-41 cm) in the case of the Grand Auditorium. Compared to dreadnoughts, the auditoriums have a narrower waist, which makes playing them in a seating position extremely comfortable.
Auditorium acoustics provide a well-balanced, clear and warm tone, making them fairly versatile. Also, the auditorium body style can manage strumming, fingerstyle and flatpicking techniques fairly well.
The concert acoustic body shape is among the smaller varieties that are still in production. Also called O’ sized guitars, concerts sit between a classical guitar and a dreadnought when things come down to the design, thanks to the slightly narrower, slightly shorter, and a standard 13.5-inch lower bout width. Like auditoriums, a concert’s waist is quite narrow, which helps playing the guitar while being seated.
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Concert acoustics are a tad shallower in depth, which result in quieter sounds. This less bass response, however, is more than compensated for with the guitar’s excellent treble clarity and robust mid-range.
A Grand Concert, as the name suggests, is slightly bigger than a concert, with the lower bout width falling in the 14-15 inches (ca. 35-38 cm) range. Thanks to this marginal increase in size, Grand Concerts produce slightly larger sounds.
The classical acoustic guitar is a genre of its own, since there are different types to it and quite a few manufacturers come up with their own classical guitar specialties. Unlike other guitar styles on this list that feature steel strings, the classical guitar has nylon-stringed acoustics.

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Besides the difference in string material, classical guitars also have a wider neck and fretboard, with the nut width usually being at least two inches. This gives players an increased surface area, which is also flatter when compared to steel-string acoustics’ radiused fretboards.
As far as styling is concerned, classical guitars usually have a slotted headstock and come with open-geared tuners. Also, they are attached to the body by the 12th fret.
Travel acoustics are travel-friendly, small body acoustic guitars. Most of these guitars come with full-size fretboards, which offer a playing experience that’s quite similar to full-size guitars.
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These guitars are compact and cute, but are no toys. In fact, some of these guitars could cost more than a regular acoustic guitar.
Travel guitars are usually made from laminated woods so that they are lightweight and resistant to humidity
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