MIDI Guitar is a revolutionary piece of software that allows you to play software instruments and synths on your guitar, essentially converting your guitar into a polyphonic MIDI controller/keyboard. The guitar-to-MIDI transcription runs in real-time, with latency and accuracy comparable to expensive and inconvenient hardware MIDI guitar solutions.
MIDI Guitar for GarageBand is meant to be used with Garageband's virtual instruments but it is also a powerful and versatile guitar effect processor on its own. It can be used with MainStage or Logic as well, using Apple's Virtual MIDI standard, or even hardware synths with good old MIDI cables.
It will analyse your guitars playing in real-time and and know exactly what you play. As you can imagine, this opens up for a whole new dimension of guitar effects.
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MIDI Guitar for Garageband is very easy to set up (it just works) but it has some limitations compared to the more expensive plugin version of MIDI Guitar (more info at our website).
In order to use MIDI Guitar you need guitar- or audio-interface. It will work with all types of guitars, but it performs best with a solid body electric guitar. Use a dry guitar signal, bridge pickup, tone all way up.
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Audio-Schnittstelle wird nicht erkannt… Ich war relativ begeistert über die Möglichkeit dieser Anwendung, jedoch wird meine Audio-Schnittstelle (Tascam US-122MKII) als Eingang sowie Ausgang nicht gelistet oder erkannt, obwohl in den Systemeinstellungen sichtbar und sogar selbst dort ausgewählt. Alle internen Ein- und Ausgänge, sowie SoundFlower und Movavi werden allerdings gelistet. Das mag an Tascam liegen (obwohl neuester Treiber, unter Mountain Lion übrigens), jedoch ist das schon traurig, da Treiber und Gerät sonst von jeder anderen Anwendung (wie beispielsweise Logic, GarageBand, GuitarRig, AmpliTube) und vom System erkannt werden. Sehr schade.
Großartig! Endlich kann ich mit all meinen Lieblingsgitarren ohne jegliche Modifikation Synth spielen. Latenz ist zwar besonders bei perkussiven Klängen noch spürbar, wenn ich über die App mit der Gitarre Mainstage ansteuere, aber für wilde Arpeggiator-Läufe oder für Layer-Pad-Sounds reichts allemal. Das AU-Plug-In der Pro-Version ist angeblich etwas schneller, das habe ich aber noch nicht getestet. Zusammen mit Mainstage kostet der Spaß keine 80 Euro und im Grunde sind die Möglichkeiten größer als bei Hardware-Lösungen mit 13 Pins. Die eingebauten Klangerzeuger nutze ich bisher nicht, aber möglicherweise kann man sich sogar externe Programme ganz sparen – bei geringerer Latenz. Schön ist, dass die neue Version nun den Full Screen Modus beherrscht. Mir hilft es live auf der Bühne sehr, wenn ich zwischen meiner Tonerzeuger-App (Mainstage) und meinem Virtual-Midi-Lieferant (MIDI Guitar 2) einfach hin und her wischen kann, ohne in der Hektik versehentlich im Finder Unsinn zu machen. Ganz tolle Arbeit, Ole!
The developer, Jam Origin, has not provided details about its privacy practices and handling of data to Apple. For more information, see the developer’s privacy policy.The MIDI Guitar App turns any guitar into truly polyphonic MIDI guitar. It is based upon ’s groundbreaking polyphonic pitch detection technology.
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Please start reading below. If you still have problems we are always ready to help in the new MIDI Guitar user forum.
In order to connect a guitar to an iPhone or iPad, you need an audio interface that plugs into the lightning port or headphone jack. MIDI Guitar will work with any iOS compatible interface, but for best results use a lightning connector audio interface with a high impedance guitar connector and input gain control.
MIDI Guitar will use the default iOS audio interface, which is generally the most recent audio interface you have plugged in to your lightning port or headphone jack.
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Go to the audio device (the very first selector that says “iOS Audio”). Make sure you have selected the input channel that your guitar is connected to. Also, check your input gain using the meter here. This is about music, so make sure you can use your guitar’s full dynamic range.
Time to have some fun. The selector at the top center will select among so called patches. A patch is simply a complete setup, much like a setup of floor pedals and rack units.
Some of the built in patches will sound quite like other amp-simulation software, but you should soon get a feeling that MIDI Guitar is also
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– it actually knows what you play and use it to trigger synths in various ways. Make sure you are in tune (use the Poly Tuner patch).
At some point you’ll want to try to send MIDI externally. Start with Garageband. Select the External MIDI Output patch in MIDI Guitar and verify the MIDI Output module is set to “Virtual MIDI”. Now open Garageband and open a synth inside Garageband. Your guitar is auto-magically connected just like a MIDI keyboard!
The most compelling way to use MIDI Guitar is to let it drive another iOS synth or a DAW like GarageBand. This way, MIDI Guitar output MIDI via Apple’s Virtual MIDI standard to any synth or DAW app.
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Many synth apps will appear as MIDI devices, and as an alternative to the above, you can select any such device inside the MIDI Output module. This can be more convenient because MIDI Guitar will save the name of the MIDI device in a patch, and thus you can create patches which outputs MIDI the your favorite synths.
This approach requires a MIDI interface such as Apples Camera Connection Kit, iRig MIDI or Alesis IO Dock. The Apples Camera Connection Kit is quite undocumented for its MIDI capabilities. Google ‘MIDI camera connection kit’ for more info.
Although not recommended, its possible to play wirelessly over WIFI networks. Due to the transmissioon of WIFI signals, it will have more latency than the what can be achieved with Virtual MIDI or a cable based MIDI setup.
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MIDI Guitar’s pitch tracking adds very little latency. But if you use WIFI-MIDI stream MIDI via WIFI some latency will be added, due to the router and nature of wireless networks. Some users will feel that WIFI-MIDI are too slow for real playability, but it seems the amount of latency is dependent on the WIFI router network.
Several users have reported decent WIFI-MIDI when using a network cable from router to computer. A good modern router seems to be helping too.
For most people, MIDI Guitar “just works”. Unlike most hardware systems, you only have one parameter to adjust the tracking – a noise gate.
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You should generally leave the noise gate at its default around one third, assuming that your guitar input signal use the full dynamic range (some cheap interfaces don’t).
MIDI Guitar is tuned to be super responsive when you keep the noise gate low. That means, MIDI Guitar will rarely miss a note, even in the fastest legato runs. Most people like this responsiveness and that it helps to “connect” to the guitar and have a better play-feel.
The flip side of very high responsiveness, is that it will sometimes produce spurious notes (very short, usually low velocity notes) at note onsets or offsets. The noise gate can remove the spurious notes, but at the cost of responsiveness.
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CPU INDICATOR A vertical VU top right displays the CPU load, clicking on it will bring up a big fullscreen CPU load indicator, in which the tracking and every loaded instrument and effect will show its individual CPU load. Clicking the screen once, makes it dissapear again.
There first IAP is “guitar rig” which provides unlimited use of a the builtin set of fx and instruments. The second IAP is “midi output”, which enables unlimited use of the midi output.
Loading a patch Clicking on the patchname will bring up a chooser for loading other patches. When the list is shown, clicking the background makes the chooser vanish.
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[ TRACKING ] Set tracking type. Polyphonic is default. Monophonic is a bit faster, especially in the bass range, and might be better for driving monophonic (analog) synths.
[ TUNING ] Set this to the actual tuning of your guitar for best conversion quality. Currently D2 ( drop D) is the lowest note available in polyphonic mode. Monophonic mode is allways down to C2 (drop C), independent from this setting.
[ NOISE GATE ] The noise gate sets the level required for the softest note to trigger. If string handling results in spurious notes, set the gate a bit higher. About one third (10 o’clock) is a normal setting.
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The synth attached needs to have its range set accordingly. The bends are only send when one note is being played at a time, this to avoid false notes with single channel MIDI.
[ LEGATO ] Add artificial sustain to each note until the next note appears. when notes are connected this way, many synths create smooth legato transitions, mostly when they are set to monophonic.
If your pedal generates PC (Program Changes).. The patches need to be named with leading numbers, so that MG can load the right one.
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Beware: the current system works with a simple alphabetical sort, e.g. having two 003.. patches will put patch 004 at position 5..
[ GAIN ] Apply midi velocity gain to all notes, it is simular to your guitars volume knob, but in the midi domain.
[ CURVE ] Velocity dynamics. use velocity
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