Metallica Best Guitar Songs

Metallica Best Guitar Songs

According to Megadeth's Dave Mustaine, Metallica's most impressive attribute is their guitarwork, and while that's certainly a convenient compliment to throw a band he once played guitar in, the man has a point. Between James Hetfield and Kirk Hammett — not to mention their impressive history of bass guitarists, from Cliff Burton through Robert Trujillo — Metallica are basically unmatched in their field, and they have the solos to prove it.

The thrash pioneers' discography is stuffed with mind-blowing passages of guitar prowess that continue to inspire legions of young shredders to pick up their first ax. We asked our readers — who happen to have an opinion or two on Metallica — to pick what they think is the single best guitar solo in their catalog. The top five vote-getters are ranked accordingly below.

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Orion has at least two solos that rank among the band's greatest. The most notable is Cliff Burton's iconic bass solo, which comes snaking in during the proggy middle section and twirls around Hammett's guitarwork. Then, Hammett sends the whole track into the night sky with some fierce shredding, taking the track out of its spacey detour and building it back up to heavy form. Glorious.

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Fade to Black was Metallica's first-ever power ballad — and one of the greatest in the thrash ballad canon — and they didn't squander the opportunity to grace it with a mournful solo. Written after the band had been robbed, leaving James Hetfield to grieve his beloved Marshall amp, Metallica decided to buckle down and get solemn with a tune about suicide, but the heroic guitarwork at the end has an uplifting effect. Life-affirming, even.

Feels like the top of that particular crop. Right from the opening lick, you can tell that they're going to rip the song to pieces as soon as they get the chance, and that's exactly what Hammett does during the loquacious solo section. Dazzling stuff. 

, is one of their most impressive songs in a structural sense, and it also features a truly insane, finger-tapping solo from Hammett. This is the type of solo you play for your friend who thinks metal is just noise and doesn't take any actual talent. Their jaw will drop every time.

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Fade to Black is their first, One is their most technically advanced, but Unforgiven is Metallica's most popular solo-rific power ballad, so it's no surprise to see it claim the number one slot here. Hammett's solo on this Black Album cut is by no means his most sophisticated, but it is one of his most soulful and heart-fluttering — the end result of him being told to play it over and over by producer Bob Rock. The final take we hear today is magic.Metallica has been around for quite a while, since 1981, to be precise, and they are a part of the big four. This includes three other bands, Megadeath, Slayer, and Anthrax, and they were pioneers of thrash metal.

Over the years, many things have changed (like some of the band members), but mostly, they remained true to their style. Naturally, as any band that’s been around for such a long time, they experimented with genres and tried something new.

If you are a fan of Metallica, you will probably know all of these songs, but do you know how to play them? Metallica is not an easy band to learn, and James Hetfield is known for his incredible right-hand technique.

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Probably the most popular song by Metallica is Nothing Else Matters. Even if you are not a metalhead, there is a high chance that you know and love this song. And the popularity of it is insane. Probably due to the slower tempo, the song is something that nearly everyone enjoys.

It was released in 1991, on their fifth album called simply – Metallica. However, the fans know it by the nickname The Black Album due to the completely black cover. It was written by James Hetfield and Lars Ulrich, and Bob Rock produced the whole album.

One of the interesting things is that many guitarists choose to learn the song due to the simple intro, but things get quite more complex as the song goes on.

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The next song on the list is from the same album and was the lead single. The primary theme of the song is a child’s nightmare, and lyrics were written by Hetfield. Enter Sandman single achieved platinum certification for more than one million copies across the U.S.

Music for the song was written by Hetfield, Hammett, and Ulrich, and Kirk said that the main riff was inspired by Soundgarden. Enter Sandman easily became one of the most popular songs, not only on the album but in their entire career.

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The last part of the song has a bedtime prayer “Now I Lay Me Down to Sleep, ” and it ends with Hetfield’s variation of “Hush Little Baby.” The song received praise from both fans and critics.

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The Unforgiven is another song from the Black Album, and it only shows its popularity and how impactful it was. The song is a power ballad, and it was written by Hetfield, Hammett, and Ulrich.

Interestingly, the horn you can hear in the intro was taken from the movie The Unforgiven, and it was reversed so they could hide the original source. The song deals with struggles, and internal fights against people who try to subjugate.

Over the years, The Unforgiven managed to stay among the most popular songs by Metallica, and they often played it live. It has an intro on the acoustic guitar and then goes into a heavier verse. It’s fun to play, and it is not as difficult as some other songs on the list.

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The song One is an essential part of nearly every live performance, and one of the fan-favorites. It is an anti-war song that talks about a severely wounded soldier. His arms and legs were blown off by a landmine, and he is unable to move, speak, or see.

His only hope is to somehow find a way to communicate with hospital staff, and he is begging God to take his life. The video for the song is black and white, and it has a couple of scenes from the movie “Johnny Got His Gun.”

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One is a heavy song, with incredible riffs and fast solos. It starts slow and gets quicker and quicker near the end. It is undoubtedly a challenging song to play, and it might take you a while to play it perfectly.

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Fade to Black is the first power ballad by Metallica, and it was released in 1984 as a part of their second album Ride the Lightning. The entire band participated in the writing of the song, including their late bassist Cliff Burton.

As Lars explained later, he and James were obsessed with death at the moment, and the main theme of the song is suicide. It has an intro on the acoustic guitar, and it gets progressively heavier.

Near the end of the song, there is a solo that found its way to many lists about the best guitar solos of all time. Over the years, it became a part of nearly every live performance, and everyone loves hearing it.

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Another song for Ride the Lightning is For Whom the Bell Tolls. The song was inspired by Ernest Hemingway’s novel of the same name, and it deals with the process of death in modern warfare. Both song and the novel were set during the Spanish Civil War.

Cliff Burton wrote the intro to the song long before he joined the band, and he played it with his second band as an instrumental in 1979.

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Seek & Destroy is the song from their first album Kill ‘Em All, and it is the first song they recorded. It is also the third most-played song live, and they performed it 1, 525 times. The main theme of the song is the urge to kill, but not doing it.

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The band claims that the song was heavily influenced by Diamond Head and three solos in Seek & Destroy are derived from Princess of the Night by Saxon.

The song perfectly captures Metallica’s early years, and it is one of the best songs they ever recorded. It’s fast, fun to play, and can be quite difficult, so you might need to practice a bit.

Creeping Death was released as a single in 1984 and on Ride the Lightning. The song was written from the Angel of Death’s perspective, and it is set in ancient Egypt. As you can probably guess, the song was heavily inspired (or based) on the Bible, and the Book of Exodus.

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It talks about the Plagues of Egypt, and Kirk Hammett wrote the main riff when he was only sixteen years old. The song managed to reach the first place (on some lists) as Metallica’s best song. Creeping Death is usually among the top ten, and they often played it live.

The main inspiration for the song was the movie The Ten Commandments and the band decided to write the song about the plagues.

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