En tant que guitariste, vous n’avez pas toujours le temps de composer vos propres patterns de batterie pour accompagner vos riffs ou travailler votre technique.Notre équipe artistique vous a préparé un package exclusif de 20 patterns de batterie à télécharger gratuitement. Vous pourrez les utiliser pour créer vos backtrack, organiser vos sessions de travail ou potasservos futures compositions.
Lorsqu’il est évident que le découpage de chaque temps se fait sur 4 croches égales nous sommes dans le cas d’une mesure dite ternaire. chaque temps comporte 3 croches, l’équivalent en mesure binaire correspondant à un triolet de croches. La notation s’en trouve allégée.
Le nombre de paquets de trois croche détermine la mesure: 6:8 pour deux groupes de 3 croches, 9:8 pour trois groupes de trois croches, 12:8 pour quatre groupes de trois croches etc.
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Lorsque la mesure est binaire mais que les croches sont systématiquement jouées de façon à attaquer la première et la troisième croche d’un triolet de croches on indique un triplet feel. Les croches sont écrites comme si elles étaient binaires et régulières mais elles s’interprètent comme les croches 1 et 3 d’une mesure ternaire.
Il ne faut pas confondre le 3:4 qui est une mesure binaire dont chaque temps est découpé en deux croches avec une mesure ternaire dont chaque pulsation sera découpée en trois croches égales.
Au sein d’une mesure binaire les triolets permettent de passer à une interprétation ternaire de la pulsation, tout comme des indications de duolets permettent au sein d’une mesure ternaire de passer en interprétation binaire de la pulsation.
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Dans certains cas l’interprétation ternaire se fait non plus au niveau des croches mais au niveau des doubles croches, le principe reste le même et le triplet feel nous indique quelles doubles croches seront concernées par cette interprétation.
Un des moyens les plus pratiques d’écrire un pattern de batterie dans Guitar Pro est par exemple de découper la mesure en croches et d’avancer dans la mesure à l’aide de l’instrument virtuel qui récapitule les éléments disponibles. Vous visualiserez ainsi chaque croche et chaque élément de batterie que vous allez éditer.
Thomas a enseigné la guitare et la basse pendant plus de 10 ans. Compositeur et batteur du groupe The Foxy Raccoons, il est désormais en charge de la communication chez Arobas Music où il partage sa passion pour la guitare et la musique.Guitar Pro 8 is an incredibly helpful program that can be used in a variety of different ways to improve your skills on guitar, work on techniques, build confidence in music theory, or even write your own music.
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I personally use Guitar Pro 8 to work on my technique and skills and in this guide, I will share three helpful ways you can get the most out of it.
If you don’t already have Guitar Pro 8, check out my thorough review here to learn what GP8 is and what it can do for you.
If you want to get Guitar Pro 8, Guitar Gear Finder readers can get Guitar Pro 8 with a 10% discount here.
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Note: this lesson will work whether you use Guitar Pro 8 or Guitar Pro 7. The screenshots are from GP7 but GP8 users will find that the layouts are identical between the two versions.
When it comes to learning complicated guitar parts, repetition is king. Repetition is how you push something from “good enough” to “mastered”.
The speed trainer allows you to start at a tempo where you feel confident playing the lick, then it will repeat it over and over while gradually raising the tempo.
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Every time you repeat the lick, you’ll be playing it slightly faster. This gradual building up of tempo is how you can eventually learn lightning-fast licks and scale runs with ease.
The first option is to select the entire lick and use the tool to repeat it over and over. This is the best approach for short licks or scale runs that last up to 3 or 4 bars. Anything longer and you’ll probably be better off in the beginning by breaking it into parts.
The second option is to break the section into parts and work on one part at a time. So if you’re practicing a long solo, break the solo down into small sections. Highlight one section of the solo and work on it for a while before moving on to the next section.
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The last option is to include some of the song before the part you want to practice. This is a great way to get used to incorporating complicated parts into the rest of the song. So if you find that you get stuck jumping into a fast solo from the rhythm parts, highlight one or two bars before the solo and practice changing from rhythm into the solo.
Starting the speed trainer at a slow tempo lets you ease into the practice and focus your attention on playing every note perfectly.
, then as the speed trainer gradually increases the tempo, it will bring you to a range that really starts to push your abilities.
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A good starting place for my initial tempo if I can already play at 120bpm would be 90 or 100 bpm. At this tempo, the scale run will feel easy and I can focus on making sure I play every single note in perfect time with what I hear from Guitar Pro.
If you hit play, Guitar Pro will repeat this highlighted section over and over. Do this and make sure you’re happy with how it sounds. You can adjust the highlighted section to make sure it sounds natural every time the loop repeats.
The tool uses a percentage of the song’s tempo, so play around with this setting until you find the tempo that works for your current skill level of the part you want to practice.
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This song is at 207bpm, so when the speed trainer starts, GP7 will play back at 103bpm (50% of 207bpm). This matches the starting tempo I mentioned in the previous step, so I can go on to the next step.
Remember you can easily raise or lower the starting tempo as needed, so don’t worry about finding the perfect starting tempo on your first attempt.
The best approach here is to make the increase so small that you don’t even notice the tempo has changed. You want the next repetition to feel almost identical to the one you just played.
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Depending on the starting tempo and the length of the lick, you probably only need to set the increase at 1 or 2% per repetition.
If you set it to any higher than 1 or 2% per repetition, you’ll find that the lick quickly spirals out of control as the tempo increases.
In this example, my song is 207bpm, which means a 1% increase will raise the tempo by 2bpm. If your song is 120bpm, a 1% increase will raise your song by 1.2bpm each repetition.
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If you find this increases the tempo too quickly, you can change it so the speed trainer only increases the tempo after a few repetitions. This gives you time to adapt to the current tempo before it increases again.
This is a good way to work on really complicated parts as it gives you plenty of time to work on the current tempo before the speed trainer increases the tempo.
Your ultimate goal is to be able to play the part at full speed with ease. But it’s a good idea to gradually work up to this level.
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The maximum tempo you should set should be the tempo where you start to make mistakes. The only way to find this level is to practice the part with the speed trainer and take note when you start to make mistakes.
Pay attention to the tempo section on the screen and as soon as you feel any difficulty in your playing or you make a mistake, take a look at what the relative speed is as shown below:
The above screenshot shows that the current relative speed is 53% and the current tempo is 109bpm. As soon as you find the part starts to feel difficult, look at the current relative speed and use it as your maximum tempo. In this example, I’ve set 70% as my maximum relative speed:
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Hopefully, it’s clear why this is an excellent way to practice anything on guitar. This tool in GP7 gives you complete control over any part you want to work on.
As you improve your ability with this part, you can gradually raise the maximum tempo until it is 100% (or higher if you want to push yourself!).
For some parts, muting all the other instruments and turning on the metronome lets you focus on what you’re playing. You won’t get distracted by other instruments and you won’t be able to hide your mistakes in the backing sounds.
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For some parts where the metronome doesn’t line up well with the part you want to practice, practicing along with the drums or other instruments may be a better option.
Start by leaving the guitar track turned on, then mute the track after you feel completely confident with your abilities. Practicing the part with the guitar
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