Anyone who has seen Steve Vai in ‘Crossroads’ knows the legendary scene in which he defeats his opponent by bending into the 29th fret.
We will tell you all you need to know about this technique and how you can amaze your audience with string bends.
Reading very long text is not for you? No problem – in the following video we’ll explain to you what bending on the guitar is all about.
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Bending is a playing technique that is mostly used on the electric guitar. You strike a guitar string and bend it up or down.
There are different ways to apply this technique. You should already know what half steps are – the following two examples illustrate the differences:
Pull a string at the pitch of the note that follows the bending – it is located on the next higher string.
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If the string needs to be pulled in the fourth fret to reach the target tone in the fifth fret (semitone bending), the notation looks as follows:
1) Of course you can use any finger for bending. If you use both the ring and middle fingers to pull the strings, you will have a lot more strength.
2) Avoid nasty background noise. Other strings like to slide under the pulled one. Mute the remaining strings with your index finger by touching them lightly (do not press them!).
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3) Place your thumb over the edge of the fretboard. This creates a fist whilst bending. Due to the counter-pressure of the thumb, you will need less force to pull the strings.
5) Finish the bend in style. Otherwise, the playing technique will quickly make your guitar sound crooked or out of tune. “Brake” the sound before you take the pressure off the string. Another fancy option: Go from a bend into a vibrato.
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Fingerpicking is THE technique to add depth to your songs. Find instructions, a simple pattern as a tab as well as songs and tips for picking strings.If you have really strong hands and low string tension, you might be able to do two-step bends—raising the pitch to match the note four frets up.
If the band is playing an A chord, then any melody/lick/solo that lands on the three notes of the A chord will sound good.
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Confining ourselves to just three notes gets boring real fast. But we can play literally any other note and make it sound good by “resolving” back to those chord tones.
Because everyone’s hands are different, I can’t give you a recipe for perfect bending. But I can show you where to start looking.
You hit a note & bend it up to a new pitch. Through some combination of pick hand muting and fret hand damping, we don’t hear it come back down.
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That one brought the bend back down without re-articulating the note, but it’s just as common to pick it again when you go to release it:
Usually this happens on strings 2 & 3. Weirdly, bending the two strings the same distance results in a whole-step bend on the 3rd string, and a half-step bend on the 2nd string:
You don’t have to “master” any of these before moving on to the next. Just look for something you think will be fun to play, and have a good time.
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Even though there’s no bass, keys, or other guitar, you can totally hear the implied chords simply because I played minor-to-major-third for each one.
It’s not just outlining chords with minor to major thirds. The blues also gets a lot of mileage out the ambiguity between major and minor.
Which is pretty weird. In most other cases, hanging out on the note one fret away from a chord tone sounds unpleasant.
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(I mean, we play adjacent notes all the time and it sounds awesome—*if* you resolve them to the chord tone. It’s that whole tension-and-release thing. But sustaining a “wrong” note never sounds as good as it does in the blues.)
Humans in every culture everywhere in the world seem to enjoy the sound of the pentatonic scale. It’s like it’s hardwired into our brains.
If you’re a piano player, you’re stuck with the pitches the piano keys give you. But if you play violin or guitar or you sing, you get access to a whole bunch of in-between notes.
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And when you listen to instruments with access to these in-between notes play the pentatonic scale, the third is usually *in between* minor and major!
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