As catchy and singable as most Beatles songs are, they did not make themselves legends by writing songs that were easy for beginning guitar players.
This song is in the key of C major. The verse chords are C, G7, C7, F. Then, on the last line the chords change to F, Fm, C, A7, D7, G7, C.
(If you don't understand the above image please read our article How To Read Guitar Chordboxes In 60 Seconds. It will make everything clear!)
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To strum, you can use alternating bass strumming. To do this, on the 1st and 3rd beat of the bar, instead of strumming on these beats, pick the lowest note in the chord instead.
Working something out ‘by ear’ is when you listen to a piece of music and work out how to play it with just your guitar and ears.
As this song is in the key of C major, you can use the C major scale to figure out the opening melody in this song.
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If you know how to play a C major scale, you can find nearly every note in the intro. For help with the C major scale, check out our article on major scale guitar.
Eventually, you’ll be able to do this with whole phrases. But to begin with, start with individual notes to train your ears.
REM’s “Driver 8” is a great introduction to playing from tablature. The riffs are simple but fast, so add this one to your growing intermediate guitar songs collection.
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The chorus of the song changes key to D major, and the chords are D, D/C, D/B until ending with an arpeggiated Em7.
D/F#, D/C, and D/B are slash chords, which start cropping up in intermediate guitar songs. The chord shape is modified so that the lowest note you hear in the chord is some note other than the root.
Weaving riffs into your strumming is a new skill in many intermediate guitar songs. “Driver 8” has two of them: one kicks off the song, and the other wraps up the chorus. Check these out:
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The chords in the verse are Bm, D/F#, G, A. The pre-chorus goes back and forth between A, D/F#, and G. The chorus is A and E.
Syncopation is when accents, or stronger strums, happen between the beats. It is what gives songs drive, funk, and coolness, and syncopation is an essential strumming tool to master for intermediate guitar songs.
For ideas on how to strum “In Your Eyes” and other intermediate guitar songs, check out this lesson: Strumming Patterns: 5 Essential Patterns
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Everyone should know how to play “Give a Little Bit” by Supertramp. It is one of the greatest intermediate guitar songs of all time, and it is also a mandatory singalong.
All we’re going to tell you is that the song is in the key of D major and that it mainly uses the chords in the key of D major (with a couple of exceptions).
Give the song a little listen and see whether you can figure out the chords. Listen for the major and minor chords and see if you can figure them out.
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It sounds like down, down up down, down up. To accommodate this rhythm, you may want to change your chords in the verse a half beat early. Listen to the song and try to copy the rhythm and you’ll get it!
This song has a fantastically satisfying outro, featuring the twin benefits of sounding very cool and being surprisingly easy to play, which makes “Give a Little Bit” one of the most universally impressive intermediate guitar songs.
Move the D shape to the seventh fret, and then the ninth fret, and then back down the same way. That trick is interspersed with D/C and G/B.
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The opening track from Neil Young and Crazy Horse’s 1970 album Everybody Knows This Is Nowhere, “Cinnamon Girl” is a heavy rocker and one of five great intermediate guitar songs on the album.
What makes “Cinnamon Girl” a heavy song is the double drop D tuning. This tuning turns half your guitar strings into D and creates a nice drone. All you have to do is tune both of your E strings down a whole step to D. So, your guitar will be tuned as follows:
The verse chords are D, Am7, C, and G. Only the D and G need to be modified. In the bridge, the chords are C, Am7, Gm7.
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The strumming for “Cinnamon Girl, ” of all the intermediate guitar songs in this guitar lesson, is the simplest. You will get the most out of the double drop D tuning by playing an eighth note rhythm with all down strums.
The main reason this is one of the greatest intermediate guitar songs out there is that there are three rocking riffs to play throughout. You can find these riffs in the downloadable PDF.
Pro-tip: Do not be afraid of alternate tunings! Especially with intermediate guitar songs, alternate tunings are there to make it easier to play a song in a certain key with just a few simple chord shapes.
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So as a challenge to you, we’ve provided you with the chords and the tab, but it’s up to you to work out the strumming patterns on your own.
What makes “Tennessee Waltz” one of the staple intermediate guitar songs is the combination of fingerstyle pattern and fills. Use the example above to build your fingerstyle arrangement.
This song is a 12-bar blues with some tasty modifications, which may make it one of the more challenging intermediate guitar songs.
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If you record yourself playing “Stormy Monday, ” you can play it back and use the progression to learn to improvise. You are in the key of G major, so you can use the G major or minor pentatonic or blues scale to create some classic blues licks.
To introduce more jazzy chords into your intermediate guitar songs, here is “Just the Two of Us” with Bill Withers and Grover Washington, Jr.
This song is recorded in the key of D flat major, which is a horrible key for guitar, but there are thousands of inconvenient guitar songs that can be turned into comfortable intermediate guitar songs with the use of a capo.
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When intermediate guitar songs have very frequent, fast, or fancy chord changes, it’s best to keep the rhythm simple to let the harmony come out. Intermediate Guitar Songs Challenge #4 – Transcribing Other Instruments
We’ll give you a clue, it uses a descending pattern of four notes in the pentatonic scale that can be easily played over two strings.
This song is in the key of B and has five chords: Bsus4, F#m7, E, G, and A. The Bsus4 to F#m7 change is a neat trick:
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Nobody thinks of “Learn to Fly” as having a calypso beat, but the rhythm in this song can be tricky for some guitarists. Listen to the song carefully and try and replicate this epic strumming pattern.
When working on intermediate guitar songs, it’s important to make note of what skills you are developing. If you’ve learned every song in this guitar lesson, you will have developed the following skills:
These are crucial elements of learning the guitar and will allow you to progress into an advanced guitarist in no time. Remember, to take hold of these concepts and apply them into other songs. You’re a guitar arranger!
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Unfortunately we don’t always have all three major chords in a song, so to help you along, here’s a table that shows all the chords in all the keys:
This scale should be the first lead guitar scale that you learn, it is one of THE most popular lead guitar scales.
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To learn more about how to play the blues go here: Blues Guitar Lessons – 4 Ways To Sound Awesome Quickly When can I use these scales?
If these are the first scales that you have learnt, we recommend focusing on the A minor pentatonic scale for the first 6 months of your guitar journey. It’s best to be able to use ONE scale well, rather than know 10 scales and not be able to use them musically.
If you’re new to lead guitar, here are some essential tips which will help get you started on your lead guitar journey.
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If you’re playing lead guitar, you don’t want to over power the music. Give it room to breathe. Add something which compliments the music.
Effects are meant to garnish your guitar sound. Use them sparingly. For example, you wouldn’t want to pile on the gain if you’re playing a ballad.
There’s nothing worse than two guitarists playing the EXACT same chord voicings. If you both want to play chords, make sure that you play a different voicings.
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To learn more about how to play guitar scales in ALL keys and theory, check out these lessons: Learn Guitar Scales In 8 Easy Steps Guitar Theory – A 5 Step Guide
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