An octave stomp can open creative doors in myriad ways—from adding muscle to your sound to unleashing octave-fuzz assaults, simulating a 12-string, and more.
Whether fattening up your clean tone, creating an all-out octave-fuzz assault, simulating a 12-string, or something just completely different, an octave effect can turn your guitar into a whole ’nother animal and inspire your sound crafting. We’ve rounded up a sampling of 10 solid options for you to get your octave on.
Features on this updated classic include a vintage mode for the mono sound of the OC-2, a poly mode for chord playing, and a new octave-up effect which can be blended with the octave-down effects.
Best Octave Pedals 2023: With Octave Up And Octave Down Options
Like the original, this stompbox has a frequency doubler to create an octave-up effect, which cleans up nicely for ring-modulator-style sounds to all-out huge octave fuzz.
This polyphonic octave pedal features an old-school monophonic octaver and individual blend controls for dry, octave-up, and two sub-octaves—to cover everything from complex chords to groovy single-note lines.
This analog octave-up pedal features the octave effect from EarthQuaker’s Hoof Reaper, and makes easy work of going high and tearing loose with it’s no-control design.
Boss Oc 5 Guitar/bass Polyphonic Octave Pedal
Featuring 11 different octave modes and the ability to adjust the lower, upper, and sub sections of a signal, this mini was designed to deliver precise octave effects with no distortion.
This pedal’s preamp section is specially voiced for very dynamic playing response for high-octave lead tones on the neck’s higher registers, but also a big array of fuzz tones anywhere else on the neck.
Here’s a quad-octave generator that provides the ability to conjure up any combination of four separate octaves, and features three presets, a filter control, and a tremolo effect.
Boss Oc5 Octave Pedal
The smallest member of the POG family, this polyphonic octave generator was designed for stellar tracking, features separate level dials for dry, sub-octave, and octave-up, and houses an extra dry out.
This analog octave-up pedal lets you play up either one or two octaves, and features separate volume dials for each channel along with four internal gain trimmers to adjust for playing style.These cookies are necessary for the functioning of the website and cannot be deactivated in your system. Generally, these cookies are only created based on actions you take in response to a service request, such as setting your privacy preferences, logging in, or filling out forms.
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Boss Oc 5 Octave Pedal Effect Device Octaver + Keepdrum 9v Power Supply
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Dunlop Slash Octave Fuzz Guitar Effects Pedal
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Electro Harmonix Micro Pog Octave Guitar Effect S Pedal
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Octaver effect pedal for electric guitar and electric bass, Vintage mode with or-2 sound, Poly mode, Polyphonic tracking, Direc... All product info
Electro Harmonix Pico Pog Polyphonic Octave Generator Pedal *in Stock*
The Boss OC-5 Octave effect pedal is a particularly versatile octaver for electric guitar and electric bass, whose next-generation tracking engine promises particularly precise sound experiences. While the Vintage mode provides the classic sound of the Boss OC-2 with one octave above and two octaves below the played note, the Poly mode captures even complex chords with polyphonic precision. Here, the Range knob allows you to limit the octave effect to the low notes of the instrument being used, so there are no limits to creative expression. Last but not least, the
Great Octaver pedal, The fact that you can adjust the frequency setting to only have the 2 lower strings affected is brilliant!This quest originally started with my considering various Octave Fuzz pedals - in fact if you look up ’Octave’ on a typical guitar store, the majority of pedals revealed are of the fuzz type. I spent long and hard considering exactly which pedal to get, and if it should be the Hendrix octave up, octave down or in both directions. Having considered everything on offer in that category, I decided that I would probably be better off getting a fully stand-alone octave pedal which I could then apply to various pedals in my chain.
Within the domain of Octaves and Pitch-Shifting, much like with synth pedals - Electro-Harmonix is king - with all manner of different offerings - some indeed overlapping with the synth category - including POG and HOG. It is very rare that I select two pedals from the same manufacture but I have done so here, as both are much loved and widely used - the full-fat POG 2, and the more streamlined Pitch Fork.
Caroline Guitar Company Shigeharu Ic Fuzz + Octave
We can’t discount the first ever polyphonic octave pedal either - Boss’s Super Octave, which has a sort of mini-me in the form of the Mooer Pure Octave - albeit the latter smaller pedal has more octave options, but not the 3 modes of the Boss. Another company which is a relative recently arrived yet formidable competitor to EHX has several pedals of its own in this area, I have elected to go with the Organizer.
My preferred pedal in this assortment is the one I own - TC Electronic’s Sub ’n’ Up - which has 2 x Sub + 1 x Super and a 3-way mode toggle with Poly, Vintage and TonePrint options. As with all TCE pedals the Tone Print options is genius and gives you a lovely Hammond-style organ sound by default, but you can always switch it out for something more to your liking. You could conceivably improve this pedal by adding 2 further dials - one for an additional Super Octave, and another to act as a mode switch - to give you more direct and immediate access to more tones - in particular more Tone Prints. TCE could easily offer up a few more default flavours with the now standard 3 TonePrint slots too. Yet even without any of those, this is still the pedal to beat really - super versatile and flexible, and nothing else comes close in that form factor. If you want to go larger then POG, Great Divide and Luminary are all fine choices, but for me personally they are a little on the big side - and while some have presets, they don’t quite have the scope of what is truly capable with the Sub ’n’ Up.
The bottom row is a touch more specialist with the T-Rex Quint Machine uniquely offering a 5th tone up dial - to marry with sub and super octaves. Then we have the POG-esque TWA Great Divide with its many modes and Synth options, and lastly but far from the least is Walrus’s 2 x Sub
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