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In order to play bass guitar well, you need to acquaint yourself with some important chords and modes (scales). A basic understanding of music will help you master these approaches, but here’s an overview of what you need to know:
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Basic chords, or triads: These consist of the three most important notes of any musical scale: root (1st), 3rd, and 5th. You can find the notes for the triad by playing any scale up to the 5th note, skipping every other note.
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7th chords: A 7th chord has one more note than the triad — the 7. The sound of a 7th chord is a little more complex than the sound of a triad, and it’s extensively used in contemporary music.
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Modes, or scales: In almost all songs, one mode (scale) predominates. Mode is simply a fancy word for a musical scale. Know the mode you’re playing in, and you’re well on your way to providing great bass lines for any song.
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Solo scales: A solo scale is exactly what it sounds like — a scale you play when you’re soloing or the featured player in a band. Solos are usually reserved for traditional melody instruments, such as saxophones, but bassists are also asked to perform solos on occasion.
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Following is a readily accessible diagram of the most important chords and modes for your bass playing endeavors. The open circles on each diagram represent the root of a chord or scale — the starting point for your fingers. The black dots represent the chord- and scale-tones.
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You only need three strings to complete an octave, thus the three string diagrams presented here — even though your bass has four or more strings.
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In order to play bass guitar well, you need to acquaint yourself with some important chords and modes (scales). A basic understanding of music will help you master these approaches, but here’s an overview of what you need to know:
n
n
Basic chords, or triads: These consist of the three most important notes of any musical scale: root (1st), 3rd, and 5th. You can find the notes for the triad by playing any scale up to the 5th note, skipping every other note.
n
n
7th chords: A 7th chord has one more note than the triad — the 7. The sound of a 7th chord is a little more complex than the sound of a triad, and it’s extensively used in contemporary music.
n
n
Modes, or scales: In almost all songs, one mode (scale) predominates. Mode is simply a fancy word for a musical scale. Know the mode you’re playing in, and you’re well on your way to providing great bass lines for any song.
n
n
Solo scales: A solo scale is exactly what it sounds like — a scale you play when you’re soloing or the featured player in a band. Solos are usually reserved for traditional melody instruments, such as saxophones, but bassists are also asked to perform solos on occasion.
n
n
n
Following is a readily accessible diagram of the most important chords and modes for your bass playing endeavors. The open circles on each diagram represent the root of a chord or scale — the starting point for your fingers. The black dots represent the chord- and scale-tones.
n
You only need three strings to complete an octave, thus the three string diagrams presented here — even though your bass has four or more strings.
Patrick Pfeiffer is a professional bassist, bass educator, and composer. His former clients include Polygram, Red Ant Records, Arista Records, and other major labels as well as Adam Clayton of U2. He has recorded with George Clinton, Phoebe Snow, Jimmy Norman of the Coasters, Paul Griffin and Bernard Purdie of Steely Dan, and many other stars.
In order to play bass guitar well, you need to acquaint yourself with some important chords and modes (scales). A basic understanding of music will help you master these approaches, but here’s an overview of what you need to know:
Following is a readily accessible diagram of the most important chords and modes for your bass playing endeavors. The open circles on each diagram represent the root of a chord or scale — the starting point for your fingers. The black dots represent the chord- and scale-tones.
Free Bass Guitar Theory Chord Chart
You only need three strings to complete an octave, thus the three string diagrams presented here — even though your bass has four or more strings.
About the book author: Patrick Pfeiffer is a professional bassist, bass educator, and composer. His former clients include Polygram, Red Ant Records, Arista Records, and other major labels as well as Adam Clayton of U2. He has recorded with George Clinton, Phoebe Snow, Jimmy Norman of the Coasters, Paul Griffin and Bernard Purdie of Steely Dan, and many other stars.Knowing music theory means nothing unless you can make some music from it. It doesn't matter if you're just jamming, playing a solo bass gig, composing or playing in a band; you want to be able to make music from the ideas you learn, right? Learning how to form chord voicings will give you a powerful tool to start making the kind of music you want.
A chord is simply a collection of three or more notes played together at the same time. The notes within a chord are called the voices and there are many chord voicings. The notes from chords come from scales and the video lesson (and this post) uses C major as an example. The principle applies to
How To Convert Guitar Chords To Bass
The notes of C major are C D E F G A B C and a very basic chord is formed by playing the 1st, 3rd and 5th notes together. This gives us C, E, and G (C D E F G A B C). These are intervals and you should know them inside out. Check this lesson out for a thorough explanation.
The notes are spaced apart to avoid a muddy sound - something that a bass guitar is prone to with its low frequencies. The chords of Blackbird by The Beatles are voiced in this way.
In C major, the second note is D. We get two lovely voicings using this note: C sus2 and C add9. 'Sus' stands for 'suspended' and it means the chord contains no major third. Compare the sus2 chord to the add9 and you'll see the add9 chord
Buy Bass Guitar Chords Book Online
Yes, I know these are chords played on electric guitars but that's obviously what you'll hear far more often in recorded music. You will start to recognise these voicings when you listen to songs that contain them and you can then use those ideas as a springboard for your own.
This is technically not a chord as it only contains two notes (it's a double stop or diad) but it's so common and useful I have to mention it. Just playing a root and a tenth gives you a very cool sound; most famously heard on Herbie Flowers' iconic bassline on Walk On The Wild Side By Lou Rawls.
Adding the fourth note into a chord gives us a sus4 chord. This chord tends to have an unresolved quality which is why the fourth is often followed by the major third. This resolves the tension of the fourth. Tension and release feature a lot in all styles of music. Pinball Wizard by The Who is a great example of the way sus4 chords are often used.
These monsters are the lifeblood of rock music. Jaco also used them quite a lot though too (example at 4:04 in the video below):
Try taking the above shape and moving it onto any note of the C major scale (apart from the 7th note - B. That note
Yes, I know these are chords played on electric guitars but that's obviously what you'll hear far more often in recorded music. You will start to recognise these voicings when you listen to songs that contain them and you can then use those ideas as a springboard for your own.
This is technically not a chord as it only contains two notes (it's a double stop or diad) but it's so common and useful I have to mention it. Just playing a root and a tenth gives you a very cool sound; most famously heard on Herbie Flowers' iconic bassline on Walk On The Wild Side By Lou Rawls.
Adding the fourth note into a chord gives us a sus4 chord. This chord tends to have an unresolved quality which is why the fourth is often followed by the major third. This resolves the tension of the fourth. Tension and release feature a lot in all styles of music. Pinball Wizard by The Who is a great example of the way sus4 chords are often used.
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