Michigan rockers Greta Van Fleet brought their “March of the Peaceful Army” tour to the Jersey Shore on Saturday night, performing at the legendary Asbury Park venue the Stone Pony’s Summer Stage.
The band packed the outdoor venue on a moonlit, summer-seeming night in what staffers said was the series’ fastest-selling concert to date, with even more fans trying to sneak a peek from the parking lot, surrounding rooftop bars, and the boardwalk.
The quartet — 22-year-old twin brothers Josh (vocals) and Jake Kiszka (guitar), younger brother/bassist Sam and drummer Danny Wagner — has ridden to fame and/or infamy by plying a retro sound very reminiscent of Led Zeppelin. But the crowd on this night was generally young, and even more remarkably, spent little time filming the group on their phones , although between their rock-star moves and some popping lights and pyro, there was plenty to look at.
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But perhaps what Greta Van Fleet does best is keep alive another age-old rock band tradition: instrument solos. The fireworks started almost immediately with the set opener “When the Curtain Falls, ” which came complete with a mini-bass solo while pyro went off at the sides of the stage. Later in the set, Josh led the audience in a wordless singalong during “Flower Power” while his brother played a Duane Allman-influenced solo, and Wagner took off on a solo of his own during the closing “Safari Song.” Yet arguably the greatest solo of the night belonged to Josh’s outfit, a wild combination including red leather pants and moccasins that was a work of art in itself.
The group is on tour for most of the year, crossing the States before heading to Europe and Australia over the summer before launching a full-scale North American fall tour on Sept. 21.
By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.In a new interview, Greta Van Fleet‘s Jake Kiszka has opened up his love for the Gibson ’61 Les Paul SG, and the way he makes music.
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“My SG is my number one, ” the ist admits to World. “I love that , and we’ve done a lot together. So that’s usually my main paintbrush while I’m in the studio. But I’m open to other s and use them as I need to.”
“I guess I don’t always pay attention to those sorts of details, ” he said, “I’m more about creating textures while painting, so to speak. But I love how you can layer s and make profoundly complex and outrageous sounds”.
He also said that his playing on the new record is more bluesy than on Greta Van Fleet’s previous two albums. When
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Asked him whether he chases sounds or lets them come to him, he said, “I think maybe a lot of players do chase sounds, but I don’t really go about it that way. I’ve always had a classic sound but never pursued that. I think subconsciously, a lot of that has been driven deep within my DNA as a player.
“That said, there are certain sounds that I’m trying to achieve, but I’m not necessarily trying to emulate something that has been done before.”
In an interview with , published last month, Kiszka discussed a formative experience of listening to an Eric Clapton solo, but said that his early are as varied as blues, classical, folk and jazz – as well as plenty of the classic rock he discovered a little later.
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2 “We can scream and wail to show rage, and also create these beautiful harmonies that show solidarity and love”: HAWXX on the pure catharsis of metal
Asked him whether he chases sounds or lets them come to him, he said, “I think maybe a lot of players do chase sounds, but I don’t really go about it that way. I’ve always had a classic sound but never pursued that. I think subconsciously, a lot of that has been driven deep within my DNA as a player.
“That said, there are certain sounds that I’m trying to achieve, but I’m not necessarily trying to emulate something that has been done before.”
In an interview with , published last month, Kiszka discussed a formative experience of listening to an Eric Clapton solo, but said that his early are as varied as blues, classical, folk and jazz – as well as plenty of the classic rock he discovered a little later.
Neues Album Greta Van Fleet
1 “We’re a very loud band. The energy from that contributes to the way we play” How Dusk blend punk and Americana to create a three- barnburner
2 “We can scream and wail to show rage, and also create these beautiful harmonies that show solidarity and love”: HAWXX on the pure catharsis of metal
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