Because of the complexity of harmony in the standard repertoire and the freedom of expression inherent within the genre, jazz requires that guitarists develop a flexible and diverse chord vocabulary. In this lesson, we’ll look at strategies for building four-part seventh chord voicings, their inversions, and voice leading through common jazz progressions.
The term four-part chord voicing refers to a class of four-note seventh chord voicings in which the root, third, fifth, and seventh are all included in the voicing and represented on separate strings. With regard to these voicings, you might think of the guitar as a self-contained string quartet or soprano-alto-tenor-bass vocal choir, particularly when we start working on voice leading later in the chapter. There are six basic groups of voicings:
This chart shows the formulas for the layout of basic four part seventh chords. The numbers represent the voices arranged in order from the lowest pitch to the highest. For example, a chord from group one (1–3–5–7) would be voiced with the root on the bottom, followed by the third, fifth, and seventh, in that order (although jazz guitarists also play inversions for each group, which we’ll get into later). Voicings arranged as described in group one (1–3–5–7) are a favorite of pianists and big-band horn sections, and are commonly referred to as four-way close voicings because all of the notes in the voicings are stacked up in numerical order and contained within a single octave. On guitar, these voicings can be extremely difficult to play in standard tuning, although some four-way close voicings and inversions are possible. You’ll note that a couple of these voicings require a bit of a stretch, so be sure to keep your thumb down low behind the neck to facilitate easier stretching with your fretting hand—if they’re still too difficult, feel free to play them as arpeggios. Example 1 shows a brief melody harmonized by a few of the most common guitar-friendly voicings from this group.
Voicings Jazz (dm7 G7 Cmaj7 A7) Chords
If the chords in group two (1–3–7–5) look familiar, it may be because they are essentially guide tone voicings on the bottom with a fifth on top. In these voicings, the fifth is moved up to the next octave, making them much easier to play than the voicings in group one. Example 2 shows 1–3–7–5 voicings harmonizing individual melody notes. As you can see, these chords are perfectly suited for solo guitar playing; it’s as if there are two different guitarists, one playing the melody on top and one playing guide tone voicings below.(If you don't understand the above image please read our article How To Read Guitar Chordboxes In 60 Seconds. It will make everything clear!)
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We refer to this as chord as the ‘E7 barre shape’ because the core part of this chord is based on an E7 chord.
Mastering The Fretboard: The Dominant 7(#11) Chords
Barre chords are tricky, there’s no hiding that. Here are 3 quick & easy tips from Mike which will help you master barre chords:
Notice how both chords share the same root, 3rd and 5th notes. It’s the ‘F note’ which turns this chord into a dominant 7th.
As we’re talking about how the G7 chord can be played on guitar, in today’s lesson we’re going to refer to this chord as the ‘G7 guitar chord’.
The Definitive Jazz Guitar Chord Chart For Beginners
In the guitar world, we refer to this chord G7 guitar chord as the ‘C7 shape’ because it uses the EXACT same shape as a regular C7 chord.
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To play this chord, you must avoid playing the top 3 strings. Learn to do this here: How To Skip Strings While Strumming
Jazz Guitar Chord Voicings
This works because the C7 shape, is moveable. This means that you can move this chord shape around the fret board to play the chord in a different key.
If you find that barring a whole chord is too difficult, but playing an open chord is easy. Try playing this chord.
Here are 4 essential tips which will help you master the G7 guitar chord. These methods are tried and tested in thousands of hours of real world guitar lessons.
G Open Chords
This engages your muscle memory and teaches you to remember the chord. However, it’s vital that you can play the chord correctly BEFORE you squeeze your fretting hand.
The best way to do this is to practice each chord from the lowest point of the fret board, and ascend to the highest point.
To learn more blues guitar, go here: Blues Guitar Lessons For Beginners – 4 Ways To Sound Awesome Quickly 2) ‘Imagine’ by John Lennon
G7 Ukulele Chord
Even though the G7 chord isn’t featured heavily in this song, it does pop up in the verse. You can listen to this song here on Spotify.
This track was THE ballad of the 1990s. Ironically, Extreme were originally a heavy rock band, however this ballad is put them on the map.
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How To Make Your Own Great Sounding Modern Jazz Chord Progressions
Popular Lessons How To Learn Guitar: An 11-Step Programme For Beginners 10 Easy Songs For Beginners How To Strum A Guitar How To Choose The Perfect Beginner Guitar Guitar Notes Explained: A Guide For Beginners How To Play Lead Guitar 3 Easy Ways To Play Bm More Cool Guitar Stuff Learn about National Guitar Academy: About Us Visit our YouTube channel for fun guitar videos. Join us on Facebook for daily guitar tips. Listen to our Learn Guitar Podcast for rapid guitar progress. Check out our free chord lessons.Shell voicings are a family of chord shapes found on the lower strings of the guitar, which include only the essential tones (1, 3 and 7) of each chord. These voicings were pioneered by guitarists like Freddie Green and Django Reinhardt, and are a staple of traditional jazz guitar playing.
For our purposes, they are one of the best ways to either get back to basics (to better understand harmony on the guitar) or to get started comping. So, forget about memorizing tons of chord shapes - you simply need a few basic shell voicings!
As an analogy, shell voicings for jazz guitarists are akin to learning your C, D, E, G and F open chords when first starting to play guitar.
How To Play Rootless Jazz Guitar Chords
The 3-note shells describe the harmony perfectly because they contain the essential notesof the chord: degrees 1, 3 and 7. By playing
Not only will you be able to comp through entire tunes with these easy-to-learn, easy-to-play and *good sounding* shell voicings, but also:
Once we don't have to play bass anymore, oh boy, watch out!Hear Wes Montgomery play these fast chord runs? ... all rootless voicings!
G Guitar Chords
What you are doing instead of always proceeding by shapes. From there it becomes easier to extend to more advanced (rootless) voicings and so on.
I love playing the blues. In the video (above) we apply 3-note chords to the blues in Bb. Nothing fancy, just a 3-chord blues using 3-note chords on my 3-dollar guitar. (Ok, not really!) For the gearheads: it's a Takamine EC 132 SC. ;-)
I highly encourage you to use that Bb blues in the video as your starting point. Play along with the video, and immediately after, play by yourself at faster tempos. Attempt to play by rote! Then see if you can play the exact same blues progression but in the key of
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