With an illustrious history dating back to 1946, has touched and transformed music worldwide and in nearly every genre: rock ‘n’ roll, country and western, jazz, rhythm and blues and many others.
Everyone from beginners and hobbyists to the world’s most acclaimed artists and performers have used instruments and amps, in the process making the company not only a revered music industry name, but also a cultural icon.
It is our vision to continue championing THE SPIRIT OF ROCK-N-ROLL® throughout the world and our mission to exceed the expectations of music enthusiasts worldwide.
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Leo wanted to craft an instrument that was as functional as it was easy to use. It was a primitive-looking object that was tough as nails, its powerful name inspired by another groundbreaking invention: the television. And with its revolutionary electrified tone, it would change the way music was made—forever. When someone asks, “Why electrics?” the answer is clear. guitars were designed to be louder, and exciting tones they produced are still engrained into our cultural DNA.
In 1951, we wanted to liberate musicians from the confines of the upright bass. And we did it by introducing a brand-new instrument with a bold, new sound. That instrument was the Precision Bass®, a name that would not only become synonymous with rock ‘n’ roll, but also shape its very being. As time went on, we created new instruments to cater to a new, evolving type of musician: the electric bassist. Each one was and still is a driving force behind the greatest moment in music—of every era, of every genre. Period.
With an illustrious history dating back to 1946, has touched and transformed music worldwide and in nearly every genre: rock ‘n’ roll, country and western, jazz, rhythm and blues, and many others. Everyone from beginners and hobbyists to the world’s most acclaimed artists and performers have used instruments and amps, and legendary instruments such as the Telecaster® and Stratocaster® guitars and Precision® and Jazz® bass guitars are universally acclaimed as design classics.
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In the 1940s, southern California inventor Leo realized that he could improve on the amplified hollow-body instruments of the day by using an innovative and rather simple solid-body electric guitar design. Further, he realized that he could streamline the process of building them.
In 1951 he introduced a prototype solid-body instrument that would eventually be called the Telecaster® guitar. The Tele®, as it was often called then and still is today, was the first solid-body Spanish-style electric guitar to be commercially mass-produced.
That same year, introduced a revolutionary new invention—the Precision Bass guitar. It was played like a guitar and had frets so that it could be played with “precision, ” and it could be amplified, thus liberating bassists from unwieldy and increasingly difficult-to-hear acoustic basses.
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These two historic instruments laid the foundation for a new kind of group and a revolution in popular music—what we know today as the modern rock combo. As opposed to the “big bands” of the era, electric instruments made it possible for smaller groups of musicians to get together and be heard.
The Stratocaster first appeared in 1954, incorporating many design innovations based on feedback from professional musicians, staff and Leo himself. Its third single-coil pickup offered more tonal possibilities, its sleekly contoured body made it more comfortable, and its double cutaway design made access to upper registers much easier.
Most important, however, was the addition of the new vibrato (or “tremolo”) bridge, an innovation originally intended to let guitarists bend strings, thus achieving the pedal steel-like sound so popular among country music artists of the day.
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Nobody could have foreseen then how the Stratocaster would go on to revolutionize popular music. Essentially unchanged since its 1954 debut, it is the most popular and influential electric guitar ever, and players at all levels and in all genres continue to rely on its sound, playability and versatility to this day.
Leo himself remained an immensely creative force over the next decade, introducing many classic instrument and amplifier designs, including the Jazz Bass® guitar, the Jaguar® and Jazzmaster® guitars and the Twin Reverb® amplifier.
Because of poor health, Leo sold the company to CBS in 1965. Musical Instruments experienced tremendous growth over the next 20 years, but a lack of commitment and real understanding of music and musicians by CBS gradually became apparent.
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To “re-invent” , CBS recruited new management in 1981. William Schultz became company president, supported by associate William Mendello. Their 5-year business plan was based on increasing ’s marketplace presence with dramatic quality improvement and greater commitment to research and development.
When CBS shed its non-broadcast media businesses in the 1980s, a group of employees and investors led by Schultz bought from CBS in 1985. The sale put the name back into the hands of a small group of dedicated people committed to creating the world’s best guitars and amplifiers.
The new Musical Instruments Corporation (FMIC) had to start from scratch—there were no buildings or machinery included in the sale. Among other things, FMIC purchased the name, intellectual property and some leftover parts. Supported by a core group of loyal employees, dealers and suppliers (some of whom had been with the company since Leo founded it), Schultz and his colleagues set out to rebuild an American icon.
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The new initially imported its guitars from offshore manufacturers with proven ability to produce affordable and viable instruments, but the move toward greater quality control soon led to the establishment in 1985 of ’s flagship U.S. factory in Corona, Calif. A second modern manufacturing facility opened in 1987 in Ensenada, Mexico.
Also in 1987, the renowned Custom Shop opened at the Corona facility, creating dream instruments for professional guitarists and guitar enthusiasts. had always recognized the importance of an open-door policy for professional musicians, accommodating their requests for specific features on an individual basis. The Custom Shop has since become known worldwide and industry-wide as the pinnacle of craftsmanship and sheer instrumental artistry.
FMIC moved its corporate headquarters from Corona to Scottsdale, Ariz., in 1991. From there, coordinates its administration, marketing, advertising, sales and export operations in the United States and its international satellite facilities in England, France, Germany, Japan, Mexico, the Netherlands, Spain and Sweden. Schultz retired in 2005, and Mendello became CEO.
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Since its founding, FMIC has grown to be one of the world's leading marketers, manufacturers, and distributors of musical instruments. It manufactures and distributes everything guitarists and bassists need, from instruments, amplifiers, strings and accessories to professional audio products. became one of the world leaders by defining the sounds we hear, by meeting the needs of musicians, by creating quality products and by backing them up with service and stability. As FMIC forges into the 21st century, its management strives to maintain ’s status through a combination of business acumen and love for music.
Corporate headquarters is located in Scottsdale, Ariz., U.S.A., with manufacturing headquarters and the Custom Shop in Corona, Calif. FMIC markets using the brand names ®, Squier®, Charvel®, Gretsch®, Jackson®, and EVH®.
Stevie Ray Vaughan graces the cover of the October issue of Guitar World, which also dedicates a seven-page feature to the Stratocaster’s 60th Anniversary.
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In the October issue of Vintage Guitar, the magazine offers a history look of the Jazzmaster and takes a close look at a pre-production Jazzmaster that belonged to the late George Fullerton.
Paul Riario of Guitar World recently got his hands on three of ’s anniversary Stratocaster models that were released this year in celebration of the iconic guitar’s 60th birthday.
Guitar Player magazine joined in the celebration of the 60th anniversary of the Stratocaster in its September issue, available at newsstands now.If you're not familiar with the nomenclature of Ibanez guitars, it usually refers to the body shape first (In this case the AZ), followed by a sub-class for the body shape (ES for essential). The Essentials line was designed in tandem with Berklee College of Music Associate Professor Tomo Fujita.
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The goal was to make cheap electric guitars that students could learn on without compromising function, playability, and tone. This line of instruments is meant to grow with the student.
The scale length is a PRS-like 25 scale, which departs from the typical 25.5 scale lengths of the typical S type guitar. I deduce that this was meant to give younger players an easier time adapting to the guitar strings' tension.
The poplar body itself is slightly smaller and thinner than your average Strat. The shorter scale also encourages easier chording for fast changes. It also allows for thicker strings to get a beefier tone without sacrificing playability.
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It has a C-profile neck which is uncommon for Ibanez. The 10 radius Jatoba fretboard is home to 22 medium frets. The fretwork on my unit was finished well with no sharp edges. I could set it up to my standard 1.2mm action with no fret buzz.
As is the nature of guitars at this price, it is best to have your guitar professionally set up for you if
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