This month Martin Cooper nips up the M1 to check out the tight and punchy sound of Sheffield’s indie darlings, those Arctic Monkeys.
The Arctic Monkeys formed in 2002 in Sheffield, UK comprising Alex Turner on lead vocals, guitar and piano, Jamie Cook on guitar and piano, Nick O’Malley on bass and drummer Matt Helders. Their album, titled Whatever You Say I Am, That’s What I’m Not, is the fastest selling debut album in UK chart history. Among other accolades the band have won seven Brit awards, including Best British Group three times, and also been nominated for three Grammy Awards. Their debut also won the Mercury Prize in 2006 and they have headlined Glastonbury on two occasions.
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Arctic Monkeys Raffle Alex Turner's Guitar To Save The Leadmill, Sheffield And Uk...
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Arctic Monkeys’ resint songwriter-in-chief he may be, but Alex Turner can’t take credit forostinato riff, which was penned by bassist Nick O’Malley. And what a riff it is, livered initially by Turner and fellow guitarist Jamie Cook before O’Malley makes it a triple attack, playing in octave-down unison on bass.
Arctic Monkeys R U Mine?This month we’re looking at R U Mine?, the epic riff monster and lead single from Arctic Monkeys’ fifth studio album AM. The main riff is a catchy single-note line played on the guitar’s lower strings. It’s easy enough for most players to attempt and
Andy Nicholson, Bass Guitar With The Arctic Monkeys Performs On Stage At The Nme Brat Pack Awards Tour, Ulster Hall, Belfast, Northern Ireland Stock Photo
30-Minute LickbagSadly we lost the Monty Python actor Terry Jones recently so we’re celebrating his Python collaborator, Eric Idle who wrote many songs for their films. Work on the back-and-forth thumb and fingerpicking on one chord then change between C, F and G7, g
Riff LessonsFind your vios online at bit.ly/tg361audio (1955) Appears at: 0:00–0:34 Tempo: 238 bpm Key/scale: E major Main techniques: Travis picking, simultaneous bass, chords and melody Often cited as the first real rhythm and blues song to be record by
Melodic DoublestopsIf you’re not a fan of neo-soul guitar yet, that’s about to change! It’s a style full of smooth progressions, jazzy melodies, and intricate guitar techniques – what’s not to love? There are tons of talented artists putting out neo-soul goodness onlin
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Double ShotEarlier this year, Jackson announced that it was expanding its Pro Plus range, giving a tonal and spec bump to its Dinky and Soloist signs. Here we have the Dinky DKA (£1, 249) and DKAQ (£1, 349), which are essentially the same guitar, offered in eit
Welcome…Influence. It’s a word we musicians bandy around freely, but I do think it’s a difficult quality to assess. What does a noted guitarist have to do to be consired influential? And how much influence is more influence than the influence of another, eFrom the spiky thrills of their debut to the polished melodicism of their latest release, Arctic Monkeys have supplied some of this century’s most memorable moments.
, arrived in 2005, everything changed. Propelled by its motoring four-chord riff and set off by frontman Alex Turner’s distinctive wordplay and attractive twang, the band’s opening gambit featured a relatable urgency that entranced the UK. Their debut album,
Arctic Monkeys In Manila: A Memory That Will Take Forever To Fade
, its role has changed. Arctic Monkeys have eschewed riff-led structures in favour of more diverse arrangements. Subtler atmospherics and more restrained movements underlined the group’s expansive, mature compositions.
, widened the band’s palette even further, in the most cogent demonstration yet that Turner, Jamie Cook, Nick O’Malley and Matt Helders have no interest in sticking to any given niche.
In this discography spanning list, we’re spotlighting the key tracks that encapsulate Turner and Cook’s brilliance as players and writers of some of the 21st century’s most lightning-in-a-bottle riffs.
Gear Rundown: Alex Turner
Features a massive drop-D riff. It’s first deployed as a wiry, psych-pop motif before it emerges as a monster with a herculean swagger. The chorus resolves into F and A♯, a satisfying and brief respite from the riff’s mechanical circularity, but that doomy descent is never far away. The riff returns to ladder the track back to its open D root again and again, making this one of Arctic Monkeys’ heaviest works. Married to some of Turner’s most surreal lyrics (“
The first single from the band’s third album is shaped by a tough riff, initially delivered via fuzzed-out bass but later joined by . Throughout the verses, jazzy licks inject an air of impending danger that lingers the fringes of the arrangement, before the song roars into its hammering chorus. The tottering riff, now deployed on a Fender Jazzmaster, cavorts with the vocal melody throughout the ensuing verses. Turner unleashes a savage lead at the 2:30 mark, seemingly inspired by the playing style of the album’s producer, Josh Homme. The Queens of the Stone Age frontman helmed the bulk of
out in the Californian desert, and assisted the band in breaking free of their initial British indie sound and venturing into wilder frontiers.
Complete Guide To The Arctic Monkey's Instruments
, Arctic Monkeys side-step into lounge, jazz, big band and even prog. This scintillating 1970s-style funk cut features taut rhythm parts and a core riff that rides the wah pedal so hard that its sting and bounce invites comparisons to Issac Hayes and soul-era Bowie. It’s the first major statement of their musically dense seventh record. The wah-effect likely comes courtesy of the Guyatone PS-104 Crossover Box Auto-Wah pedal, a recent addition to Turner’s board.
Arctic Monkeys’ early popularity was partly thanks to their authenticity. Their songs chartered real stories, about real people, in real places – chiefly, their home city of Sheffield. Their style was a refreshing contrast to that of bands who adopted more exotic
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