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Guitars with passive piezo or magnetic pickups require a high impedance input for optimal performance, but modern electro-acoustic guitars usually have active piezo pickups which ideally need a low impedance input. Most acoustic amps have either an ‘active/passive’ switch, or separate inputs - some also feature a pad switch to ensure distortion-free sound from high output active systems.
Many acoustic amps feature a mic input, either via a combination mic/line input, or a dedicated microphone channel. This feature can be very convenient for singers playing small venues who then don’t need to take along a full PA system, and can also be used to amplify acoustic instruments without electronic outputs. Some instruments are best captured using a high quality condenser microphone, and this requires a mic input with +48V phantom power. For maximum flexibility, each input or channel should have its own EQ and FX controls.
Fame Ae 30 Acoustic Amplifier With 30 Watt Power 2 Channels For Guitar And Vocals, Chorus, Reverb And Cd Input
As acoustic amps are generally designed with a flat response in mind, they are also ideally suited for amplifying full-range devices such as CD players and drum machines. Many amps therefore have an auxiliary line level input, increasing their usefulness for players gigging with backing tracks.
Most acoustic amps are equipped with a variety of output options. A line output can be connected to many PA mixers, but most engineers would connect this straight to a DI box anyway, so many amps have incorporated one into their design. (A DI’d signal is ‘balanced’ which avoids noise being picked up in cabling.) For maximum flexibility, the DI output should have a pre/post switch so that the signal can be taken from either before or after the amp’s EQ and master volume – most PA engineers prefer the former option, so that the guitarist can adjust their on-stage volume independently of the front-of-house mix. Some amps also have a ground lift on the output as a precaution against mains hum.
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Fender Acoustic Junior Go
As acoustic amps are generally designed with a flat response in mind, they are also ideally suited for amplifying full-range devices such as CD players and drum machines. Many amps therefore have an auxiliary line level input, increasing their usefulness for players gigging with backing tracks.
Most acoustic amps are equipped with a variety of output options. A line output can be connected to many PA mixers, but most engineers would connect this straight to a DI box anyway, so many amps have incorporated one into their design. (A DI’d signal is ‘balanced’ which avoids noise being picked up in cabling.) For maximum flexibility, the DI output should have a pre/post switch so that the signal can be taken from either before or after the amp’s EQ and master volume – most PA engineers prefer the former option, so that the guitarist can adjust their on-stage volume independently of the front-of-house mix. Some amps also have a ground lift on the output as a precaution against mains hum.
Looking for inspiration, new gear and deals? Subscribe to the Newsletter and with a bit of luck win one of 50 vouchers worth €50 each! To registration
Fender Acoustic Junior Go
As acoustic amps are generally designed with a flat response in mind, they are also ideally suited for amplifying full-range devices such as CD players and drum machines. Many amps therefore have an auxiliary line level input, increasing their usefulness for players gigging with backing tracks.
Most acoustic amps are equipped with a variety of output options. A line output can be connected to many PA mixers, but most engineers would connect this straight to a DI box anyway, so many amps have incorporated one into their design. (A DI’d signal is ‘balanced’ which avoids noise being picked up in cabling.) For maximum flexibility, the DI output should have a pre/post switch so that the signal can be taken from either before or after the amp’s EQ and master volume – most PA engineers prefer the former option, so that the guitarist can adjust their on-stage volume independently of the front-of-house mix. Some amps also have a ground lift on the output as a precaution against mains hum.
Looking for inspiration, new gear and deals? Subscribe to the Newsletter and with a bit of luck win one of 50 vouchers worth €50 each! To registration
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