This is quite a funky little riff in the key of A and it’s basically based on a counter-melody. What I mean by that is there is a melody going all the way through and the bass notes change. So you’ve got this melody. And then the bass notes change. So we start in A on the 5th fret, then we’re going to play A on the 7th fret of the B string, then G and A again. So all together.
We’re going to play C on the 5th fret of the G-string and then we’re going to go back to A on the 7th fret of the B-string and then play G. So all together.
In terms of picking, I can’t say that I’m really thinking about it. I think the important thing is to have your muting technique sort of nailed so that you can just kind of feel it thing. When it comes to groove-based music I have found if you get too clinical about it, it kind of loses the point. So as long as you feel the groove and you’re confident about your muting, it should work.
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For the first part what you’re going to do is you’re going to go to G on the E- string and then you’re going to play the exact same counter-melody. Then you’re going to go to F sharp. All together.
Now there’s a slight alteration, we’re going to go to F, and then we’re going to head to A on the B-string, then G on the 5th fret of the B-string, then back to A and that’s as far as we’re going to go this time. So we’re going to play the entire counter-melody and we’re going to conclude the lick by playing the low E and then play G and A. So all together, slowly.Hey, everybody this is George Meyers on behalf of Guitar Control. I do hope that you enjoy this lick and you will find the transcription on the link
This is a cool sort of Hendrix-y, Stevie Wonder type riff. It’s in the key of E. So we’re going to start with E7 sharp 9 chord, the so-called Hendrix chord.
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To play this chord, you have the root, which is E on the 7th fret of the A- string. You’ve got the major 3rd, G sharp, on the 6th fret of the D-string. Flat 7 on the 7th fret of D on the G-string and the sharp 9, which is G, which is found on the 8th fret of the B-string.
As soon as we kick-off the lick we’ll play the chord and then we head over to D on the 5th fret of the A-string; then head over to E. Then we’re going to play G on the 5th fret of the B-string. Then we go back to E on the 7th fret of the A-string and then we’re going to play the following line. So we’re going
Now I’m going over to the second part. Let’s refresh it, which is a really cool, bluesy kind of line. Once again, we’re going to start off with an E7 sharp 9 chord and we’re going to go back to D, then E. Then we’re going to slide from A on the 7th fret of the D-string to B on the 9th fret. It’s quite a rapid slide. You don’t get a chance to listen to A all that much. Then straight ahead you’re going to play the D on the 7th fret of the G-string. Then
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We’re going to slide back from B to A on the B-string, then pull-off to G and then go back to E. Then back to the riff.
Those little licks are really cool because it teach you to fit in between sort of playing chords and especially if you’re playing in a trio setting and you get a lot of space. You can do a lot of that. So let’s play the lick one more time.
Hey, this is Matias Rengel with Guitar Control, today you’ll be learning “Five Beginner Funk Rhythms” that are going to take you completely into the
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Hey, everybody. This is George Meyers on behalf of Guitar Control. I do hope that you enjoy this lick and you will find the transcription
Hey, this is George Meyers with Guitar Control, I do hope that you enjoy this lick, let’s check it out. This is quite a funkyHey, this is Matias Rengel with Guitar Control, today you’ll be learning “Five Beginner Funk Rhythms” that are going to take you completely into the world of funk guitar.
The first rhythm that we’re going to learn is super easy, we’re going to grab a D major 7, index on the 2nd fret of the 3rd string bring on the 3rd fret of the 2nd string and middle finger on the 2nd fret on the 1st string.
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What am I doing here am picking four times the D major and I keep my hand moving constantly. You got to remember the actual rhythm like singing. After hitting it four times I remove the pressure and then after I hit it again and again I remove the pressure. Now we’re going into a G and alternative of is a g major which is going to be a G and then you’re going to A major.
For this 4th fret of the 3rd string and your index finger on the 3rd fret of a 2nd and 1st string down. The chords are not super important right now but I’m going to show you anyway, the 1st chord index on the 5th fret of the 3rd, 2nd, 1st string, you do this and every time after you hear it you remove the pressure and at the end you’re going to hit a mid-string on the new chord in the new column the new chord is going to be the 5th fret of the 4th string, 3rd fret of the 2nd string and then go into the 5th fret of the 1st string and then bring this chord to 4th.
Check this out we’re going to play a different, we’re going with our index finger and play the entire 2nd fret with our middle finger and then play the 3rd fret. Now let’s break it down, what I’m doing is putting my index finger on the 2nd fret and then my middle on the 3rd fret of the 2nd string and then with the ring finger into the 3rd fret of the 1st string and playing with those two positions with the ring finger on and off.
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For our last rhythm, it’s going to have more complicated rhythm but is the coolest one, so let me play it slower. Actually it’s very simple we’re going to place our index finger on the 5th fret of the 3rd, 2nd, and 1st string and play it three times then we go down but instead of using our index finger we used our ring finger. That’s all for today I hope you’ve enjoyed this lesson and as usual don’t forget to subscribe to our You Tube Channel and we’ll see you in our next video lessons, thanks for watching.
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Hey, everybody this is George Meyers on behalf of Guitar Control. I do hope that you enjoy this lick and you will find the transcription
Guitar Riffs That Are Fun To Play & Sound Awesome
Some of the funnest stuff to play on guitar is funk. There is just something special when you hear a sweet funky rhythm on guitar.
I’ve got a tasty lesson for you today from Jimmy Dillon. We are gearing up for his latest, greatest publication – Eclectic Electric II. Yes, Rhythmically, there is very little difference between using single note lines and using chords to build funk riffs. The key to both approaches is staying in time and in the pocket of the groove.
Rhythmic accuracy is achieved by practicing with backing tracks, drum machines or a metronome. If you’re lucky enough, find yourself a bass player and drummer and jam out your ideas as much as you can.
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The key point to remember when playing single note lines, just as with chord playing, is that the picking hand must constantly be moving up and down in 1/16th notes in order to stay in time.
As you know, there are only two events that can happen to the picking hand; hit the string or miss the string. As long as the down-up movement stays consistent and in time then we don’t have to worry about it too much. In the fretting hand, there are many more options available.
Most single note funk riffs are created by using notes from the minor pentatonic scale. Other scales such as the Dorian and Mixolydian modes are used, but funk riffs are mainly pentatonic.
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To get the feel of things, start by practicing the 1/16th note permutations from earlier chapters on a single note. To recap, here some of the main possibilities.
Using muted notes together with backing
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