Since 1974, Taylor Guitars has been a true innovator in the world of acoustic instruments. They’ve shaken things up with new technologies and gorgeous designs, paired with high-end craftsmanship and a commitment to producing the best guitars possible.
They were once seen as purely an elite brand, with high-cost guitars tailored to pro players, but this isn’t the case anymore. Since they opened their Mexican factory, they have been able to produce a range of incredible and affordable guitars for players of all abilities, alongside their flagship US-made models.
In this Review, we’ll look at the 7 Best Taylor Acoustic Guitars on the market. We’ve picked our favorites from all across the price spectrum, and thrown in a few different body styles to ensure that there are options for everyone.
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For our Top Pick, we went with the Taylor American Dream AD17. This is a versatile guitar that looks amazing and perfectly captures the archetypal Taylor tone, while still remaining attainably priced.
Price-focused shoppers should definitely check out our Best Value option, the Taylor Baby Taylor BT1. Unlike similar models from competitive brands, it comes with a solid Sitka spruce top, and is an absolute joy to play.
If you’re looking for the very best Taylor guitar, we’d highly recommend our Editor’s Choice, the Taylor K14ce. This is a high-end guitar guaranteed to keep the most discerning players happy. It looks and sounds amazing, and is definitely an heirloom-quality instrument.
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This guitar represents the most affordable way to get your hands on a brand New US made Taylor. This all - solid wood model is beautifully made, and sings like any good Taylor should, all while remaining attainably priced for amateurs and working musicians alike.
The Taylor American Dream AD17 has one of Taylor’s newer body shapes: the Grand Pacific. It’s a slope-shoulder dreadnought design (much like the Gibson 45 style) and it looks, sounds, and feels great.
It had a solid spruce top with solid ovangkol back and sides. With the American dream series, Taylor put more focus on the tones and performance by using less expensive cuts of solid woods rather than laminates, and the difference is absolutely noticeable.
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One of Taylor’s signature features is having a slim, fast neck, and the ADI7 definitely lived up to this. We found its mahogany neck to be extremely comfortable, and the thin satin finish on the back was the icing on the cake. The fretboard was eucalyptus wood, which isn’t common on guitars, but we wouldn’t be surprised if that changes soon. It looked and felt a lot like ebony, but at a fraction of the cost.
Tonally, it had the typical Taylor brightness, without excessive sharpness. In fact, it sounded like a well broken-in model right out of the box, an impressive feat considering this is an entry-level US-made model.
It had great note definition and separation, so even though it had a powerful bottom end, there wasn’t even a hint of muddiness.
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Despite this guitar sitting around the middle of the Taylor lineup as a whole, it was still very nicely appointed. The sealed gear Taylor tuning machines performed very well, making fine-tuning extremely simple. It had a black Tusq nut, which contributed in a big way to the excellent tuning stability, and it even came with a Taylor AeroCase travel bag.
Really was a dream to play. The slope-shouldered body was comfortable to hold and its V-class bracing ensured massive punch and presence. It was bright, airy, and resonant, and would be at home in any studio or on any stage.
This is a fantastic guitar for a multitude of purposes; from couch strumming to jet setting, from campfires to cookouts, it does it all. Its compact size and superb fit and finish also make it a great choice for younger and smaller players to learn on a quality guitar.
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The Taylor Baby Taylor BT1 is a 3/4 size model with a dreadnought body. It’s an extremely comfortable player and the dreadnought body shape offers incredible projection considering the size of the guitar.
It was built with a solid Sitka spruce top (as opposed to the mahogany on the Taylor BT2), with laminated walnut back and sides. We love this combination of woods, especially when paired with the dreadnought-style body.
The maple neck felt much like that of an electric guitar. It was slim, fast, and very comfortable for a wide age range of guitarists. Even though this is the cheapest guitar Taylor makes, it still had an ebony fretboard, which we found to be absolutely phenomenal. It felt great and really popped against the light wood of the top. The fretwork was well executed, there were no sharps or any other flaws, and everything was properly leveled.
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Thanks to the solid Sitka spruce top, the tones were bright and exceptionally punchy. The small body kept everything tight, with a lovely shimmery top end and strong midrange focus. The reduced body size also cut down on some of the booming bass you normally find in dreadnought-style guitars. We feel this makes it a great recording companion, too.
Tuning stability was superb. The tuners themselves really did help, as did the use of quality strings. Unlike many guitars at this price point, the BT1 came with Elixir Nanoweb-coated strings, which are some of our absolute favorites. Remarkably, it even came with a nice gig bag, again something not often found at this price point.
Was so much fun to play. It reminded us that great guitars don’t have to cost a lot of money, nor do they need a ton of embellishments. It followed a simple formula of quality woods and solid construction. The result is a wonderful guitar that players of all ages can use and appreciate.
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This flagship model represents the kind of guitars that Taylor can make when their luthiers are given more of a hand in the process. It's one of the most magnificent sounding guitars on the market thanks to its use of the finest woods and the meticulous attention to detail that has gone into the construction.
The Taylor K14ce comes in what is arguably Taylor’s best body shape, the Grand Auditorium. It’s comfortable and delivers some of the sweetest tones you’ll ever hear.
The body was made with some of the most spectacular woods we’ve ever seen. It had a torrefied Sitka spruce top and some truly exceptional Hawaiian koa on the back and sides. With the torrefaction process, the top had a fantastic old-guitar tone that removed any harsh overtones usually associated with bright guitars.
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It had a tropical mahogany neck with a fantastically-ergonomic feel. It was a little thicker than the average Taylor profile, but it worked so well with the additional comfort afforded by the reshaped Venetian cutaway. The fretwork was all immaculate, with fantastic edges and slick crowns that played like butter.
The use of ebony throughout was another impressive feature. We particularly loved the West African ebony fretboard, and the binding was simply stunning.
If you want a premium guitar with the most articulate, well-balanced, and finely nuanced tones, you have to check out the K14ce Builders Edition. It uses V-class bracing, and as promised, delivers insane resonance and sustain. The balance of tones from the aged spruce and the koa was nothing short of magical. It had a strong midrange and a top end that sliced through any mix.
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We could go on ad nauseam about the construction quality of this guitar. Taylor has truly thrown everything into making this one of the most playable acoustic guitars on the market. From the beveled edges to the graphite nut, and Gotoh tuning machines, the synergistic approach to the build was tangible.
Players who enjoy plugging directly into an amp will love the Taylor System 2 Electronics. This setup had a 3-stage pickup that gave us a tone that was almost indistinguishable from the unplugged guitar.
Is one of those special guitars that really captures the essence of a brand. Taylor might not have the same history as a company like Martin, but guitars like this are why they’re often held in the same regard. It was amazing to hold and play, and the tones were out of this world.
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Don't be fooled into looking at this guitar as just a travel model, or a kids instrument - far from it! While its compact dimensions may make It appealing for those demographics, this is still a strong performer That can satisfy the needs of amateurs and gigging musicians alike.
The Taylor GS Mini-e is just slightly smaller than a 15/16 size guitar, and it makes use of Taylor’s phenomenal GS (Grand Symphony) body shape. Even for a large adult guitarist, we found it was extremely comfortable and it’s a great fit for younger players, too.
Our test model had a solid Sitka spruce top and a stunning book-matched Rosewood back and sides. Thanks to its X-brace construction, it had the punch and presence of a much larger guitar, further increasing the usability for working musicians and those playing to an audience. It was incredibly responsive and overall a lot of fun to play.
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