I've written about and researched music gear for many years, while also serving as a music director at my local church, in addition to teaching guitar, bass and mentoring young musicians.
Canada made Seagull acoustics are well loved for their quality, as evidenced by the many high ratings that they continue to rake in in reviews. The S6 Original 046386 is currently their best rated guitar in this price range, bringing with it Seagull's brand of playability and build quality, at a very accessible price point.
At the core of this guitar is a solid cedar top, which together with Seagull's modified dreadnought profile results in good acoustic projection and clarity. The company also ensures tonewood quality and structural stability by pressure testing the tops.
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Like other Seagull guitars, this one features wild cherry back and sides, which helps give the instrument that distinctly Seagull balanced tone.
The neck is crafted from silver leaf maple, topped by rosewood fingerboard. It features Seagull's distinct narrow headstock shape which aligns the strings better with the tuners for more stable tuning.
Being well made is the main reason why the Seagull S6 Original is rated highly, impressing many with its solid build, quality tonewood, and good overall quality. Many are also pleased with how good it sounds, some even point out how better sounding it is compared to the usual dreadnought style acoustics. Playability is also a big factor in reviews, it's wider 1.8 nutwidth is well received by players with bigger fretting fingers. Guitarists are also pleased with what this guitar brings given its humble price tag.
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There are a few who are turned off with its wide nutwidth. While others are not too pleased with the aesthetics of its narrow headstock design, especially those who prefer more traditional looking acoustics.
With its high ratings and good price point, the Seagull S6 Original is very easy to recommend, especially for those who prefer guitars with wider necks.
It is part of their entry level Academy line of acoustics, which makes Taylor's brand of attention to detail and build quality more accessible. It is also a great entry way into the world of Taylor guitars.
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Its most distinct feature though is its beveled armrest, a feature found in more expensive models, which makes for a more comfortable playing experience. And since you're arm does not need to rest too much on the guitar top, it also helps with the guitar's resonance and responsiveness.
Most users are happy with how comfortable and easy to play the Academy 10 is, thanks to its beveled arm rest, short scale length and narrow nut width. And because of its playability, many describe it as a great beginner guitar. It also gets a lot of kudos for how good it looks, bearing Taylor's attention to detail. Finally, owners are happy with what the guitar they got for the money, thanks to its good specs and overall quality.
Taylor guitars is well known for high quality acoustics, and this same quality is found in the accessibly priced Academy 12 guitar.
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This is part of Taylor's entry-level Academy line, with a Grand Concert style body and a beveled arm rest. This beveled arm rest allows for a more comfortable playing position, and also reduces unnecessary contact to the guitar top which improves its resonance.
Speaking of top, this guitar comes with solid spruce top, supported by layered sapele back and sides. Together they form its Grand Concert body shape which is known for its articulate tone that works nicely with fingerstyle players.
Outstanding, perfect and fantastic are just three of the many positive remarks that flood reviews of the Taylor Academy 12. Many are pleased with its superb playability, with many saying that they should have started with this guitar. Others commend its tone, which many report to be substantially better than what they were using prior. Build quality and overall value for money also get a lot of kudos from guitarists of different playing and experience levels.
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If you're looking for a premium quality yet affordable acoustic guitar to start with, or for a grab and go beater guitar, then definitely check this out.
These accolades were achieved by Guild paying exquisite attention to detail on every part of the instrument from its very playable flattened C profile neck to its nicely tensioned 25.5 scale length to add a little sparkle to its warm mahogany tone.
It's a versatile guitar that is used for rhythm, folk, worship, blues, rock, fingerstyle and it's employed on stage as well as in the studio.
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Users love the tone and playing feel of the Guild OM-120, so much so that some compare it favorably over the much more expensive mahogany Martin 000-15M. The OM-120's all solid mahogany construction gives it a very warm sound that seriously impresses the vast majority of guitarists who play it. Tony Polecastro from Acoustic Life TV said it has wonderful warmth and great punch but also kind of this very seasoned woody kind of bass sound, you can see his full review in the video below.
Cordoba's acquisition of Guild may have been a good thing for their acoustic line, case in point is the Guild Westerly Collection D-140 which is well received for its great specs and build quality.
With its solid sitka spruce top and solid mahogany back and sides, this guitar can give more expensive acoustics run for their money.
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The premium tonewoods used are shaped into the familiar dreadnought form, so what you're getting is an all-solid wood dreadnought at a more accessible price point. The top also features scalloped sitka spruce bracing for improved resonance.
Owners are very happy with what they got for their money, some even boast that the all-solid wood specs of this guitar can go toe to toe with more expensive guitars. Many are also pleased with its overall aesthetics which users describe as gorgeous and beautiful. Being an all-solid body dreadnought, this guitar is also commended for good projection and bottom end.
There are a few who report action related issues right out-of-the-box, but those who report it were able to make the adjustments via the truss rod. Also note that all-solid wood acoustics are more prone to extreme humidity and temperature changes.
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Thanks to the Guild Westerly Collection D-140, you can now have a premium looking traditional all-solid wood dreadnought at a very accessible price.
Blueridge is an acoustic guitar brand that's known for providing good specs at accessible price points. This applies to the different types of acoustic guitars that they offer, including 12-string models.
And the BR-70 is a good example of what this brand is all about, with its solid sitka spruce top and premium looking aesthetics courtesy of mother-of-pearl inlays.
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Giving this guitar its premium appeal are intricate abalone pearl inlays on the top, fingerboard and soundhole rosette. The headstock also features ornate mother-of-pearl inlay that includes the brand name.
Reviewers are pleased with its overall craftsmanship, describing it as a fabulous looking guitar. Others are impressed with its tone, which some even compare to expensive guitars from more established brands like Taylor and Martin. Many are also happy with its value for money, especially those who got the BR-70 at bargain / discounted prices.
Most people buying guitars in this price range already have a pretty good understanding of the topics below so we'll keep this relatively short and sweet. If you'd like further information then please refer to our Tips for Acoustic Guitar Buyers.
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This is a topic where a myriad of opinions abound, but the consensus is that solid woods result in better tone and projection - particularly when at least used for the top wood.
The vast majority of good guitars in the $500 to $1000 price range have solid tops and many also have the rest of the body made from solids too, although this does drive up the cost of the instrument.
Although specific woods have their characteristics much also depends on how they're used in building a guitar - if you'd like to dive deeper into this topic then you might like to read a luthier's opinion: Tapping Tonewoods by Dana Bourgeois.
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Also note that some manufacturers use alternative tonewoods that have similar characteristics with the ones mentioned above but are cheaper or more readily available. While these alternative tonewoods don't perfectly sound like the traditional ones mentioned above, they do get the job done and are becoming ever more popular especially in the lower price ranges.
Generally smaller bodies such as Concert guitars will emphasize the mids and higher frequencies and are often preferred by fingerstyle players. At the other end of the spectrum Jumbo body guitars resonate the lower bass frequencies much better and are preferred by those who play a loud strumming style. In between you have the Grand Auditorium which combines the tonal characteristics of small and large bodied guitars. The most popular shape is still the Dreadnought, which is nice and loud and produces a good balance of high and low frequencies with enough note definition for playing melodies with a pick.
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