Electric guitar would be nothing without its partner for life: the amplifier. Guitarists will agree that 2019 was a great year for making yourself be heard. We’ve compiled our list of the Top 5 amps of 2019, below, just for you…
This “black face” solid-state Fender amp is equipped with: 2x 12″ custom Celestion “Midnight 60” speakers for 100 watts of electrified power. With 2 channels, 7 effects, 12 amp sounds and a 2-way footswitch you’ll be well on your way for rocking out at home or on stage.
A beautiful Marshall tube head with a preamp based on the classic 1959 SLP (super lead plexi) for that authentic rocking lead sound. One channel (with 4 separate inputs) and five tubes (2x ECC83, 1x ECC83 [Phase Splitter], 2x EL34) make this amp head roar with 20 watts of power (can be reduced to 5W). A DI out and Serial FX loop are the cherry on top that make this classic amp super desirable in 2019.
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This tube amp head, from the Canadian brand REVV, is small and lightweight but powerful (switchable from 4W to 20W)! The built-in Two Notes Reactive Load & Virtual Cabinets (6 customisable virtual cabinets) are selectable via the front knob or up to 128 via MIDI. The head is connectable directly to a mixer, interface or headphones (without use of speaker) and gives you all the possibilities you can ask for. Twenty watts, 2x 12AX7 preamp tubes and 2x 6v6 power amp tubes make this and absolute must-have.
The secret behind the sound of this combo amp is its completely new Bionic Tone Generator technology. Here the complex dynamic processes of classic tube circuitry have been reproduced and optimised with new analog circuitry principles. From this comes the special playing feel as well as the tube-amp quality sound. Four channels (Clean, Crunch, Lead, Ultra) feed this 200 watt amp through its 1 x 12″ Celestion G12H-75 Creamback speaker. You can store up to 128 presets, emulate 8 different speakers, stream playback of music via Bluetooth and so much more. Check out the product page for full specs.
This electric guitar modelling combo amp has a 1x 8″ custom full-range speaker & tweeter for the flat-response output needed to emulate various amps (or reproduce music clearly via USB or AUX). Thirty watts of power blast the sound of your favourite renowned sound designers (ex. Dan Boul of 65amps) and offer artist and song presets by Bill Kelliher, Josh Smith, Devin Townsend, Dustin Kensrue, Jeff Loomis, Ola Englund, Fluff, Jeff Schroeder, Oz Noy and Vernon Reid. Its full-range speaker mode is ideal for acoustic guitar and jam track playback. Talk about versatility, and all this (and more) in such a compact amp!
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There you have it, 5 of the best guitar amps of 2019, handpicked by our staff, just for you. What do you think? Would you have selected others? Let us know!
Joe has been singing since he can remember and started playing guitar when he was 10. He's been using it as a songwriting tool ever since. He is passionate about melody and harmony and admires musicians who create these in unique ways. Check out his alternative / indie projects Best of Feelings and Zef Raček.What if there was a way to get the classic Deluxe Reverb experience without the various practical drawbacks of a valve amp? That’s what the boffins at Fender managed to achieve with its most ambitious digital modelling offering yet. Coupling the latest in cutting-edge modelling tech with a hefty solid-state power stage, the Tone Master comes in a lightweight but resonant pine cabinet housing an equally back-friendly Jensen N-12K speaker, and there’s no faffing with presets or menus here. Simply turn it on, plug in and be greeted with a sound that captures the authentic tone and feel of the original at both stage and home-friendly volume levels. It sounds too good to be true. But that’s the point.
While it might look like an everyday stompbox, it’s helpful to think of the Iridium as an amp itself, sitting at the end of your signal chain the way one of the three vintage amplifiers it simulates – dubbed ‘Round’, ‘Chime’ and ‘Punch’ – might. ‘Chime’ is modelled after the Brilliant channel of a Vox AC30TB, the ‘Round’ voicing is based on the Normal channel of a Deluxe Reverb, and ‘Punch’ is based on a 100-watt Plexi with additional gain on tap after two o’clock on the drive control. And that’s only the tip of the iceberg here.
Top 5 Guitar Amps Of 2019
This collaboration between Blackstar Amplification and blues-rock force of nature Jared James Nichols is a 1×12 combo version of his EL84-powered signature amplifier. While ostensibly a twin channel amp, the JJN-20R MkII features two distinct voicings for both clean and overdrive channels, offering the player four footswitchable voices to explore, with accents from both sides of the Atlantic.
The amplifier. The basic specs suggest this device isn’t so much a Swiss Army knife as a Red Army tank regiment, with the power and range to cover most players’ needs both live and in the studio. And it’s programmable – with 128 editable presets – but it’s analogue, with H&K’s proprietary Spirit technology claiming to recreate the tone and feel of valve-based circuitry. The core amp sounds are remarkably good – it’s all very ‘valvey’ and makes this just about the most versatile non-digital amp we’ve ever used.
Though the original Matchless models were influenced by classic British designs, the new Laurel Canyon has been inspired by sounds and circuit designs that are much closer to home for the Californian amp company. But the Laurel Canyon is still every inch a Matchless, with stellar point-to-point wiring, a steel chassis, a heavy Baltic birch plywood cabinet and a custom-voiced UK-made Celestion Heritage G12H30.In the world of electric guitars, the guitar amplifier is as essential a piece of equipment as the instrument itself. Available in varieties big and small, with a range of tone and circuitry options, guitar amps allow players to explore the creative bounds of the electric guitar’s capabilities on their own terms. Whether you’re looking for a portable guitar amp that packs a punch, a clean amp for effects, a small tube amp that delivers warm overdrive, or a classic amp that does a little bit of everything, this list of the best guitar amps has something for every player and every scenario.
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When selecting the best guitar amps, we combined personal musical and production experience, the opinion of trusted peers, published critics, and online user impressions. We assembled this list of the best guitar amps with a focus on versatility and a secondary emphasis on brand reputation. Not every guitar amp is naturally suited to every genre of music or task, so we took care to choose the most sonically and creatively flexible guitar amps for each category based on their design and sound-sculpting abilities. We also included tube-based and solid-state designs to represent a wide range of tonal options. And we singled out a few items for their travel-friendly size.
Not everyone has the space or plays the right style to justify investing in a Marshall stack (except maybe this one). But you’ve got one of the best electric guitars (or best electric guitars under $500), and you’re ready to kick out the jams, so here are our well-toned selections for best guitar amps.
Why it made the cut: The Fender ’65 Deluxe Reverb delivers legendary warm electric guitar tone and plenty of volume, making it a great all-around choice for stage and studio applications.
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The iconic Fender ’65 Deluxe Reverb is an industry-favorite combo guitar amp known for its crisp clean tones, gritty tube overdrive, and tonal flexibility at a wide range of volumes that make it a perfect vehicle for playing rock, jazz, blues, country, and many other styles. The ’65 Deluxe Reverb is the mid-sized offering in Fender’s historically inspired black panel line, which includes the ’65 Princeton Reverb and ’65 Twin Reverb. It comes with a 12-inch Jensen speaker and 22 watts of power that give it ample flexibility and headroom in recording and live applications alike. A classic tube amp through and through, the Deluxe is powered by a total of nine valves and includes built-in tremolo, spring reverb, and a two-band EQ for a variety of lush tones and sound sculpting options.
While the Fender ’65 Deluxe Reverb features a well-rounded design that balances power and size, its tube-based architecture includes plenty of transformers and other dense electronic components that make it considerably heavy. Still, it can handle the road miles (as shown in the above photo). If you’re looking for the same Fender black panel tone and design philosophy in a slightly easier-to-carry package, the 34-pound ’65 Princeton Reverb is a fantastic alternative that’s just as suitable for studio and stage applications with a slightly brighter and quieter sound profile.
Why it made the cut: The Supro 1612RT Amulet offers plenty of volume and selectable wattage for a variety of overdriven tones in a portable package.
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