Play Slide Guitar Like Elmore James Elmore James only knew one lick, but you had the feeling he meant it. – Frank Zappa
Part of Mr. Zappa’s remark, maybe that’s because I marvel at Mr. James’ slide playing. Besides, how could Elmore become the King of the Slide Guitar without knowing a few licks?
The key to playing in the style of Elmore James, as Zappa pointed out, is feeling. You have to get a little mean and a touch gritty when channeling the spirit of Elmore James into your own playing.
Hal Leonard Elmore James
In this video lesson, I will show you an open G version of an Elmore James classic lick much like the Dust My Broom lick. Arguably, this is one of the most famous slide guitar licks ever played.
Remember to keep in mind those few slide guitar pointers from lesson 13 if you’re new to this style of playing. Here’s a quick mental checklist for you.
, the lick consists of two distinct systems a slide part and a typical blues rhythm part. I love this 12 bar slide piece because to master it, you have to learn how to play with the slide and switch to parts played without the slide.
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The opening bar is played on the middle three strings with the slide over the twelfth fret. Then in bar 2, join up with the band and chug out the rhythm part. The next few bars alternate this slide – rhythm part with a couple of short slide licks thrown in to keep the feel going.
The four chord and the five chord rhythm parts need a little special attention to play properly since you have the slide attached to one of your fingers. My finger of choice is my ring finger. So normally, when I play the typical blues shuffle I use my ring finger. That doesn’t work out too well with the slide attached! So I will use my little finger instead. Go with what works for you but be sure you nail the chord properly.
The lick finishes up with a classic open G turnaround to get you back to bar 1. Again, take care to keep the slide out of the way when fretting the notes in the turnaround.
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I think for beginners, just keeping the slide out of the way when you’re not using it will be a challenge. It was for me. Watch how I point the slide away from the fretboard as one example of how to overcome this.
Back Porch Blues Course: A proven system to fingerpicking the blues. This step-by-step course guides you through building fundamental fingerpicking skills. Plus, you’ll learn three levels of a delta blues style performance study to put your new skills into action.
Become a myBGI Member: Get a proven plan to playing better blues with one of BGI’s structured roadmaps: The Fretboard Roadmap, Fingerstyle Roadmap and Slide Guitar Roadmap.In a previous lesson we had a look at the basic techniques of playing slide guitar on the acoustic. Today I would like to dig into this style of playing a little deeper by looking at some blues slide guitar.
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A lot of slide guitar playing is done in open tunings as it allows you to execute chords with a straight bar. This is very useful when using a slide as you can play your bar chords within a single fret.
However, in this lesson I want to show you how to approach blues on your guitar with a slide in a standard tuning. While there are some limitations playing this way, it still sounds great and is convenient, as you don’t need to alter your tuning every time you want to play slide guitar.
This is a root 5 bar chord shape in the positions for G, C, and D, and it is going to form the basis of a little slide guitar blues piece that we are going to play in the key of G.
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The notes that I have highlighted in red form the shape you will target with your slide. These notes are going to be easy to play with your slide because they all fall within the one fret.
Here is this shape laid out across a 12 bar blues in G. This is very important for you to play as it will be the foundation on which we will build our slide blues piece. It will help you visualize where this shape needs to be at any given point within our blues in G:
Remember that when playing slide guitar on your acoustic you need to place the slide directly over the fret you are targeting. Also, keep in mind all the things we spoke of with slide guitar technique in an earlier lesson on this topic.
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In the example above I am targeting the top two strings of our shape at the 12th fret. Remember that the slide needs to play directly over the fret, not between them. Therefore I start this riff by placing my slide directly over the 11th fret before sliding it up to be directly over the top of the 12th fret.
In the second bar of this slide riff, our shape is moving down chromatically from the 12th to 10th fret. This is a very common move in blues slide guitar playing.
Notice that in this riff I target our shape at the 3rd fret before finishing up at the 12th. The 3rd fret is also a great place to target this shape to get some very cool sounding blues riffs over the G chord when playing slide on your acoustic.
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The great thing about having just one shape to target for our blues slide piece, is that the same riffs we did on G will work for C and D at the 5th and 7th positions respectively. Try it.
Take note that when targeting this shape, as we have throughout for our slide blues, we are not restricting ourselves to only the notes within that shape. There are notes that are played outside too, as is the case for the C and D riffs above.
Always see these “outside” notes in relation to the shape when you play them, as it will help greatly when you want to take these ideas and use them in other musical situations.
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Finally, lets take these ideas and create our slide blues piece in G. Listen to it and compare it back to the beginning of the lesson when we were just targeting the shape for each chord with the slide:
Work your way through this slowly. Isolate each riff so you can really get it down and always listen carefully to the audio as a reference.
As always check out great players of this style to continue working on your slide guitar playing. Here are a few to get you started:Slide guitar is a type of guitar playing where instead of creating notes by pressing the strings against the frets, we create notes by running a slide across the strings.
Goo Goo Dolls
Slide guitar sounds awesome in styles of music such as blues and country, but it is by no means limited to those styles.
Slides are sometimes also called bottlenecks, because the original slides were made from old bottlenecks, but now-a-days, as well as glass slides you can get metal slides and ceramic slides.
Health & safety tip: do NOT attempt to make your own slide using an old bottle neck unless you have the necessary professional skills and equipment. Broken glass is sharp and dangerous. Slide Guitar Lessons #2 How To Hold A Guitar Slide
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Different players prefer putting their slide onto different fingers. Most commonly you’ll see slide guitarists with their slide on either their third (ring) finger or their fourth (pinky) finger.
In our opinion, the fourth finger is the best finger to wear the slide on as it leaves the rest of the fingers free to do other things like form chords.
It’s almost instinctive for us guitarists to want to bend our fingers in order to fret notes, but slide guitar is a very different ball-game.
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You may find the slide clattering against the fretboard of the guitar when you begin as your finger instinctively tries to bend.
If this is the case, try to relax your hand and allow your finger to stay straight. Ideally we want to line the slide up so it’s perpendicular to the strings.
We also want to lightly touch the strings behind the slide using the spare fingers. This is so we only produce one note from each string. Without dampening the strings behind the slide we can end up with an extra note that will most likely clash with our desired note.
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Download our lead guitar cheat-sheet to make things easier It can be disorientating for guitarists to understand which scales work with which keys. With this in mind, we created a cheat-sheet; a key and scale-finder that you can use again and again.
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With slide guitar, we need the
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