Recording guitar in Ableton Live 10 is different compared to other DAWs. Ableton Live was designed more like a performance tool compared to a traditional DAW, so recording guitar is different.
After you read this guide, check out this Ultimate Guide to Recording Guitar at Home for an in-depth look at recording and other DAWs you may want to consider using.

You can record guitar in Ableton Live 10 using an audio interface or a USB microphone. I don’t recommend trying to use your computer’s line in or microphone jacks.
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In this example, I’m using an iRig HD 2 (check out my review to see why I highly recommend it for electric guitar) and plugging it into my PC’s USB port.
One of the most popular audio interfaces I recommend if you want to record acoustic or electric guitar (or vocals and other instruments) is the Focusrite Scarlett range (link to Amazon for details and different options).
An audio interface like the Focusrite Scarlett is the ideal option if you want to record an acoustic guitar using a microphone.
Recording A
Alternatively, if you want to record your guitar (or guitar amp) with a microphone, you can buy a USB microphone like this one.
When I’m recording vocals, instead of using an audio interface, I simply plug in my iRig Mic Studio (link to review). A USB microphone like this gives you a simple way to record vocals or acoustic guitar.
For most people, I highly recommend using an audio interface as it gives you far more flexibility. You can plug any microphone or multiple microphones into an audio interface.
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Once you have connected your audio interface or USB microphone to your computer, you can open Ableton Live and move on to the next step.
The first thing to do when you open Ableton is to set up your audio device so Ableton knows what inputs you want to record from.
UnderDriver Type, select Core Audio if you use a Mac and ASIO if you use a PC. ASIO will be the best option, but if you have issues you may need to use MME/DirectX.
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For example, if you have a Focusrite audio interface plugged in, you should see ‘Focusrite USB ASIO’ as one of the options. That option should give you the best results.
If you don’t see your audio interface on the list of audio devices, it doesn’t mean your interface doesn’t work with Ableton. All it means is there isn’t a dedicated driver for it.
If your audio interface doesn’t appear in the drop-down menu, I recommend using ASIO4ALL, which is a handy audio driver that works with any DAW.
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This makes ASIO4ALL a powerful way to control multiple inputs and outputs. You can route your signals in any way you want.
If your audio interface has more than two inputs, you can decide to select all of them or only some of them. I recommend selecting all inputs to make it easier later on.
Thesample rate you set needs to be compatible with your audio interface. You can see in the below screenshot that you can choose from a lot of different options that may or may not be compatible with your audio interface.
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Most audio interfaces and USB microphones are compatible with either 44.1kHz or 48kHz and either one will be fine. Newer audio interfaces may support higher sample rates such as 96kHz.
You control the latency by adjusting the buffer length. If the buffer is too low, you may hear glitches, so aim to set your buffer as low as possible without causing problems.
As I’m using ASIO4ALL, I can adjust the buffer size in ASIO4ALL’s settings to try and change the latency or avoid any glitches.
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The session view is designed more for live performances than recording. We need to change to a more suitable view for recording.

You can see that Ableton starts with four tracks set up for you with different colors for each track. By default, you will see two MIDI tracks and two Audio tracks.
You can see that right-clicking a track brings up other useful options such as renaming the track, selecting a color, or inserting new audio or MIDI tracks.
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As my iRig only has two inputs, there are only three options to choose from. The first option ‘1/2’ is to record stereo. The other two options ‘1’ and ‘2’ record mono from each channel.
If you have your guitar plugged in or microphone turned on, you will see a green bar appear to show the level of the inputs.
As I have my guitar plugged in, you can see green bars on all three options. I’ll keep the selection as ‘1’ to record my guitar in mono.
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While you may see a green bar indicating that Ableton can hear your guitar or microphone, you won’t hear anything through your speakers.
You will also start seeing the audio level appear on the far right of the track. This lets you know that Ableton is playing back the audio from your input device.
At the same time, you don’t want the signal strength to be too low. Aim for the green bar to fill around 3/4 of the meter for a good signal.
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Press the off button on the track to disable audio monitoring. You will now be able to hear your recordings when you press the play button.
Auto mode will mute your guitar while a clip is playing, so if you want to play along with your recordings, I recommend moving the recordings to a different track so you can hear both at once.

Experiment with a few recordings so you can get a feel for how Ableton works. Ableton is very different than other DAWs, so it may take some time to get used to.
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To apply any effect to a track, simply drag it over the track or to the bottom of the screen, which has a panel labeled ‘Drop Audio Effects Here’.
If you close the window for the plugin, you can re-open it at any time by pressing the wrench icon for the plugin:
You can apply plugins and effects to any track. Click on each track to see at the bottom of the screen what plugins have been applied.
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You may want to record multiple microphones at once on a guitar amp, acoustic guitar, or drum kit. Or record two musicians at once such as vocals and an acoustic guitar.
To record more than one track at the same time, you first need to set up Ableton to allow you to arm more than one track at a time.
Now you can arm the second track and the first track will remain armed. You can enable audio monitoring on both tracks if you want, or you can turn monitoring off if you like.
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On the second track, make sure you select the correct input channel. In the above screenshot, you can see that I have the first channel on my iRig for track 1 and the second channel for track 2.
Once you have both tracks armed for recording, you can hit record at any time and you’ll see two recordings appear as shown below:
You can easily add as many tracks to record as you like (depending on how many inputs are available on your audio interface).

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Once you have recorded a track in Ableton, you have two options if you want to record over the top of that track.
Disarm the first track, then arm the second track. You don’t want the first track to remain armed, as you already have your track recorded.
Turn off audio monitoring on the first track and turn it on for the second track. Make sure you select the correct input channel for this track.
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This setup allows you to record in the second track while hearing the first track play while you record. If you don’t hear the first track when you hit record, check your audio monitoring settings for the first track.
You can continue to use this method to record more tracks at the same time. Simply create a new track, arm it for recording, set up the correct inputs and audio monitoring, then hit record.
Here are two tips to help you get the most out of Ableton. Ableton shines the best when you incorporate these tips into your studio.
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Ableton Live was designed with live performance in mind. While you can use it just like a regular DAW, you’ll be missing out if you don’t at least experiment with some of Ableton’s performance features.
A DAW Controller is a piece of hardware you can plug into your computer and control any DAW including Ableton. The basic idea with these controllers is that instead of only using your keyboard and mouse, you can also use buttons, knobs, sliders, pads, keys, and wheels to change settings, tweak your effects, record virtual instrument parts, and more.
The above controllers give you an idea of the wide range of controllers out there. The right type of controller for you depends on how you want to use your DAW.
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There are even controllers designed specifically to be used with Ableton (the top right controller in the above photo is a popular option). These controllers integrate into

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