You may have noticed that the way songs are often written out for guitar is quite different to how they’re written out for other instruments.
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(If you don't understand the above image please read our article How To Read Guitar Chordboxes In 60 Seconds. It will make everything clear!)
Play The Game Sheet Music
Other times, the chord boxes are written as and when the chord occurs in the song. This is especially common in piano music. For example:
If the chord boxes are all written at the beginning of the song sheet, you’ll need to make sure you have them all learned before you start having a go at the song, otherwise you’ll have to keep referring back to the top of the page.
If you want to learn how to play guitar songs from a book, it’s best to pick a book that’s written specifically for guitarists, not a book written for pianists that happens to feature guitar chords as a bonus.
Read Guitar Music
A lot of the time, guitar songs are written out as lyric sheets with the guitar chords written above the words like this example (‘Songbird’ by Oasis):
This can be quite handy, as it means we can use the words as a helpful guide as to where to change chords, be warned though, some internet song sheets suffer from justification.
If you buy a chord songbook from a music shop instead of looking for song sheets on the internet, the words and chords are most likely to be in the right places.
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This sort of layout is perfect for people who are looking to both play and sing the songs they’re learning, though even if you’re not a singer, singing the words along (even badly!) will help you know when to change chords.
By far the best way to figure out how to strum the chords of a song is to listen to the song and copy the strumming by ear.
It’s important to note though that what we are trying to capture the ‘feel’ of the song, not a strum-by-strum carbon copy recreation of the record.
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The former is a fun and straight forward way of learning to strum a song that allows you to add a bit of your own personality into it.
Try not to get lost in how many down strokes and how many up strokes you should be playing and instead focus on playing something that feels right and sounds right.
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As mentioned earlier, lead guitar is where we play melodies or riffs or basically anything that uses (mostly) single notes rather than full chords.
What about the numbers? As well as knowing which strings to play, we also need to know which fret to press those strings down at so that’s what the numbers are for.
So if we see a number ‘2’ on the ‘A’ string in the tab, this means we press the A string down at the second fret and play it.
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If a string has a ‘0’ written on it, this means we play it open. We can think of this either as ‘0’, meaning zero frets or as simply ‘o’ for open.
Sheet music will tell us what note to play and how long that note lasts, but it won’t tell us where to find that note on the guitar, which is what we need to know.
To figure that out, we need to listen to the record and learn it by ear as we discussed in our section on strumming.
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If you’re a beginner guitarist who already plays another instrument and can already read standard sheet music, a lot of tabs (the more professionally transcribed ones) come with sheet music as well, so you can always get the rhythm from the sheet music and the fingering from the tab.
If you’re particularly interested in why guitarists generally don’t read standard sheet music, here is a somewhat more in-depth article from Woodpecker Media on the subject: Why Guitarists Can’t Read Music How To Play Guitar Songs #6 Song Structures
When we talk about the structure of a song, we’re talking about how many times we play each part and where we play each part.
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Some structures are easier to follow than others, and of course, there’s no rule that says someone can’t write a song with an unusual or tricky structure.
If the chorus of a song is the same every time, chances are the person writing the song out won’t bother writing it out every time.
Obviously if we see this it means we play that section three times in total. If there’s no such instruction then we are to assume we just play the section twice.
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To save the transcriber from having to transcribe the whole thing again just for the sake of this slightly different ending they sometimes use markings like this:
See how the last two bars of the repeated section are marked with a number ‘1’ and the bar just after the repeat section is marked with a number ‘2’?
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This tells us to replace the last two bars of the section with the bar marked ‘2’ on the second time around.
If we see the instruction: D.C. al Coda This means that we are to return to the beginning of the piece of music and play until we see the instruction: to coda, then we play the coda.
D.S. al Coda is the same principle, except instead of returning to the beginning of the song, we return to wherever the ‘S’ marker is written.
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So if we see the instruction D.S. al Coda, we go to where this symbol is and then play until it says ‘to coda’, then we play the coda.
If you see ‘al fine’ instead of ‘al coda’ it’s the same principle except we don’t have a coda, so we just return to either the beginning (D.C) or the S symbol (D.S) and then play ’til it says ‘fine’. Then we finish.
To be honest, one of the best ways to figure out the structure of a song is to listen to the song and simply count how many times you hear each bit.
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There’s nothing wrong with getting a piece of paper out and writing “first riff x 4; second riff x 2” or similar on it if that’s what works for you.
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