The cigar box guitar is a simple chordophone that uses an empty cigar box as a resonator. The earliest had one or two strings; modern models typically have three or more. Gerally, the strings are connected to the d of a broomstick or a 1×2 inch wood slat and to the cigar box resonator.
Cigars were packed in boxes, crates, and barrels as early as 1800, but the small boxes that are common today did not exist prior to around 1840.
Until th, cigars were shipped in crates containing 100 or more per case. After 1840, cigar manufacturers started using smaller, more portable boxes with 20–50 cigars per box.
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The earliest known illustration of a cigar box instrumt is an etching copyrighted in 1876 of two American Civil War soldiers at a campsite, one of whom is playing a cigar box fiddle. The etching was created by illustrator and artist Edwin Forbes, who, under the banner of Frank Leslie's Illustrated Newspaper, worked for the Union Army. The etching was included in Forbes's work Life Studies of the Great Army.
In addition to the etching, plans for a cigar box banjo were published by Daniel Carter Beard, co-founder of the Boy Scouts of America, in 1884 as part of Christmas Eve with Uncle os.
The plans, retitled How to Build an Uncle os Banjo, were included in the 1890 edition of Beard's American Boy's Handy Book as supplemtary material at the back of the book.
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These plans omitted the story but still showed a step-by-step description of a playable five-string fretless banjo made from a cigar box.
It would seem that the earliest cigar box instrumts would be crude and primitive, but this is not always the case. According to William Jehle, curator of The Cigar Box Guitar Museum and the author of One Man's Trash: A History of the Cigar Box Guitar,
The museum acquired two cigar box fiddles built in 1886 and 1889 that seem very playable and well built. The 1886 fiddle was made for an 8-year-old boy and is certainly playable, but the 1889 fiddle has a well-carved neck and slotted violin headstock. The latter instrumt was made for serious playing.
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Cigar box guitars and fiddles were also important in the rise of jug bands and blues. As most of these performers were black Americans living in poverty, many could not afford a real instrumt. Using these, along with the washtub bass (similar to the cigar box guitar), jug, washboard, and harmonica, black musicians performed blues at social evts.
A modern revival of these instrumts has be gathering momtum with an increase in the number of cigar box guitar builders and performers. A loose-knit group of underground musicians tour the East Coast of the United States each summer under the banner Masters of the Cigar Box Guitar Tour. These musicians include Doctor Oakroot, Johnny Lowebow, Tomi-O and many others. A growing number of primitive luthiers are adding cigar box guitars to their items for sale. Some cigar box guitar builders of today include Shane Speal, Mike Snowd, Del Puckett and Peter Lake of Heavy Fog Guitars.
The modern revival is partly due to interest in the DIY culture, as a cigar box is inexpsive in comparison with other factors, such as strings and construction time. Many modern cigar box guitar makers can be se as practitioners of a type of lutherie and implemt various personal touches, such as the addition of pickups and resonator cones.
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The modern revival of cigar box guitars is documted in the 2008 film Songs Inside the Box, which was shot primarily at the Cigar Box Guitar Extravaganza, an annual evt held in Huntsville, Alabama.
The Cigar Box Guitar Museum, a free display dedicated to cigar box guitars, is located in Speal’s Tavern, a small blues club in New Alexandria, Pnsylvania. It is curated by cigar box guitarist Shane Speal and contains over 60 antique and modern cigar box guitars.
So I wt ahead and made me a guitar. I got me a cigar box, I cut me a round hole in the middle of it, take me a little piece of plank, nailed it onto that cigar box, and I got me some scre wire and I made me a bridge back there and raised it up high ough that it would sound inside that little box, and got me a tune out of it. I kept my tune and I played from th on.— Lightnin' Hopkins
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Cigar box guitars and fiddles were also important in the rise of jug bands and blues. As most of these performers were black Americans living in poverty, many could not afford a real instrumt. Using these, along with the washtub bass (similar to the cigar box guitar), jug, washboard, and harmonica, black musicians performed blues at social evts.
A modern revival of these instrumts has be gathering momtum with an increase in the number of cigar box guitar builders and performers. A loose-knit group of underground musicians tour the East Coast of the United States each summer under the banner Masters of the Cigar Box Guitar Tour. These musicians include Doctor Oakroot, Johnny Lowebow, Tomi-O and many others. A growing number of primitive luthiers are adding cigar box guitars to their items for sale. Some cigar box guitar builders of today include Shane Speal, Mike Snowd, Del Puckett and Peter Lake of Heavy Fog Guitars.
The modern revival is partly due to interest in the DIY culture, as a cigar box is inexpsive in comparison with other factors, such as strings and construction time. Many modern cigar box guitar makers can be se as practitioners of a type of lutherie and implemt various personal touches, such as the addition of pickups and resonator cones.
Pdf) The Concise History Of The Classical Guitar / Klasik Gitarın Kısa Tarihi
The modern revival of cigar box guitars is documted in the 2008 film Songs Inside the Box, which was shot primarily at the Cigar Box Guitar Extravaganza, an annual evt held in Huntsville, Alabama.
The Cigar Box Guitar Museum, a free display dedicated to cigar box guitars, is located in Speal’s Tavern, a small blues club in New Alexandria, Pnsylvania. It is curated by cigar box guitarist Shane Speal and contains over 60 antique and modern cigar box guitars.
So I wt ahead and made me a guitar. I got me a cigar box, I cut me a round hole in the middle of it, take me a little piece of plank, nailed it onto that cigar box, and I got me some scre wire and I made me a bridge back there and raised it up high ough that it would sound inside that little box, and got me a tune out of it. I kept my tune and I played from th on.— Lightnin' Hopkins
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