Music is about staying dynamic and monotony kills dynamic. Therefore, the most logical step for you as a guitarist is to expand your repertoire of guitar skills to keep that vital, engaging sound that makes music so joyful.
If you have listened to the music of the last 70 years, you can probably recognize this guitar technique in most rock classic hits.
In the context of guitar, it involves striking one (sometimes more than one) guitar string very fast with alternating strokes. Therefore, this technique is a form of alternate picking. Tremolo picking is very easy to learn but it requires strong discipline and practice to master.
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Tremolo picking is essentially useful for any style of music and obviously a big part of the surf guitar sound (I’m a big fan of it!).
In guitar literature, sometimes the words tremolo and vibrato are reversed. This technique has nothing to do with a “tremolo bar” or a tremolo effects box.
If one of your long-term goals in your guitar learning process is to increase speed, tremolo picking is a good place to start.
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It is not only very fun but also can add new textures and some dynamics to your compositions. You would be surprised how well this technique fits even in metal or hardcore music.
The surf rock version of the song “Misirlou”, from Dick Dale, is probably the greatest example of tremolo picking. The original one is a traditional song from the Eastern Mediterranean area dating back to 1927!
In my case, I have found the best stability and speed using Rombo Origami. This pick can be described as: Flexible but still rigid enough for note control. Right amount of flexibility for a snappy fluid attack that's bright and crisp. The concave surface on the hold area ensures an ergonomic and comfortable hold.
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Everyone’s hand is a little different in how they hold the pick and move. The best way to find out is to test different shapes and thicknesses, and then try them out
By holding the edge of the guitar pick against the guitar strings and moving it along the edge, the pick catches the strings’ windings, causing the strings to vibrate and produce a very pleasant textured noise.
Usually, guitar pick slides start near the bridge and end over the higher frets. However, there are countless variations of pick slides depending on the direction, the angle of the pick relative to the strings, and other variables.
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Unfortunately, performing pick slides completely ruins the edges of the guitar pick, especially on thinner ones. This won’t directly affect the tone or control of the plectrum, but the damaged sides will develop some dents.
Guitar pick slides are not the most relevant aspect of your playing. Nevertheless, a correctly performed slide in the right place will add so much to the moment.
The first use of the pick slide is attributed to Bo Diddley and can be heard in the opening of his song Road Runner from the 60s.
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Today, some guitarists have taken this technique to a new level and have created signature variations. A shining example of pick slides from the last years is the metal band Gojira with their famous signature “Gojira-Scrape” that was created by accident and combines several guitar pick techniques
Otherwise, your guitar picks will be inoperative after a couple of sessions. The dilemma is that most players get better noisy sounds with a medium guitar pick.
I have found a solution that works for me: medium-heavy picks that are large enough to scrape with higher areas of the pick that won’t touch the strings. From our picks, I prefer Rombo Horizon the most for pick slides. Also, the curvy edge creates different pressure on different strings and that’s nice.
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Pinch harmonics are created by the picking hand. Playing this technique produces high-pitched tones. This phenomenon occurs when you stop a part of the string vibrations in the right position and create a node.
There is a simple way to test this; pick a note and apply a small pressure anywhere on the string such that the vibration doesn’t stop completely.
Pinch harmonics are often related to high gain tones and metal music but they are a powerful tool to add dynamics and textures to any genre of music or type of guitar; electric or acoustic.
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It is considered one of the most abstruse techniques for intermediate players. Common problems are pinch harmonics that aren't loud enough or additional noises that make the harmonics not sound clean enough.
Guitarist Billy Gibbons from ZZ Top is considered the father of pinch harmonics. Not because he invented them, but because he brought them to the mainstream. Although he is a well-rounded guitarist with a focused skillset based on blues, he is best known for his pinch harmonics.
There is no special pick to do pinch harmonics. The pinch harmonic is technically produced by the thumb of your picking hand.
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However, this technique is widely used in lead guitar in combination with other advanced techniques that work especially well with thick, small guitar picks.
#If you want to learn more about the differences between thin and thick guitar picks read our article Thick guitar picks vs thin guitar picks.
Palm mute is a very regular technique used by most guitarists. By placing the side of the picking hand on the strings close to the bridge and dampening the guitar strings (when necessary), the strings produce muted sounds.
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Palm-muting is a great skill for dynamic control exercises. This means you will automatically learn how to shape your sound using fluctuations in volume and intensity.
This technique is very old. As old as the invention of the electric guitar (1936). Most classical players have been using it for centuries with all kinds of instruments.
Today, palm muting is widely used in heavy metal, thrash, speed, and death metal. It is often found in music that features distortion effects.
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Is there any good song to practice palm muting for getting better at it? “Master of Puppets” from Metallica—it’s a masterclass in palm muting and down picking.
I recommend using a thick guitar pick for this. They provide high volume, a broader dynamic range, and more control over single notes (in case you use palm mute arpeggios). In addition, palm muting is a demanding technique that causes a lot of guitar pick wear. As you might know, thick guitar picks are more durable.
Guitar pick strumming is a way of playing guitar. A strum is a sweeping action where a pick (or finger!) brushes over the guitar strings and generates sounds.
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Learning how to strum correctly takes time and practice. Most beginners lack the necessary muscle memory it takes to play while remaining relaxed or having a good posture.
In many ways, understanding this skill is essential for understanding guitar. Great strumming skills mean being a great rhythm guitarist. Therefore, this should be your number one goal as a beginner.
Learning chords is important, but they are just static shapes. The diversity of the hundreds (if not thousands) of strumming patterns available will inject musicality and rhythm into your playing.
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“Bad moon rising” by Creedence Clearwater Revival, is a good place to start. It combines easy chords (D, A, G) with a very simple progression and a very catchy, bluesy melody.
My best advice for beginners is to start with a very thin guitar pick. It can help to practice with something below 0.6 that’s nice and bendy. As you improve your skills, you can try with thicker picks, as they will add more bass to your tone.
However, if you are in the very beginning of your guitar journey, please read this article where I explain, why starting with medium guitar picks can be a better choice for you. Medium Gauge Guitar Picks.
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Downpicking or down-stroke picking is a very beloved guitar technique in which the player moves the guitar pick only in a downward motion. The tip of the pick does not brush the strings as the hand moves back to the original position for the next down-stroke.
It is one of the most underrated skills on guitar and although performing this technique might seem easy, the required endurance for long passages with fast tempo is very often a problem even for advanced guitarists.
But first, why would you want to remove the upstrokes (alternate picking) and then increase the necessary effort for the same number of strokes? Why would you torture your wrist muscles in this way?
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This technique is widely used in metal and punk guitar and the main reason is that when mastered, downpicking can make the guitar’s sound very powerful and rhythmic.
Famous punk guitarist Johnny Ramone used this technique in the mid-70s in combination with fast tempo (180 to 200 bpm). The technique was very innovative at that time and influenced many current guitarists like James Hetfield who has been regarded as “the King of Downpicking”.
The interesting thing about hybrid picking is the fact that the player uses a plectrum as well as one or more fingers. This can be done alternately or simultaneously.
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Hybrid picking can be very hard if you are a beginner. Before you think of learning this technique, you will have to learn how to
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