Wh the Party's Over (stylized in all lowercase) is a song by American singer-songwriter Billie Eilish and the second single from her debut studio album, Wh We All Fall Asleep, Where Do We Go? (2019). It was released on October 17, 2018, through Darkroom and Interscope Records. It was writt and produced by Finneas O'Connell.
The concept behind Wh the Party's Over was inspired after Finneas O'Connell, Eilish's brother, had left his date's house kind of for no reason and was driving home alone late at night, simultaneously unhappy at the d of the relationship but also feeling a sse of safety through a lack of full investmt in it.
And they decided to perform it live a full year before it came out, which O'Connell later recalled was such a terrible idea as he feared that fans would deem the studio recording inferior to the live version.
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They consequtly set out to get the magic of a live performance into a space where it's still interesting to record, a process which O'Connell described as really hard due to the song's delicate nature.
Eilish and O'Connell decided that the track would be almost tirely vocal, utilizing only sub-bass and acoustic piano as additional instrumts; this made it super challging to keep each measure interesting.
The song required approximately 100 vocal tracks, which included the stacking of layers on each part of the harmony as well as weird processed adlibs,
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The influce of choral music on the song was informed by the siblings' experice singing in a choir during their childhood, and Eilish disclosed that it was also inspired by the songs Stand Still (2017) by Sabrina Claudio, 715 - CRΣΣKS (2016) by Bon Iver and Hide and Seek (2005) by Imog Heap.
Music publications have noted its hymnal-like qualities and use of bass, as well as its minimal instrumtation, which spotlight Eilish's vocal abilities.
Use of vocoder and Eilish's use of her high vocal register, while Nicole gelman of Billboard wrote of the angelic hums that accompany the singer, whose voice [swells] up from a whisper.
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According to sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in a 3 4 time signature with a tempo of 124 beats per minute. It is composed in the key of C# minor, with Eilish's vocal range betwe the notes of E
Eilish has described the song as kind of a sequel to her single Party Favor (2018), documting wh you're on the phone with someone and you can't hear them, they can't hear you, it's loud, they're mad at you for some reason and consequtly thinking: You know what? Fucking leave me alone.
It discusses the d of a relationship, a common subject matter in the Eilish's previous work, with the singer wishing to be more than a party of one;
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Suzy Exposito of Rolling Stone described it as one of the more sincere songs off her debut album Wh We All Fall Asleep, Where Do We Go? (2019),
It ops with a sample of Eilish's debut single Ocean Eyes (2016), which Sean Ward of The Line of Best Fit argued demonstrated an understanding of her own artistry.
Wh the Party's Over was met with critical acclaim. Suzy Exposito of Rolling Stone wrote that the track is one of the momts off Wh We All Fall Asleep where Eilish can't help but draw back the curtain [...] and let you in.
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Similarly, Sputnikmusic reviewer SowingSeason called it one of the still frame momts wh she allows herself to be heard not as the cynical teage pop star, but rather as Billie the sevte-year-old girl who's going through all the same things you are; they also commded her mesmerizing whispers and hums.
Billboard's Nicole gelman praised the haunting song's sharply insightful lyrics, which she argued, demonstrate a maturity well beyond her 16 years of age.
Tanis Smither of Earmilk praised the song as heart-wrching, writing that it somehow manages to maintain her brand of ballsy production and delicate, dreamy vocal.
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The Austin Chronicle's Alejandra Ramirez wrote that the song was one of the momts where Eilish flips the LP's most archetypal pop momts on their head.
Insider placed it at number 4 on their list of Eilish's best songs on March 18, 2020, with Callie Ahlgrim describing it as perfect bld of Eilish's fluttery, melancholic vocals and O'Connell's empathetic songwriting abilities.
The music video was released on October 25, 2018. The video starts with a blue-haired Eilish sitting in a white room, before gulping down a cup filled with black liquid. Black tears start flowing down her cheeks, staining her outfit in the process. Towards the d of the video, the camera pans downwards, revealing that the black liquid started to stain the floor. Many have recognized the similarity betwe the black tears of the music video and the alternative cover of Lady Gaga's EP The Fame Monster, but Eilish claims that her inspiration for the video came from a fan art of a drawing of her with black eyes leaking. I thought it was visually really dope and I wanted to physically create it.
Billie Eilish: When The Party's Over (2018)
The music video was created without special effects as Eilish had tubes taped into the corner of her eyes where the black liquid would flow out of, giving the illusion of black tears. She later interacts with the tears, wiping them across her face and they drip down. Eilish said she wanted to physically create this drawing she was giv and this is how she did it. The music video was uploaded to Eilish's YouTube channel through Vevo and has gained more than 854 million views as of March 2023.
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