Looking for your next jazz ? Look no further than this list, where we’ve compiled 10 of the best electric s for jazz in 2023, from traditional to modern models.
The best electric s for jazz have to walk a fine line. Whether you’re seeking out a traditional or modern tone, complex chords and melodies will have to ring clear and true, without becoming muddy. There’s also a warmth associated with the tones found in jazz.
The best way to achieve this warmth without sinking into a murky sonic swamp can usually be found in vintage-output humbuckers, as these give the most room to play with when it comes to amplification. With that said, you probably don’t want pickups that drive an amp into natural overdrive. Similarly, single-coils, with their percussive snap, aren’t the best choice for achieving a traditional jazz tone, although there are certainly exceptions to both cases.
Best Jazz Guitar
You’ll also notice the abundance of hollow-bodied instruments on this list – again, something born out of the jazz tradition, but one that still makes a lot of sense today: a large, resonant hollowbody finds a good tonal balance between clarity and warmth. That’s not to say a solid will do a terrible job at jazz.
The Excel EXL-1 Throwback hits all the right notes aesthetically and sonically. This spruce and maple packs a Seymour Duncan Johnny Smith mini humbucker in the neck position, which coupled with its 17-inch wide and three-inch deep body, provides a resonant and airy tone. Its build also involves a scroll-style headstock designed by John D’Angelico in the 30s, a gorgeous three-piece maple neck, a stepped floating tailpiece, an ebony bridge and bound F-holes.
For players that want a fully-hollow but are more used to the specifications and size of a solid-body, the AMH-90 is a great choice. Atop the hollow body are two humbuckers pickups, each with their own volume and tone controls, as well as a floating tailpiece and a Gibraltar Performer bridge.
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Its humbucker pickups are Ibanez Super 58 – the same favoured by George Benson, Pat Metheny and John Scofield on their signature models. The neck is also connected to a Tri Sound switch, which lets you either split the humbucker or run its two coils in parallel for a clear, full sound – perfect for lead lines.
The Gretsch 6120 was co-designed with legendary ist Chet Atkins as a reflection of the late ist’s love of jazz balanced out with the rest of his sonic palette. This is a large maple hollowbody with bound F-holes and two TV Jones T-Armond single-coils that bring extra brightness and clarity to the sound.
There’s also the notable presence of a Bigsby tailpiece, which can lend some real expression and character to chord voicings or lead lines. These appointments are perfect for a player looking to meld the traditional with some more out-there tones – perhaps even a bit of country or rockabilly edge.
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This non-cutaway archtop oozes vintage jazz charm. The thinline body lends a little concession to comfort for players who might find a full-depth hollowbody a little much, but its large, non-cutaway profile means plenty of airy resonance. Notably, the single neck pickup is a P-90: lending some extra clarity to neck-position sounds – perfect for letting the dynamics of your playing shine through.
The first thing you might notice about Julian Lage’s tone is its relative brightness: no surprise, then, that his signature Collings electric is loaded with custom Ron Ellis Ellisonics – inspired by vintage Dynasonic pickups – for superb clarity. Their bright character means your playing won’t sink into the background, and the Bigsby tailpiece lets you stand out with some expressive wobble.
Despite appearances, the is also not a solid-body: it’s fully hollow, with a trestle block for more stability and a solid body feel. Its construction involves solid Honduran mahogany, with a maple laminate top.
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Unlike the other Ibanez on this list, Pat Metheny’s signature PM200 is designed much closer in line with jazz tradition. There’s a single neck humbucker fitted in a large maple hollowbody, with a set mahogany neck and ebony fretboard. The neck humbucker is the same Super 58 Custom as found in the AMH-90, however true to the ’s more traditional approach, there’s no Tri Sound switch here.
While the might be geared towards the traditional, there’s certainly still room for versatility. The mid-output pickup means dynamics still shine through, and the large hollowbody provides the with a full-range sound that can be further refined with your amplifier. That’s not really any surprise, given how Metheny himself is revered for his wide-reaching sound that incorporates influences from all corners of jazz.
The Eagle Classic leverages modern construction techniques – such as a PLEK machine – to create an authentically old-school jazzbox . There’s a large hollow single-cutaway body sporting a carved Sitka spruce top and carved figured maple back, as well as a chunky ‘50s profile for the maple neck.
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The ES-335 has a reputation for being an incredibly versatile : from blues to rock and even metal to, of course, jazz. Its vintage-style humbuckers are perfect for clear bell-like cleans, and the semi-hollow construction lends the natural body and presence.
If you’re planning on playing at louder volumes and/or with overdrive, a fully-hollow can be a feedback nightmare, but the semi-hollow construction of the ES-335 makes it a great choice for players wanting to incorporate other styles into their jazz playing.
Definitely the least traditional on this list, the Sälen Jazz melds Strandberg’s ultra-modern design approach with traditional jazz appointments. There’s a chambered mahogany body for a balance of resonance and warmth, capped with solid maple top and mahogany veneer, a mahogany neck and a rosewood fretboard. While multi-scale instruments are perhaps more associated with modern prog, some players love fanned fretboards for wider, complex jazz chord voicings as they follow the natural span of your fingers – but some may disagree.
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The pickups are wound to focus on midrange warmth, and the accompanying electronics allow added versatility. The five way switch offers a variety of split and outer-coil tones.
The SA2200 will no doubt feel familiar to fans of dual-humbucker semi-hollows. There’s an extra-flat 13.75-inch radius ebony fretboard, as well as a vintage sunburst finish and a pair of Alnico-V humbuckers. If these prove to be too pokey for you, they can be split with the tone controls, however they haven’t been wound to be high-output.
Construction consists of a laminate sycamore body, as well as a soft maple centre-block. This unique combo leads to some truly mellow and clear cleans, and like the ES-335, it won’t complain at higher volume levels.
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2 “The point is to hear something that’s musical and moves you” Margaret Glaspy on writing songs to a timer on Echo The DiamondSo, you want to buy a jazz guitar, but you’re not sure how to make the right choice. What is the best guitar for jazz and how do you pick a brand and type of guitar that is right for you? This article will help you decide what jazz guitar to buy. We will explore some of the more popular jazz guitars on the market, in a variety of brands and price ranges.
In general, jazz music can be played on any guitar. Most jazz musicians today use an archtop guitar to create their signature sound, but even among that broad category, there are a lot of choices.
There are many factors that should be taken into account when buying a jazz guitar. What body type do you want? What tone range/quality do you need? How much money do you want to spend?
What's The Best Jazz Guitar?
Types of Guitars The first question you should ask yourself when looking for a jazz guitar is “What style of guitar do I need?”
Archtop guitars (hollow body guitars) – The archtop guitar is the quintessential jazz guitar as it has been used by numerous jazz legends throughout the history of the instrument. It is commonly associated with famous players like Wes Montgomery (Gibson L-5), Joe Pass (Gibson ES-175), and Johnny Smith (Gibson Johnny Smith Model) for example.
Semi-hollow body guitars – This guitar is the “in between” model of jazz guitar. It is not as small as a solid body, but not as big as an archtop. These guitars have fewer feedback issues compared to archtops, give a warm “jazz” tone, and are more versatile than the more specialized archtop guitars. Some of the famous players that have used these guitars are Emily Remler (Gibson ES-330), Larry Carlton (Gibson ES-335), and John Scofield (Ibanez Artists).
Best Guitars For Jazz 2023
Solid body guitars – This is the type of guitar that you usually find in rock, country, and blues music, although solid body guitars do get used by jazz guitarists as well. John Abercrombie has used an Ibanez Artist and Gibson SG, John McLaughlin has used many different Gibson solid body guitars over the years and Mike Stern has always used a Tele-type guitar. Solid body guitars produce consistent tone, have a high volume output, and are almost always immune to
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