An essential aspect of any guitar or bass guitar is its neck profile. The neck profile, in a nutshell, is the shape of the neck on the backside of the fretboard, or the fretboard from the nut to the beginning of the heel transition. The neck profile will not affect the tone of a guitar too much, but it will affect the feel of the guitar.
Neck-type preferences vary completely from one guitarist or bassist to another. This is often influenced by the size of the hands, the way the hand is usually positioned (especially thumb placement), and of course the neck profile of the instruments we are used to playing or we have learned to play.
The term “profile” refers to the curved shape we would see if we were to cut the neck in the direction of the frets perpendicular to the truss rod. The term “profile” refers specifically to the cross-sections of the top (nut area) and bottom (heel area) of the neck (above the 17th fret). Variations in the shape and size of the two cross-sections can give the neck and guitar a different character, feel, and easiness to play.
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These cross-sections are essential for design and construction purposes. They are simple two-dimensional representations of a shape that is difficult to imagine otherwise. These differences are subtle and almost impossible to see when looking along the length of the shank. But they are noticeable when playing it. From these two cross-sections, a luthier can create profile templates (pieces of wood or other material to place on the neck as it is shaped).
Wider or thicker necks provide a full-bodied sound with more sustain due to the density and stiffness of the neck. But it can be difficult for players with small hands to comfortably span them.
On the other hand, for guitarists with large hands, a wide neck profile may be more comfortable than a thin one. This type of profile can also be more comfortable to hold in the hand when setting up chords.
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In electric and acoustic guitars, the most common profile is a semicircle or a half oval. This shape is known as a C profile. And from there, you can begin to understand how the V, D, and U profiles came into existence. These profiles, and actually most profiles, have almost infinite variations depending on neck thickness, including the fretboard profile, scale, symmetry, and other factors.
There are many high-profile instruments with asymmetrical necks that some players really like. Some manufacturers have their own profiles that can be categorized as a class of their own.
One of the most popular neck profiles is the C profile. The profile is also called Oval and is quite similar in width to the D shape but presents a more rounded and uniform curvature between both sides of the fingerboard.
The Difference Between Popular Neck Shapes C, V And U
This shape is usually quite comfortable and versatile and plays well in any style. This profile is typical of Fender Stratocaster models from the early 1960s.
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The U-profile is very similar to a C-profile in general shape, only much deeper. It features elongated vertical sides as they descend from the fingerboard compared to C-profiles that begin to curve immediately. They also tend to have visible vertical shoulders. Many necks that use a U-profile will be branded as fat, heavy or some similar term.
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This type of neck would be the so-called U-shaped neck, typical of the first Fender Telecaster models of the ’50s. Also known as “baseball bat” neck. A thick profile that resembles the shape of a U with rounded edges and a practically flat centre back. Very similar in shape to the neck of a classical guitar. This type of profile is not easy to find nowadays in electric guitars.
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The V-shaped profile is very particular. This profile is similar to the thick U-profile, but with the edges lowered more, acquiring the shape of a soft V. The flat areas seem to limit hand rotation. And many guitarists have found the shape to be incompatible with their range of motion. But, for a certain type of guitarist, it is the only way to go.
Blues guitarists, such as Eric Clapton, and guitarists who place their thumb over the top of the fretboard find the V-shape more appropriate. Apparently, the V-shape leads to a vibrant sound; however, there are no peer-reviewed studies on the subject.
Within the V-profiles, we have the hard or marked V-profile (Hard V). This type of profile is so specific that it would be better to try one calmly before making a purchase. There are also mixed or composite neck profiles- those that sport one profile in the upper part of the neck, and another type of profile in the lower part.
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The so-called D, slim, or thin U-profile is very common. Although to my understanding, this type of profile corresponds to the classic D-profile. Also called Modern Flat Oval, in a more technical language, this type of neck is similar to the U-shaped, but with a thinner profile, favouring a faster fingering. And they are usually accompanied by a flatter fingerboard.
The D profile is usually wider than the standard C neck and is always flatter at the bottom (which makes it thinner to hold). Wide-necked necks often have this type of configuration, for example, classical and flamenco guitars often have a D neck. It is also a good idea for necks with more than seven strings.
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C, D, U and V profiles are symmetrical. From the ’70s onwards, we started to find asymmetrical neck profile designs. The treble side is slightly narrower, and the bass side is thicker. In this way, we have a neck that facilitates fingering in the treble plucking and is still comfortable in chord changes.
Examples of asymmetrical neck diagrams usually represent some pretty drastic transformations. But it is more commonly a fairly subtle effect in the real world. Gibson and PRS, for example, have their own asymmetrical profiles that are rather mild. In the Fender world, Steve Ray Vaughan uses a slightly asymmetrical C neck.
Luthiers customize this type of profile, so my advice is that if you want to try a profile of this type, leave the job of cutting it out to a professional. Many guitarists adopt this style of strange necks that result in unique guitars. Eddie Van Halen would be the biggest name on this list.
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The most used profiles nowadays are the D and C. So most probably with these types of profiles, you will not have any problems. But for the few who might have a problem with these profiles, you can try wider profiles.
Answer: There is no certain answer, but the most common one or generally considered the easiest to play is the C shape guitar neck, found on many Fender Stratocaster type guitars.
Answer: Yes, and even more true for people with small hands. Flat fretboards are also easier to play, say a radius of 12″ and above. An example is the D’angelico Premier Atlantic.
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Answer: It is said to be, as of today, Kurt Cobain’s American Professional Cobain Jaguar. The Fender Mustang is similar in neck dimensions.
Answer: Named after the soft V neck that Eric Clapton made famous. He is most comfortable with a ’50s V profile that is slightly less pronounced.
Answer: They usually have a C-shaped neck, that comes in at around 21-23mm measured from side to side. Pretty thin. They are famously known as “easier” guitars to solo on than, say, Epiphone Jazz series guitars.
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Manufacturers usually offer us options of different neck profiles in their guitars to suit the tastes and comfort of each one,
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