The brands led by the luthier customizer Israel Peral (Spain) customize all types of guitars and basses by modifying any body style or semi hollow, inserting vintage parts, tuners, accesories, modifying in some cases the anatomy, contributing ideas to improve the electronic and by supposedly an aesthetic unique in the world.
These guitars are designed for professional use by beginners. You can now make your music with a work of art at the price.

All guitars are adjusted for action, nut, neck, pickup height, tremolo string – vibratoy, kill switch and new strings to have good definition, intonation and harmonics.
Desert Gold: Brian Ray's 1957 Les Paul Goldtop
Add-ons such as knobs, picks, inlays, selector, input jack socket and other components are also decorated with different techniques so that they are integrated into the design.
The dimensions and weight of the guitar is the same as the series model. The few designs if there is a small difference which does not affect the sound or comfort.
With your new instrument you will make history, you will be unique, you will stand out in your solos and you will be a very special guitarist!
Paul Reed Smith Eddie's Guitars Wood Library Special Semi Hollow
To manufacture our models we use guitars from all manufacturers: Fender, Gibson, Jackson, Cort, Dean, Epiphone, LTD, ESP, Squier, Tokai, PRS, Ibanez, Yamaha, Rickenbacker, Gretsch, B.C. Rich, Carvin / Kiesel, Charvel Guitars, Kramer, Schecter, Washburn … and also electric guitars and basses manufactured by luthiers.
In addition, you can choose the color if you wish of your new electric or bass guitar, whether blue, green, yellow, red, black, white, gray, copper, metal, rusty iron, aged and used walnut, mahogany, basswood , ash … YOU CHOOSE!
You can watch many videos on our YouTube channel “Martper Guitars”Take advantage of our offers with great discounts in our online store and in the Reverb.com app in the sections: Rarest of the Rare, Outrageous Guitar Finishes and Boutique Builds: Superb Luthier-Made Electric Guitars.
Best Gibson Les Paul Custom Guitars With Three Pickups
Hemos visto que nos visitas desde España. Hemos actualizado nuestros precios en Euro para que comprar resulte más sencillo. Utiliza Dólar de los Estados Unidos (US) en su lugar. DescartaAmong guitars, it is a titan. Recognisable the world over, and linked to some of the greatest practitioners of the art we all know and love, the Gibson Les Paul Standard is a guitar for the ages.

Alongside the Fender Stratocaster, it is the most obviously iconic electric guitar ever designed. The Les Paul name has been attached to many models since 1952, such as the Junior, Special, Custom and Classic, but it’s fair to say that the real DNA of the Les Paul blueprint resides in the Standard. The curves, the binding, the Burst finishes… It's the stuff we dream about as guitarists, and this blog is a brief celebration of the guitars themselves, the players and the beautiful examples we have in stock for you right now! A fresh delivery of stunning Standards is actually what inspired this blog, so we’ll make sure we take a good look at some Les Paul eye candy as we go!
When people talk about a ‘Les Paul tone’, the entire guitar universe immediately understands what’s being said: thick, resonant notes, rich in lower mids and long in sustain. People talk about a ‘cello-like’ sound, which is kind of both abstract and on-point. A Les Paul is, sonically, about as far away from a Stratocaster tone as a standard electric guitar model can be.
Epiphone Les Paul Paul Studio Smokehouse
So, where does this thick, resonant tone come from? Three main factors come into play here: the wood, the construction and the pickups. Les Pauls are generally made from solid mahogany, and the body is thick, measuring roughly 46-47mm at the edge (slightly more at the centre of the carved top). Mahogany imparts a thick tone to begin with, so the sheer amount of wood plays a part here!
Some Les Pauls have degrees of ‘chambering’ in them, which are hollowed out areas in wood (which are then concealed by the guitar’s top) to relieve the sometimes considerable weight of the guitar. Does this affect the tone? Some say yes, others say they can’t hear a difference. We’ll diplomatically say that ALL guitars sound at least a little different, and many other factors come into play (amps, the player themselves), so it’s a difficult factor to judge in isolation. Chambered Les Pauls obviously sound at least very similar to ‘full fat’ models, otherwise everyone would be able to hear a difference straight away! Today’s Les Paul Standard models do not have chambering anyway, so they are as reassuringly hefty as aficionados insist upon! For many, the depth of tone is synonymous with a heavier, completely solid mahogany body.
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The Maple top of a standard adds a little top end to the sound, and that’s why Les Paul Customs (which do not have Maple caps) often sound ‘darker’ than Standards. We’d say the extra maple is a very worthwhile addition to the Standard’s tonal profile, as well as an opportunity for beautiful looks!
The Best Electric Guitar Finishes Ever
The construction plays an important part, too. Les Pauls have Mahogany necks, and these are ‘set’ into the body, in other words glued in. The necks have a piece that extends into the body called a ‘tenon’, so the neck reaches further inside the Les Paul body than you’d maybe expect just by looking at one. The glueing process effectively creates one big vibrating piece of wood, unlike bolted-on neck construction which stops the vibrations to a small degree. This accounts for the near endless sustain of the Les Paul, though volume is also a factor here!
The last part of the sonic puzzle is the pickups. Putting aside the 1952-style Standard which has P90 pickups (we’re assuming you agree with us in saying that two humbuckers is the norm for Les Pauls), Les Paul Standards are fitted with two humbuckers. In the legendary golden era of the late 50s, these were relatively low-powered units that were nicknamed PAF due to their (at the time) Patent-Applied For status. Even low powered humbuckers give a tone that’s altogether bigger than any single coil, with a fatter, more rounded sound. The lack of output, by today’s standards, arguably just allows more of the guitar’s inherent tone to shine through. Rest assured, they still sound enormous, they just have more tone.
Today’s Les Paul Standards have different takes on these PAF-style humbuckers. You can choose between a 50’s Les Paul Standard or a 60’s version, and both have subtle differences. In terms of pickups, the 50s model has slightly less-powerful (it’s pretty marginal) BustBucker 1 and 2 units, and the 60s model sports a pair of ever-so slightly hotter (the coils have more windings around the magnet) BurstBucker 61 R & T humbuckers. The differences are subtle, and both deliver that famous Les Paul tone.

D'agostino Guitar Les Paul Mid 90's
Without great players, guitars are just attractive bits of wood ‘n’ wire. Thankfully, there's a massive list of world-class guitarists who’ve chosen the Sunburst Les Paul Standard as one of their main tools of the trade. Whilst there are definitely too many to list here today, we thought we’d at least highlight a quick few for the sake of fun and some good music!
Is this the most famous Les Paul of them all? Known as the ‘Lemon Drop’ due to the original Cherry part of the Sunburst fading away over the years to leave only the Amber, this stunning ‘59 Les Paul Standard made history first with Fleetwood Mac’s Peter Green before finding itself in the hands of blues master Gary Moore. Nowadays it resides with none other than Metallica legend Kirk Hammett, who scoffs at insurance premiums and takes it out on world tours with him. Bravo, that man!
ZZ Top’s stylish mainman is the owner of one of the world’s most famous Bursts. Known as Pearly Gates, Gibbons bought the guitar, which is a doozy of a ‘59 model, from a man who found it under his bed. He plays it with 7-gauge strings (which is CRAZY) and attacks those strings with a Mexican peso instead of a pick (which is CRAZIER). We love him.
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A hero to many, the great mastermind behind Led Zeppelin is closely associated with the mythology of the Sunburst Les Paul. Sure, the early Zep records were all recorded with a Telecaster, but everyone remembers the dragon-suited Page striding 70s stadia like a mythical god, firing sparks of magic from his ‘59 Burst Les Paul.

Owner of the most famous headband collection on earth, Dire Straits’ Mark Knopfler is as well known for his Sultans of Swing Stratty tones as for this, one of the very best Les Paul tones ever recorded. Even if he never picked one up ever again, this video forever cements Knopfler as a ‘Les Paul guy’. And let us settle the debate once and for all: there is NO wah pedal on this track!
There’s more epic headgear here with the one and only Slash. Doing more for the Les Paul’s visibility throughout the gunslinging 80s than any other high-profile guitarist, the GNR mainman has been nothing if not consistent in his tastes. Now rightfully a Gibson brand ambassador, Slash has
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