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The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our Loctave toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards. Limited & Standard Edition Bundles There are two special bundles available for Triplegraph. The Limited Edition model comes with an exclusive Yellow finish, black and white print, a custom steel machined serial badge plate, a Certificate of Authenticity signed by Jack himself, and a custom designed book, all elegantly packed in a special edition box. There are only 100 Limited Edition units available, and all of the Standard Editions are finished in a sharp, matte black finish with yellow and white print, packed in a standard box. Both models come with a custom designed 130+ page book that documents the entire process; spanning over four years of prototyping, engineering, building, road testing, and stories from this exciting collaboration, all designed and photographed by CopperSound. Tech Specs: Power Consumption: Standard 9V (2.1mm x 5.5mm) center negative power supply. Triplegraph requires at least 250mA of available current and has internal polarity protection. If power is lost, Triplegraph will automatically revert to bypass, allowing unaffected audio to still pass through. Please not under power this device. In/Out & Send/Return Jacks: Standard 1/4-inch Instrument Cables
We use cookies to improve our services and your shopping experience. If you continue browsing you are deemed to have accepted our cookie policyJack White is one half of the alt-rock duo The White Stripes. His style is rooted firmly in blues. The White Stripes tool the old blues formula, cut it up, added some fuzz and crafted their own unique brand of riffy retro rock and roll.
Learn How To Sound Like Jack White (the White Stripes)
As a guitar player his gear has changed a lot over the years but his setups have always been very simple and stripped back. Often preferring older, vintage guitars with just a handful of choice pedals infront of his amplifier.
The bands most successful era was around 2003 with the release of the album Elephant. This album spawned many hit singles, most notable the track Seven Nation Army.
The micro amp is a 20dB bclean boost pedal. Jack White is known to have this at the front of his chain. There are varying reports as to how he uses this pedal. Some sources seem to indicate that he leaves it on all the time to boost his signal, while others suggest he uses it based on when he needs to boost the input signal from his guitar. In his other band The Raconteurs, White had Gretsch custom fit an MXR Micro Amp to one of his Gretsch Duo Jet guitars so he could control the boost from his guitar.
How To Sound Like Jack White
Over the bands career, White has used the Whammy pedal for a range of pitch shifting purposes. The most instantly recognizable is the bass tone from Seven Nation Army. This was not played on a bass, it was played on a 1960’s Kay Hollowbody guitar with the Whammy set to an octave down position. This created a bass sound that leads the track. White has also used this for octave up an down passages through other segments of the bands career.
The Big Muff is Jack White’s go-to fuzz pedal. For all the heavier moments of the band, this is the drive sound you are hearing. Without a bass player, White would use fuzz to fill out the sound. Coupled with his old, cheap hollow body guitars, he could create a wall of sound and feedback at any given moment.
Jack White has never been a player that is associated with high end guitars. He has been very vocal in his favouring of cheaper, vintage guitars. Often seen with an Airline or Kay guitar, White prefers these retro rock machines. He acknowledges that he might be a better player if he used easier to play guitars, but he said he loves the challenge of playing a guitar for an entire show when the guitar fights back.
The Telegraph Pedal Is Super Fun!
This is the guitar most associated with Jack White. This guitar is thought to be from 1964-65. The guitar is totally hollow and is made from a type of fibreglass known as Res-o-Glass. It has two Valco single coil pickups that look like humbuckers but are actually single coils.
The Kay hollowbody that Jack White is often seen with is his main slide guitar. This guitar is usually tuned to Open A or E and was used for songs like Seven Nation Army. The fully hollow design is very prone to feedback at loud volumes. In 2001, Jack covered the guitar with craft paper though it is unknown if this was purely aesthetic or if it was an attempt to prevent feedback.
For anyone who has followed the White Stripes from their early days, the Astral II was the Open E slide guitar of choice for tracks like Let’s Build a Home. The guitar is made from plywood and is fully hollow. The guitar has single coil pickups and a Bigsby style tremolo arm on the body.
Whitney's Max Kakacek Reveals His Influences And How Jack White Taught Him To Play The Slide
The Silvertone 1485 was the main amp used through most of the White Stripes era of Jack’s career. The amp was often run into a pair of matching, Silvetone 6×10 sepaker cabinets. The and cabinets are dated from the 1960s but the exact year is not known. The amp has built in reverb, but Jack prefers to pair it with a Fender Twin Reverb and use the reverb on that. This amp was used for most of the Elephant record.
Jack has also been known to pair a Twin Reverb with his Sears Silvertone. He has used both the Silverface and Blackface versions of this amp and is known to prefer the reverb on this over other amps in his collection.
Alex Turner’s guitar rig during Arctic Monkeys explosion into fame was fairly simple. Comprised of only two pedals it nonetheless had a distinctive tone…..read more.
Jack White Archives
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I already have a limited edition Yellow Plasma Coil, and am in line to get a standard Triplegraph in the new year. I was sort of waiting for the Triplegraph to get into UK distribution - as the $400 is a lot to pay - when you include delivery and import / customs fee of circa 25% added all-in. I’ve been communication with Co-Founder / Design Director Jordan Collins - and he tells me the next batch of Triplegraphs is due very early next year - there was a recent announcement of possible European distribution, while I’m not 100% clear on how long the Third Man Records exclusivity lasts for - as these have only been available from that one webstore to-date. So I’m definitely getting one of these, but really want to secure one at the best price for me obviously - and since I’ve already waited a while, I’ve decided there is no rush here if I can avoid roughly 1/3 of the cost in addition. It’s still going to be something of a challenge to fit that relatively large pedal into the rig - but I have some ideas.
Potent Pairings: How To Sound Like Jack White
The Bumble Buzz Fuzz is quite a unique take on the Superfuzz as
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