Despite many preconceptions, there are still plenty of gems to be found among electric s under the $300 bracket. While they may have imperfections in their build and tend to possess less than spectacular pickups, they’re far from bad s. Many of these affordable models are great for beginners or are perfect for modifying and experimenting with new configurations and constructions.
In picking the 10 s on this list, we focused on a single factor: value. In other words, how well do their build quality, electronics and specs stack up to their price tags of under $300? Pretty well, it turns out…
The Les Paul SL doesn’t come with any of the bells, let alone whistles, that many other budget models have on offer. Rather, it focuses its finite resources on delivering two of the most important aspects in music: sound and simplicity.
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A favourite among punk rockers, the Asia-made Les Paul SL is purpose built for thrashing around with power chords and simplistic lead lines. That comes from the 14-inch-radius rosewood fretboard as opposed to the more popular 12-inch radius on most Les Pauls, a chunky 1960s SlimTaper D neck profile, lightweight poplar body, and two brash ceramic single coils.
The bridge Epiphone 700SCT pickup is overwound, and has a sharp bite and snarl. Meanwhile, the neck 650SCR offers more clarity, with a rounded tone that’s still unkempt at the edges. Both single coils can get a little noisy with a distortion pedal cranked up, but if you’re playing rock or punk, it should be noisy.
And you can’t ignore the Les Paul SL’s nostalgic aesthetics. It’s available in six super cool finishes – we’re partial to the drop-dead gorgeous Turquoise – and the unique pickguard on each model, reminiscent of that seen on a Melody Maker, is another head-turner.
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The chances are you came across a Yamaha Pacifica as a young rockstar in waiting. Yamaha’s tried to give a taste of everything a beginner could possibly want or need, with the Pacifica Series PAC012DLX HSS Deluxe. So if you’re not too sure what your groove is yet, here’s a great place to discover it.
Similar to a model made by another popular manufacturer but with a thinner waist, sharper horns and deeper cutaways for easier access to the upper registers, the PAC012DLX is a more modern take on Fender’s trailblazer. Tone snobs may scoff at the agathis – rather than a traditional Strat-style’s alder – used in the body, but when the on offer retails for under $200, you can easily look past the soft and cheaper tonewood.
The HSS pickup configuration, along with a five-way switch, provides a wide enough tonal palette that you won’t need to upgrade until you’re entirely certain of what you’re looking for. The single coils are bright and clear, while the bridge humbucker has a solid crunch when played through distortion. As usual, though, you can expect the same drawbacks with all budget pickups.
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The other specs on this model lean towards the more modern end of the spectrum, too. A 13.75-inch-radius rosewood fretboard, a narrow and shallow maple neck, and the aforementioned deep cutaways make playing fast a breeze. A chrome tremolo bridge and master volume and tone controls round up the specs on this great value-for-money .
In 2021 Squier overhauled its Affinity range, with the Affinity Jazzmaster receiving some of the biggest changes. Previously, the had two humbuckers and a hardtail bridge. This version is still available at a number of dealers, and is a great deal for those looking for an affordable (if non-traditional) offset.
But the announcement of the 2021 Affinity Jazzmaster was great news for anyone looking for an entry point into more traditionally-spec’d offset instruments, thanks to the addition of the vibrato and two Fender-voiced Jazzmaster single coils. Jazzmaster single coils have a unique character like no other pickup – their colourful cleans and out-there interaction with fuzz and drive help you really stand out from the crowd.
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While the vibrato is a Stratocaster-style vibrato, this might be a benefit rather than a hindrance for some. The full offset vibrato is notorious for how much esoteric setup work it can need, especially at the more affordable end of things. For a beginner, however, the plug-and-play nature of the Strat vibrato might be a much better way to get into the world of wobble.
Less of a departure from previous years than the above Jazzmaster, the Affinity Telecaster serves up classic Telecaster stylings with not many sacrifices made for the sake of affordability.
been introduced for this newer Affinity Telecaster is that the bridge is now string through. What does that mean? Well, previously, it was top-loading – the strings being fed through the thin metal backplate that the saddles screw into. While the tonal impact of this – as with every minor change to a ’s specs – is debated, it leads to more downward tension on the saddles, meaning a more solid connection for vibrational transference. In other words, a string-through design is said to have a little more sustain.
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One of the best things about the Squier affinity range is Leo Fender’s approach to the Ship Of Theseus problem. Investing in an affordable Telecaster like this can save you even more money in the long run, if you don’t mind fitting an aftermarket neck, bridge, saddles or pickups. Luckily, thanks to the modular nature of Fender instruments, doing so should be a breeze – and is a great way to learn a little about taking care of your instrument.
Ibanez is no stranger to the sleek S-type, and while the GRG121DX-WNF Gio RG isn’t the brand’s most affordable take on the format, it strikes a balance between accessibility and performance. Divebomb-ready this is not, as there’s a hardtail bridge, but for those looking for stability throughout a performance that’s no bad thing.
The hardtail also means that experimenting with alternate tunings becomes a lot easier, as does the 25.5-inch scale length. The two ceramic humbuckers give off a lot of attack thanks to their relatively bright character, and Ibanez’s Wizard neck profile is slim and comfortable – great for any genre, unless you have a strong preference for a chunkier neck.
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While the clearly is geared towards rock and metal, it’s not ridiculously pointy – and the walnut finish retains a little class to its look, so if you’ve got a jazz gig in the afternoon and a power metal gig in the evening, you won’t look out of place on either stage.
Here’s the closest competitor to the Squier Bullet Mustang HH. Besides costing the same, the Epiphone Les Paul Special VE is also a dual-humbucking geared towards heavier genres but with several vintage-inspired finishes (the “VE” stands for “Vintage Edition”) and certain specs fit for an aspiring rock and roller.
Never mind the flat top, poplar body, simplified circuitry and bolt-on okoume neck – the Les Paul Special VE may not possess the high-end features of its Gibson brethren, but it remains, dollar for dollar, one of the better rock s out there. And that’s really thanks to its pickups.
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This uses an Epiphone 650R Humbucker in the neck and an Epiphone 700T Humbucker in the bridge. Both sport open-coil designs and are hot as hell. They’re perfect for unleashing loud, chunky power chords à la Nirvana, Green Day and other beginner staples with little more than your practice amp’s dirt channel.
Pickups aside, the Les Paul Special VE has a pancake flat 14-inch-radius rosewood fretboard and a 60s SlimTaper D-shaped neck whose satin finish most beginners will find smooth and welcoming to use.
Don’t think of the Squier Bullet Mustang HH as a cheaper alternative to a Mustang – it’s a beast of its own. A beast that will put you a mere $150 out of pocket. For that price you’ll get a solid, if not barebones, offset that’s best employed for brasher types of rock such as grunge, punk and indie rock.
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It might not seem like a ‘real’ Mustang, it isn’t as versatile, the hardware components aren’t great… But for a project under $300, something to noodle around with, or if you’re just aching for a Mustang, this Squier is exactly what you need.
Everything on the Indonesia-made simply works, and works well. Featuring a basswood body, one-piece satin-finished maple neck with a C-shaped profile, a flat 12-inch fretboard radius, and two hot humbuckers that sound as fat and creamy as budget pickups can get. Even when played clean, they’re coaxing you into hitting that distortion pedal.
If you aren’t already playing metal, the Jackson JS22 Dinky will do its best to change that. This represents all the things upon which the brand has staked its claim to fame: metal- and rock-ready performance axes with fast necks and bold humbuckers.
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The biggest of these is the compound radius fretboard: it goes from 12 inches at the top, all the way down to an extremely flat 16 inches nearer the body. Which means it’s as comfortable to hold down chords as it is to shred
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