Inspired and encouraged by our 30 years of experience and communication with professional players and customers throughout the World, The Bass Centre is proud to present an all-new Bass Collection for the 21st century.
From the authentic sounds, eye-catching looks and period-accurate appointments of the Jive, Power and Detroit Basses, to the cutting edge PowerHouse, the sleek, small bodied Speakeasy and the revival of the unique, rubber string Ashbory Bass, you simply won't find better attention to detail, build quality and expertly set-up instruments at this price point.

Affectionately known as a few basses we built with our mates, the British Bass Masters series extends the award-winning Bass Collection range with an exciting selection of artist-inspired instruments that pay tribute to a galaxy of Brit bass all stars, including several long-standing Bass Centre customers and friends.
Best Short Scale Bass Guitars
With decades of dedicated brand knowledge, the Bass Centre offers superlative customer service and comprehensive stocks of the complete NS Design range at the BEST prices in Europe, with FREE SHIPPING to the United Kingdom and selected EU mainland destinations on all instruments.
Being a beginner there isn’t much I can say about the Bruce Thomas Profile Bass. I have had mine for 3 months and I adore it. It is everything you would expect from something with Bruce Thomas’ name on it. While owning it I have drawn crowds and adoration wherever I go with it.
My instructor with 30 years' experience says: “an absolute tone monster (lesson was cut short so he could play it some more).
Fender Precision Bass
And when I bring it to the local Guitar Center and test amps, people gather, not for my playing, but for the tone it produces. It is a visually stunning bass that will sound awesome even in the hands of a novice.
If there are any notes I could make it is that this bass does not necessarily get along well with inexpensive amps. I highly recommend something better than a starter or beginner's amp to truly get the most out of this bass.
Also, Bass Centre customer service is second to none. No joke, these folks are the absolute best at answering any questions and are willing to do whatever it takes to make you happy with your purchase.
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Finally, Bass Centre strings are the absolute bollocks!!! You won’t go wrong with them. I am about to order more to re-string my Fender Jazz.
This is the second Bass Centre gig bag I have, they are fantastic, well made, similar to a Gator BG4G case, but with one vital difference — it has the world famous Bass Centre logo big and proud. Worth the money for the logo alone. Barry even threw in a free T-shirt for me as I love that logo so much!
I want to also thank you for the care you took to get the order right for me, especially calling me personally to advise on string choice and setting it up perfectly. Unbelievable service.

Years Of Bass Evolution
This strap is amazing for playing your NS Design instrument, keeps the instrument stable, and really allows you to feel free and in control. Better than the Boomerang strap! Couldn't get these in USA — sold out everywhere — glad Bass Centre had me covered.
I have used Stadium Series roundwound strings over the years and have always been very happy with them. I have just bought a new bass and am working on the '60s music and want to get that sound as near as possible. I am very pleased with the service and the new sound from the strings and look forward to the future to playing my new bass strings.
The Betsy is WELL worth the price. She has joined my favorites alongside a ‘75th Anniversary Jazz and ‘63 P-bass. Solid feel and effortless playability, super looks. A tonal beast! I upgraded the bridge to a Badass, although I read that Guy uses the “factory” bridge. My pedalboard includes a Boss OC2 with which Betsy gets along quite well. Seamless service, gig bag, and autographed book came standard.
How To Tell The Difference Between Bass And Electric Guitar
This bass guitar is by far the best sounding I've ever owned. The neck and weight of it are perfect, and there are absolutely no dead spots. The highest fret on the G string is as loud as the 5th fret on the E string. It's a much better sounding bass guitar than my '68 Fender Precision. On the gigs that I've played it on so far, other players come up after our set and ask What is that you're playing? That bass sounds fantastic!. You folks built a great product here that I can't recommend high enough to other players around me in the SF Bay Area. Also, thanks also for making it affordable. Cheers.If your brand-new or years-old guitar sounds off, it might not be your playing. Basic setup and maintenance are crucial for a guitar or bass to sound and play its best, even if you’re just starting out. But is it necessary to pay someone (either at the time of purchase or well into the life of an instrument) to set it up for you, or is it okay to do it yourself?
Guitars and basses are largely wooden instruments under tension from strong metal strings, and they must balance these forces to remain in tune and play properly. The goal of setup is to make sure a new guitar or bass sounds and plays its best, or to get your longtime favorite playing as well as it did the day you bought it. That means no buzzes on any string at any fret, the same intonation accuracy across the whole fretboard, and string height that’s correct for your specific playing style (for most beginners, this typically means “low”), among other things.

Multiple adjustments are covered under the broad term “setup, ” and not all of them may be necessary for your particular instrument. Some adjustments can be done by a beginner, but others require expertise or special equipment—or both.
Vintage Guitar And Bass
Truss rod: The truss rod affects the guitar’s string height, or “action.” If the action is too high, the instrument can be hard to play. If it’s too low, the strings can buzz at certain frets. The truss rod is a strong metal rod located inside the neck of most modern guitars and basses that counteracts the tension created by the strings. If this were an archer’s bow, the truss rod would be the bow and the strings would be, well, the string. Adjusting the truss rod essentially raises or lowers the strings on the midsection of the fretboard by adjusting how much curve, or relief, the neck has.
Nut: At the top of the neck, after the strings leave the tuners, there’s a thin piece of (usually off-white) material over which the strings lie. This is called the nut. It keeps the strings in place, both horizontally and vertically off the fretboard. The nut, along with the bridge, at the other end, offers per-string adjustments to height, compared with the “global” adjustment of the truss rod. Making adjustments to the nut requires physical alterations through filing, and changes can’t be undone without replacing the nut.
Bridge: The bridge is the nut’s counterpart at the other end of the strings. Depending on the guitar’s design, the strings could end here, or they could pass through the body or to a separate tailpiece. The bridges on most electric guitars and basses offer as many as three adjustments: global string height, individual string height, and string length.
How To Tell The Difference Between Bass And Guitar
String length adjusts intonation, which refers to how in tune the notes are along the entire fingerboard, not just an open string. Without proper intonation your guitar would measure in tune on your tuner, sound fine with most chords, but then sound off the higher up the neck you played. To give an exaggerated example of poor intonation, you might tune the open string to E, but when you played the 12th fret, it would be an E flat instead. Getting this right is obviously very important.

Acoustic guitars typically don’t have the bridge adjustments of their electric counterparts, instead having a saddle that is similar to the nut at the top of the neck. This isn’t as easy to adjust (something we’ll discuss in the next section).
Most acoustic guitars have a fixed bridge that can be adjusted only through physical alterations of the saddle—the white piece over which the strings are stretched. Photo: Rozette Rago
Mike Lull Custom Guitars
Frets and fretboard: With any luck a new guitar or bass won’t need much work on the frets (the metal bars across the neck) or the fretboard (the rest of the neck’s front side). But it can sometimes be necessary to smooth rough frets and otherwise ensure that they’re all uniform. If one fret is slightly out of place, it could rub against your fingers when you’re playing or create a buzz when you’re playing certain notes or chords. This is also true of older guitars that may have irregularly worn frets. Smoothing is usually done with steel wool, although playing a new instrument for a few weeks may get the job
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