The J-45 has been a staple and top-seller for Gibson since its debut in 1942. Renowned for its durability, the stripped-down round shoulder dreadnought design was nicknamed The Workhorse. Over the years, the J-45 has been a go-to for legends like James Taylor, Bruce Springsteen and Bob Dylan, as well as modern songwriters like Aimee Mann, Ben Gibbard (Death Cab for Cutie) and James Mercer (The Shins).
The 2019 J-45 Standard acoustic-electric continues this tradition pairing a mahogany body with aSitka spruce top and Vintage Sunburst gloss finish. Sitka spruce is the most popular top wood for steel-string acoustic guitars, beloved for both its projection qualities and broad dynamic range. Just as popular, mahogany is desired for its warm timbre, resonance, sustain and extra boost on the low end. All of this, combined with traditional hand-scalloped X bracing, makes it a solid choice for fingerpickers and strummers looking for reliable, instantly recognizable tone.
Outfitted with a rosewood fingerboard, the 2019 J-45 Standard's SlimTaper mahogany neck is slimmer as it goes up the fingerboard. This makes it faster and more familiar for electric players transitioning to acoustic. The compound dovetail neck-to-joint design ensures better sound transfer and feel, while its nickel Grover Rotomatic tuning machines will help you keep it in tune longer.
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Making it a great choice for gigging performers or singer-songwriters ready to hit the stage, Gibson equipped the 2019 J-45 Standard acoustic/electric with an L.R. Baggs VTC soundhole-mounted pickup. With worry-free performance, it gives you discrete, easy-to-use volume and tone controls to hone in your sound.
Gibson is well known for a decorated past full of creativity, innovation and trend-setting body designs. The Standard Series offers Gibson's most celebrated historical models, as well as several popular designs built in the modern era. From small body-to-Super Jumbo body shapes, these time-honored guitars are full of expression, character and exquisite beauty.The Epiphone Hummingbird Studioacoustic-electric guitar brings the legendary country/rock Hummingbird into the 21st century with a Shadow ePerformer preamp and Shadow NanoFlex pickup system.
First introduced in 1960, the square-shouldered Hummingbird quickly became a classic thanks to Keith Richards of The Rolling Stones, who used a Hummingbird for rhythm on early Stones hits like Satisfaction, Play With Fire, and Under My Thumb. There are also many classic photographs of Richards using a Hummingbird on sessions for Exile on Main Street, Goat's Head Soupand Sticky Fingers. Today, the Hummingbird Studio is still a go-to acoustic for rockers like Noel Gallagher and Sheryl Crow when they need a rhythm guitar with smooth action and superb woody tone that's full of character.
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On its own, the Hummingbird Studioacoustic-electric can drive an all-acoustic band or be front and center at a picking party with its sweet, balanced tone. Now, with the Fishman Sonitone preamp and Sonicore pickup system, the Hummingbird Studio can plug-in and hold its own on any size stage.
The Hummingbird Studio acoustic-electric features a solid spruce top. Spruce is a rich and complex tonewood that begins to breathe and improve with age. The more you play, the better it sounds. The body and neck are made from select mahogany. The Hummingbird Studio neck has a classic SlimTaper D profile and features a 24.75 scale and is attached to the body with a glued-in dovetail joint. The rosewood fingerboard has pearloid parallelogram inlays, 20 medium frets, a 12 radius and a 1.68 nut. There is single-ply white binding on the fingerboard and 5-ply white & black binding on the body top while the back of the body has single-ply white binding. The Hummingbird Studio has the classic sloped dovewing headstock has the Epiphone logo in white.
The Hummingbird Studio acoustic-electric's reverse belly rosewood bridge has a compensated saddle for smooth action and intonation. The Shadow NanoFlex pickup system is under the saddle and the classic Hummingbird/flower tortoiseshell-style pickguard is easy to spot on stage or across a room.For slightly more than 90 years, the Martin D-28 dreadnought has been the go-to acoustic guitar for celebrated artists such as Hank Williams, Johnny Cash, Bob Dylan, Eric Clapton, John Lennon and Paul McCartney, Nancy Wilson, Neil Young, Brad Paisley and scores of other legends. It has also enriched the careers of hit-making songwriters, working professionals and aspiring players looking to make their mark. In its quest to help musicians find their perfect sound, Guitar Center is pleased to offer the eminent Martin D-28 Standard to inspire discerning creators.
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The Martin D-28 is sought after by so many singers, because its rich, warm and silky sound truly highlights vocal timbres—whether it’s a Johnny Cash-style baritone or a Nancy Wilson-like shimmer. However, the D-28 also produces complex and articulate midrange frequencies, airy highs and a stout, clear low end that rewards instrumentalists—pickers, fingerpickers, rockers and strummers alike—with strong projection that can soar over a band or multiple players. The D-28’s expressive dynamics let you rock with fury and shift immediately into soft chords or arpeggios. Savvy players can command the D-28’s tonal and dynamic versatility to bring their compositions to life.
The D-28 dreadnought is a big and broad guitar—which informs its deep, bell-like tone and muscular projection—but it’s also easy to play. So easy, in fact, that most players who move back-and-forth between electric guitar and acoustic guitar shouldn’t be hampered at all. The D-28’s satin-finish, slim “High Performance Taper” neck will thrill players who like to burn from open positions all the way down to the 14th fret. However you play, the D-28 won’t stand in your way. Shred. Slap. Fingerpick. Use it like a beat box, strum or tap. The easy playability of the D-28 can inspire new techniques and unexplored artistic journeys.
The Martin D-28 broadcasts a striking vintage vibe with its aged toner top, antique-white binding and open-gear tuners. However, today’s D-28 is very far from a nostalgia piece. The lean, modified low-oval neck is shred ready, and the forward-shifted, non-scalloped X bracing produces punchy, balanced midrange frequencies that stand front and center in any mix.
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The Martin D-28 is sought after by so many singers, because its rich, warm and silky sound truly highlights vocal timbres—whether it’s a Johnny Cash-style baritone or a Nancy Wilson-like shimmer. However, the D-28 also produces complex and articulate midrange frequencies, airy highs and a stout, clear low end that rewards instrumentalists—pickers, fingerpickers, rockers and strummers alike—with strong projection that can soar over a band or multiple players. The D-28’s expressive dynamics let you rock with fury and shift immediately into soft chords or arpeggios. Savvy players can command the D-28’s tonal and dynamic versatility to bring their compositions to life.
The D-28 dreadnought is a big and broad guitar—which informs its deep, bell-like tone and muscular projection—but it’s also easy to play. So easy, in fact, that most players who move back-and-forth between electric guitar and acoustic guitar shouldn’t be hampered at all. The D-28’s satin-finish, slim “High Performance Taper” neck will thrill players who like to burn from open positions all the way down to the 14th fret. However you play, the D-28 won’t stand in your way. Shred. Slap. Fingerpick. Use it like a beat box, strum or tap. The easy playability of the D-28 can inspire new techniques and unexplored artistic journeys.
The Martin D-28 broadcasts a striking vintage vibe with its aged toner top, antique-white binding and open-gear tuners. However, today’s D-28 is very far from a nostalgia piece. The lean, modified low-oval neck is shred ready, and the forward-shifted, non-scalloped X bracing produces punchy, balanced midrange frequencies that stand front and center in any mix.
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