In my early days of guitar teaching I used to teach folk melodies like When The Saints Go Marching In, Pop Goes The Wesel and Yankee Doodle.
Most of these tunes will only require very small adjustments from the original to make them totally accessible for a beginner guitarist.
The following list of tunes are great for developing chord changing, picking strings, learning scales and most importantly having something cool to play on the guitar.
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An instrumental tune does not have to be technically challenging to sound cool, and Link Wray’s Rumble is a great example of this.
Rumble is a bluesy composition that only uses 4 beginner open position guitar chords and a descending open position minor pentatonic scale.
The guitar solo at 1.10 is for intermediate players, but apart from that the rest of the song isn’t too hard to play.
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Hank Marvin is a household name and almost everyone, guitarist or not, will recognize the first few bars of Apache, even if they do only recognize it from a TV commercial.
The 16th note ‘galloping’ rhythm s a fantastic picking exercise that has helped many of my students progress to the next level.
When teaching Apache to new beginners, I tend to avoid the intro to begin with, as the bends, hammer ons and pull offs can be too challenging.
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His most famous composition, Hide Away, is one of the easiest to play and is a great blues shuffle and major pentatonic study.
After playing the main 12 bar blues theme twice, Hide away then moves on to a few different blues shuffle bass lines.
I usually have to remove the chorus with the breaks and the “big E9 chord” as it is too difficult for beginners.
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Misirilou is is a great for learning the notes of the E string, learning a scale on one string, and learning a middle eastern sounding guitar piece.
Tremolo picking is usually too hard for beginner guitarists. The melody can still be played using normal picking and still sound great.From the sultry Spanish sounds of the Concierto de Aranjuez to modern adaptations of 17th-century lute music, some of the greatest classical music sounds absolutely stunning on guitar.
For a work as Spanish as Rodrigo’s Concierto de Aranjuez, it might seem bizarre that many people’s first encounter with it linked to Yorkshire. But the concerto’s use in the 1996 film Brassed Off! ensured that the popularity of this work sky-rocketed. The miners affectionately referred to it as ‘Orange Juice’, after finding it rather challenging to pronounce ‘Aranjuez’.
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This wonderfully playful Baroque concerto was originally composed for a lute, but the modern transposition for classical guitar is just lovely. Although Vivaldi spent the majority of his life in Venice, this concerto comes from his globe-trotting period. It was written in Bohemia, although its three short movements were never published in his lifetime.
By no means an easy piece to master, Walton’s technically fiendish ‘Five Bagatelles’ (1971) is a minefield of quirky rhythms. By the 1970s, the classical guitar was enjoying immense popularity – but the lack of Spanish/Latin associations in the Five Bagatelles meant it never achieved great prominence in 20th-century guitar repertoire.
However, listen closely and the Bagatelles, with their unruly harmonies and tonality, are wistful, beautifully shaped – and they might just be classical guitar music at its best.
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Recorded and published in 1974 in Milan, this sultry tango marks a change in style for composer Astor Piazzolla from classical tango to nuevo tango. Spicy rhythms and a fiendish melody have kept this one at the forefront of modern Tango, with countless brilliant interpretations to explore. The original score even features an accordion, adding a folky element to the music.
Really stretches the soloist to the limit with this piece. The left-hand positions required of the guitarist are rather awkward, involving all sorts of unusual stretches – plus, the use of tremolo is a technical challenge for any performer. But at its best,
Despite its posthumous title, which implies a link to the northern-Spanish region of Asturias, Albéniz’s work for guitar is a clear nod to Andalusian flamenco traditions. Its sudden dynamic changes and fiddly, intricate melody make it a fiendish piece to master on guitar, but the passion it conveys is stunning. You can almost feel the dusty heat of a Spanish marketplace as you listen to the speedy strumming.
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One of the most famous pieces among guitarists, Bach’s popular ‘Bourrée’ was originally written for lute. Although it owes its name to a French dance, Bach by no means intended his Bourrée to be for dancing. However, its slick tempo and its switch from minor to major in the last chord of each verse gives it a wonderfully jaunty feel.
The galliard was a form of Renaissance dance, popular in Europe in the 16th century, and it involved a lot of jumping, leaping and hopping. But what’s unusual about this galliard is its persistent, trochaic rhythm – a stressed note followed by an unstressed one – which was an unusual feature for English composers.
No one is quite sure how John Dowland’s galliard for lute earned its animalistic name – but rumour has it, it had something to do with one of Queen Elizabeth I’s suitors, whom she affectionately referred to as her ‘frog’.
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This Prelude had a lively B section, but it’s in the sultry, yearning opening that Heitor Villa-Lobos really finds his niche. The Brazilian composer was one of the most successful Latin American composers of the 20th century, his works successfully combining Brazilian folk melodies and rhythms with Western classical music. It’s surely the unique combination of the two genres that makes section A of the Prelude No. 1 so exquisite.
The most popular piece of modern classical guitar music. It was written specially for guitarist John Williams (not to be confused with the film composer), when composer Myers expanded a short piano phrase into a full piece in 1970. He called the piece ‘Cavatina’, which is Italian for a small, simple song.You have an acoustic guitar, you know some basic chords and strums, but now you’re looking to get to the next level in your playing. To start sounding like some of your favorite records and recording artists, you need to employ some common acoustic guitar techniques such as open tuning, fingerstyle, and dynamic strumming. To get your acoustic guitar sounding like Joni Mitchell, Nick Drake, James Taylor, and Lindsey Buckingham, here are three acoustic guitar techniques that you can start practicing today:
Alternate tunings open a new world of possibilities for acoustic guitar players. They allow us to access harmonies and melodies in ways that make us forget our usual playing and writing conventions. They help us remember how fresh things sounded when we first started playing the instrument, only much better now that we have developed the hands and ears of a guitar player.
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Generally, standard guitar tuning refers to the tuning guitar players most commonly use today: EADGBE. Alternate tunings for guitar can be anything different from that. You could move each string by the same amount, and the result would be the same sound, just higher or lower (Jimi Hendrix, for example, tuned each string down a half step).
You could drop certain strings and let others remain; for example, “drop D” tuning lowers the 6th string one step down to a D, and double drop D lowers both the 6th and 1st strings down one step to D. Open tunings change some or all string pitches by varying amounts, to allow the open strings to sound a chord. Alternate tuning, or scordatura, has been used on other instruments, and in many styles and eras of music, but always serves to change the sound of the instrument, and the accessible fingerings (most notably chord voicings on guitar) available to the player/writer.
Re-tuning the guitar can feel quite natural after you are used to it, but can be disorienting at first. Try to think of that disoriented feeling as part of the charm of alternate tunings. You can tune to DADFAD using Berklee ’s electronic guitar tuner. Or if you’d rather use your ear, you can follow these steps:
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Now that we are in open D tuning, let’s find some of the chord shapes that live there. Let’s take a look at the diatonic chord shapes which can travel up and down the neck. For these shapes, we’ll be fingering the 5th and 3rd strings, and using the rest of the strings as open drones.
Start by playing the chord which occurs when all the open strings are strummed (D major). Then move up the 5th and 3rd strings by whole or half steps, using the diatonic notes of D major. The other strings are included in your strum but remain unfingered.
Using two basic movable shapes (the “Wedge, ” and the “Brick”), play all the shapes that occur, until you reach the octave on the 12th fret.
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Open D is just one of many alternative tunings you can use. Once you get it down, try exploring a different tuning with the guidance of the aforementioned Berklee electronic tuner.
Fingerstyle Fingerstyle technique is very much
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