Metal-Musik ist zweifellos das vielfältigste und umfangreichste Genre. In keiner anderen Musikrichtung gibt es mehr Subgenres als im Metal, von Heavy Metal über Black Metal bis hin zu Nu Metal und allem, was dazwischen liegt.
Die Metal Riffs sind als schnell und komplex bekannt, was bei den meisten Anfängern Angst auslöst. Mit dieser Liste soll diese Angst verschwinden, denn obwohl die meisten Riffs tatsächlich schnell und komplex sind, gibt es viele, die auch für absolute Anfänger recht einfach zu spielen sind.
Ein paar weitere einfache Metal Riffs für Anfänger: Black Sabbath – N.I.B., Black Sabbath – War Pigs, Black Sabbath – Heaven and Hell, Rammstein – Du Hast, Judas Priest – You’ve Got Another Thing Comin‘, Alice Cooper – Poison, Marilyn Manson – The Beautiful People.
Turning A Few Cool Guitar Riffs To A Song
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The great thing about Heavy Metal guitar riffs is that while in many cases, guitar solos are hard to play, at least at certain points, riffs can be very easy at times, thus a really good place to start.
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In these riffs I’ll be using from a variety of phrasing techniques namely vibrato, slides, hammer ons and pull offs, string bending, and palm muting.
Though there are other techniques you will eventually add to your bag of tricks, the 5 techniques mentioned above are crucial if you want to create Heavy Metal music.
On each of the following Heavy Metal guitar riffs, I will identify the most important components of each riff so that you can use them when creating your own.
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The power chord is notated as the letter name of the chord followed by the number 5. The number 5 has to do with the theory behind the power chord, which you can learn more about here.
In fact, the rhythm used on this riff is so common in Heavy Metal music that it’s been nicknamed the “Heavy Metal gallop”
The next riff introduces string bending. Though this technique is more likely to be found in guitar licks or solos, bending the string instead of picking the following note can also be used in guitar riffs.
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This is achieved in different ways on different instruments and on the guitar it is achieved through the two techniques used in riffs 5 and 6, that is hammer-ons and pull-offs, and slides.
The next riff uses slides on entire power chords as well as notes of shorter duration that make the riff’s pace faster.
If your phrasing is bad, your bends are out of tune, you’re not in time or don’t have a sense of melody, among other things, the ability to play fast won’t compensate for those weaknesses.
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That said, if the other components are in place, playing the guitar fast (learn how to do so here) is both expressive (ex. Using speed to create a climax) and impressive (since most guitar players don’t have this skill, if you do it right, people will be impressed).
The following riffs involve short legato runs in bars 2 and 4. If you find them hard, zoom in on just four notes and play them at a very slow tempo for a number of times.
Once you gain the necessary muscle memory reaching the speed used in this riff, or even faster, shouldn’t be out of your reach.
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If you can play all these metal guitar riffs with ease and on time, well done you’ve already made giant steps in the art of guitar riffing.
What I would do next – apart from working on the other elements of Heavy Metal guitar playing – would be this:
Being slightly before or after the beat may go unnoticed while playing in your bedroom, or even rehearsing with your bandmates, but it won’t at the studio.
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I realized how important this is this the first time I recorded in a studio. Had I had the habit of recording myself, I would have realized these timing inaccuracies at home, rather than in paid studio time, in front of others.
However, I consider myself a guitarist and a musician first and over time I realized that by listening to and playing just Heavy Metal I was limiting my options.
There’s a lot you can learn from genres like Blues, Funk and Reggae and occasionally learning guitar riffs from these genres will just add to your arsenal of ideas.
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Creativity is something that can be trained, and now that you know the main components that make a guitar riff, you can choose any of them, and creatively use them to make riffs of your own.
You may consider giving a donation, by which you will be helping a songwriter achieve his dreams. Each contribution, no matter how small, will make a difference.Here I'm going to show you how to play easy alt-rock, punk and heavy metal guitar riffs for beginners using only the simple downstroke picking techniques from the previous lesson.
Note that my tabs do not contain information about how long notes and pauses are, it makes them look more compact and neat, without too much notations on it, just listen to my audio/video examples a few times, get the rhythm in your head, fire up the drum track or a metronome and here we go.
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And by the way, if you still don't know how to get a cool sound out of your guitar setup check out the Getting the Right Sound article.
Feel free to accent some of the chords or put small pauses between them, it can dramatically change the feel of a figure.
In order to accent a certain chord, pick the strings harder than with the rest of the chords. Accenting a first chord in a figure often sounds better.
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In this figure I make some pauses between the 2-3 and 4-5 chord by muting the 2 and 4 chord on their ends. This creates the feeling of action or musical intensity. Look at the chart below to get the idea:
To silence a sounding chord and make a pause, slightly touch the strings with the side of the palm of your picking hand somewhere near the bridge.
When you manage to play the rhythmic figure accurately over a single power chord, let's move on and play it over chord progressions:
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On the repetition, after playing the 3rd bar, jump to the second version of the 4th bar (4.II in the dashed rectangle).
When you need to press two adjacent strings at the same fret, it's often more comfortable to bent the nearby finger in a way that its pad lays down across these strings, as in the picture, rather than use each finger for each string.
In the middle of this riff you'll transit your hands from one set of strings to another. Work thoroughly over the transition, begin in a very slow tempo.
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What is important here is that no matter when you play slow or fast, practice to jump over the strings quickly, without stumbling.
The same advice goes for jumping from one fret to another on the same string. You should achieve a smooth, quick transition that will result in the solid, non-abrupt sound, unless of course, you need a sharp and abrupt playing on purpose.
If you have any difficulties with a certain part of any riff or song, you can achieve much faster improvements by cutting this part down and focusing your practice just on this hard part for some time, rather than running around the entire piece of music.
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In this figure (except the ending) there is a pause between each couple of chords, the duration of the pause is equal of a one chord.
First imagine playing 8 equal chords per each bar. Now you need to withdraw from the chords crossed by the red lines.
It will probably feel awkward playing this sequence at the beginning, but it
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