In fact, Wolfgang revealed in a newly-published interview with Total Guitar, the follow-up to 2021′s Mammoth WVH is just about complete, but for the guitar solos.
Most of the forthcoming album, it turns out, was recorded using Wolfgang’s still in-development signature guitar, the semi-hollow EVH SA-126. For the solos, though, Wolfgang intends to dig deep into the electric guitar collection of his late father, Eddie Van Halen.
“The only thing I have left to do is track the guitar solos, ” Wolfgang said, “so what I want to do is go through some of Pop’s notable guitars and do a solo with each of them. Guitars like the Frankenstein or the Shark, stuff like that.”
Eddie Van Halen 1978
Wolfgang also used Frankenstein – the most famous of his father’s many custom guitars – for solos on two Mammoth WVH cuts, Mammoth and Feel.
In a recent interview with Guitar World, Matt Bruck – who now heads up Eddie Van Halen’s guitar brand, EVH, with Wolfgang – emphasized that, though it’s gone through extensive road-testing at Mammoth WVH shows in the last year and change, the much-anticipated EVH SA-126 “is still a work in progress.”
For his part, in conversation with Total Guitar, Wolfgang revealed that he didn’t originally plan on using the SA-126 prototype for the entire album, and was pleasantly surprised – as the recording process went on – by the guitar’s tonal versatility.
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“It [the SA-126] is on pretty much the entirety of the album, ” he said. “We were almost surprised as we kept going through. It was like, ‘Wow, okay this works for this, too’ and ‘Oh my god, this works really well again over here!’ From the cleans to the really heavy stuff, it sounded crazy!”
To read Total Guitar’s full interview with Wolfgang Van Halen – which also covers the young guitar hero’s pedalboard, the perks of being a one-man-band in the studio, and why he chose to primarily use semi-hollow guitars for Mammoth WVH – pick up a copy of the latest issue of the mag.
Wolfgang Van Halen: “You can feel the history emanating out of the Frankenstein. Picking up that guitar is almost a religious experience”
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With a new album and a new signature EVH guitar, 2023 is shaping up to be another big year for Wolfgang Van Halen. He tells us what’s in store — and recalls the time he broke one of his dad’s guitars
Recent years have witnessed many a guitar hero in the making, but few have felt as genuinely electrifying as Wolfgang Van Halen. Of course, there’s the genetic advantage — his father was undoubtedly the most important rock guitarist to follow on from the likes of Hendrix and Page. And Wolfgang had also played bass guitar in the Van Halen lineup for the band’s final album and consecutive world tour, not long after his 20th birthday.
But on the singer/guitarist’s 2021 debut as Mammoth WVH — which he composed, sung and performed singlehandedly — Wolfgang proved his talents alone were enough to stop people in their tracks and take notice.
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The year that followed included many high-profile dates with Guns N’ Roses and Alter Bridge, as well as those unforgettable performances with Dave Grohl, Justin Hawkins and Josh Freese at the two tribute show for the late Foo Fighters drummer Taylor Hawkins.
And as Wolfgang tells TG, 2023 looks set to be even more exciting, from his new signature instrument with EVH Guitars (the Fender-owned brand he co-runs with longtime Van Halen tech Matt Bruck), a new album (which includes his first piano ballad) and then the small matter of a world tour with Metallica…
A: “Oh, it’s been a very exciting project! I think we’re nearing completion now. We’ve been working on it for a few years, revising the way it’s built so manufacturing can be easier, making little changes here and there. There’s an E-hole instead of an F-hole for Pop — and we’ve made that a tiny bit bigger and lined it up with the pickups.
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“It’s just been little innocuous things that people won’t really notice, but we’re very critical of everything so we’ve been trying to figure out the right kind of updates. I can’t exactly guarantee when it will be available, but we’re getting really close. This next year will be the last crash-testing phase for the guitar, given all the touring we have planned. I’m very excited about 2023!”
Q: The name of the guitar refers to your Dad’s birthday, January 26… much like the Van Halen track 316 was in reference to your birthday.
A: “Yeah! But at the same time, if somebody were to pick up the guitar and see 126 written on it, they wouldn’t immediately think it’s some sort of tribute. I think it’s kinda hidden within it, and that’s what I like most. The dedication to my dad isn’t what overrides the entire thing. The most important aspect is that it’s an amazing instrument that all kinds of players can pick up and enjoy.”
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A: “I guess it all comes down to how we approached the recording process way back in 2015, which is when I started doing the initial guitar tracking for the debut. There was a bunch of experimentation to try and figure out my tone.
“It was an intentional move to not sound exactly like my dad. I wanted to be my own person with my own sound. That’s what drove me to semi-hollow guitars, embracing a different kind of vibe.
“But I also enjoy the modern approach, so basically it’s the classic sound of a 335 or semi-hollow merged with what the brand is known for: high performance, shreddy types of guitars.
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“The neck is super thin and wide, which is not something you’d normally find on a 335. They usually have fuckin’ baseball bats for necks, which is awesome if that’s what you’re into. When it comes to playing quick passages and stuff like that, this is an instrument that didn’t exist but now does! That’s another reason why I’m so excited about it.”
Q: As for the pickups, are they specifically voiced for semis and noticeably different to the ones found on solid-body Wolfgang models?
A: “If I’m not mistaken, the typical output of a classical semi-hollow is around 8.2k. We basically made a standard, hotter and hottest version — then going back and forth on tour, trying to figure out which we liked best.
Eddie Van Halen
“We ended up landing in the middle because it keeps the full tone of the guitar while not going too overboard, because that’s the dangerous thing about semi-hollows, you worry about whether it will feed back too much. We wanted to push things to the limit without making it impossible to control.”
A: “I think it’s around 10.2k. It’s not too hot, but it’s still hotter than your average PAF-style pickup found on those classic guitars. It’s hard to remember exactly. After just getting back from a seven-week tour, I’m sort of wacky in the brain right now!”
Q: The guitar is like a hybrid of a 335 and the Fender Starcaster you were playing in the Don’t Back Down video. Another Easter egg is that the inlays say W, E or M depending on which way you’re looking at them… genius!
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A: “Yeah, they kind of work three ways. That was an amazing coincidence and something I found to make the guitar even cooler!”
A: “Yeah, that was during the first round of tracking. The first guitars I cut were with that one and playing that guitar is what made me realise I wanted to explore semi-hollows more, because I never used one before then. It was an old guitar that my dad had, I believe either a ’58 or ’59.
“We were tuning it and as I was turning one of the pegs, it crumbled in my hands because it was so old. It basically just disintegrated and I was like, ‘Ooooh, that’s not good!’ And Dad thought it was hilarious. He was like, ‘Wow, that shit’s old, it doesn’t matter!’ We got it fixed up and luckily it stayed in tune enough to finish the track, which was nice. Playing that vintage 335 made me fall in love with the semi-hollow sound.”
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Q: Let’s get to the new music. It sounds like you’re almost finished and once again you played everything on the album…
A: “Yeah, I’ve almost finished it! Some people try to turn me playing everything into a negative thing, which surprises me! It’s like they think I won’t let other people play on it or something like that. But really this is what Mammoth is and always has been — it’s my artistic expression.
“I’ve been in bands before where you collaborate and that’s not what this is. I have a live band but in the studio I do everything and have a fun time doing it. I enjoy being able to express myself musically in every avenue.”
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A: “It will always sound a bit similar, I guess, because the same dude is writing it! But I think on this current material, you can hear me challenging myself a bit more. I’ve
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