While it may not be as big of a household name as SSL or Neve, MIDAS has been making recording consoles for decades. Even Behringer's flagship digital mixers like the X32 feature preamps designed by MIDAS.
There's a new trend of adding console-level preamps on affordable audio interfaces. And Behringer was quick to catch up thanks to their acquisition of MIDAS in 2009.
The tonality of the MIDAS preamps is similar to the color of API consoles and preamps. For the unfamiliar, the tonality feels smooth and clean in contrast to the sheen of Neve and the grit of SSL.
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Paired with studio-grade 24-bit/192kHz resolution converters, the UMC202HD provides very good recording for the buck. The onboard MIDAS preamps amplify vocals with depth and dimension.
Build quality of this Behringer Audio Interface was a pleasant surprise too, I didn't expect a good metal enclosure and solid feeling knobs at this price point.
The USB jack is a weak point in an otherwise solidly built interface. Newer interfaces have begun adapting USB-C as a standard jack.
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The Behringer UMC202HD audio interface is a great quality yet affordable pick. Especially if you consider that it uses tech developed by long-time console maker MIDAS. And it also helps that it is built really well, which is a big bonus at this price point.
If you're Home Studio Setup is budget is limited but still want to maintain raw recording tonality without compromise, then this Behringer audio interface is for you.
The Shure X2U is an unconventional audio interface. Most audio interfaces have a desktop format. The Shure X2U is a straightforward audio interface that flips things around.
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This allows you to have a very minimal setup. You can use one microphone similar to a USB powered mic but with the freedom to change microphones whenever you like.
This isn't limited to just dynamic mics. You can use it with large-diaphragm condenser microphones since it has built-in +48V Phantom power.
Simply put - it turns any microphone into a USB microphone. I love how you can use your favorite mics with the unit on-the-go without needing to bring a typical interface and cables.
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It is a tool for a very specific purpose and naturally I find it lacking for certain use cases. But to add more would sacrifice the portability and convenience of the unit. Mics that need high gain like the Shure SM7b will hiss at higher input gain settings.
Do you want an audio interface but don't want to bring along a box and 2 different cables to set up? The Shure X2U solves that very specific problem.
This interface allows you to use your favorite mics on the go (including condensers that need phantom power). If mobility is important to you, then it may be worth considering the X2U.
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Focusrite has become a household name ever since the introduction of their compact audio interfaces. The Scarlett Solo is one of their best-selling and most well known product lines.
The Solo sports a basic set of outputs: a pair of L/R 1/4 outputs for studio monitors and a 1/4 stereo headphone out.
New for the 3rd gen is the addition of Focusrite Air. Focusrite describes Air as an emulation of their ISA preamp tonality. This follows the trend of adding console functions to a budget usb audio interface. To my ears, it adds upper midrange and high frequency harmonics on top of your signal. This is great if you're using warmer sounding microphones and dynamic mics.
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I find the Solo shared a very similar recording quality as more expensive recording equipment, like my 18i20. In fact, I felt that the Solo had just a bit more mic gain on tap, enough to drive my Shure SM57 properly without an inline preamp. The 3rd gen Solo was also noticeably quieter with dynamic mics compared to the 18i20.
With condenser mics, the Solo shines with delicate sounding vocals with just the right amount of high end crispness to help a solo vocal stand out from a piano or acoustic guitar instrumental.
For line-in sources and instruments, the DI tracks are slightly underwhelming compared to the preamp's performance with vocals. It's not bad but not quite on par with the dynamics and clarity of other instrument/DI inputs from other interfaces.
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I have mixed opinions towards the Solo's Air feature. Focusrite describes Air as an emulation of their ISA preamp tonality. To my ears, it adds upper midrange and high frequency harmonics on top of your signal. This is great if you're using warmer sounding microphones and dynamic mics.
It does have a tradeoff of raising the noise floor a bit and making some mics sound brittle on the high frequencies. Some mics just end up being harder to mix into a full instrumental because the end result sounds more polished. This presents a problem with certain genres that favor more warm sounding vocal tonalities. In such situations, I deactivate the Air feature.
The Air feature, while nice on some mics, has a tradeoff of raising the noise floor a bit and making some mics sound brittle on the high frequencies.
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The Headphone and Speaker outs share a volume so you have to turn off your speakers when you want to mix on headphones. The headphone out was also unable to drive my 250 Ohm Beyerdynamic DT 770 Pro headphones efficiently. I recommend headphones of up to 150 Ohms if you want to be able to efficiently drive them with the solo without distortion.
With the Air preamp feature, additional gain on tap, the Scarlett Solo still earns its way into the desks of tens of thousands of musicians, voice over artists, podcasters, and streamers all over the world.
It's one of the best budget audio interfaces if you want a compact audio interface for PC and Mac that pairs well with different types of mics. It even works well with the most expensive microphones, thanks to its preamp and Air feature.
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Here's the scenario: You're inspired to start music production after being fascinated by the music production process or after being absorbed into a genre that you want to make some yourself. You look up tutorials on how to make music and see these producers with a massive collection of virtual instruments, plugins and run them on professional looking DAWs.
Software is a big barrier to entry towards the kind of music production that quite a few people want to pursue. Electronic music makes use of these virtual instruments and plugins for their sound. That being said, even the best audio interfaces often include just the essentials such as a watered-down DAW and some rudimentary plugins.
Many interfaces come with bundled software but Native Instruments' Komplete Audio 2 interface feels more like a software package with a free bundled interface.
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On the hardware, the Komplete Audio 2 sports two combo XLR jacks with line / instrument switches. This enables recording with a stereo pair of microphones or stereo out from keyboards.
It also includes a direct monitor blend knob to tweak the signal you hear between input and playback. A large volume knob sits on top of the interface.
It is an incredible value package that includes not only plugins, but virtual instruments, effects and amp simulations as well. This is great for those who want a full suite of software right out of the box without purchasing anything else.
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While the mic preamps may be slightly noisy, they are generally suitable for most applications. Being enclosed in plastic, it wouldn't be irrational to worry about long term durability.
If you're looking to produce music in the box and need a lot of software to get you started, the Native Instruments Komplete Audio 2 is a good choice. If you'll be focusing more on recording with mics, it might not be the best in that regard.
The Scarlett series has long been a darling with the project studio community for its great sound quality, solid build, and great plugin bundles.
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The 3rd Gen release of the line makes minor tweaks that improve the overall capabilities of each model especially the way they handle high gain inputs from mics and instruments.
The 2i2 is no exception to these improvements as the unit now includes Focusrite's proprietary Air technology from their more expensive ISA series preamps. This improves the basic audio quality from this cheap interface.
With no compromises made regarding the preamp and signal converters, the 3rd Gen 2i2 is a wise upgrade for both small home studios and mobile setups. It is also a good audio interface for podcast and live streaming. I didn't have access to a USB mixer, but the 2i2 served as a suitable option for my live streaming interface. This setup served me well for a year and have found no problems. I especially love the visual feedback the ring lights provide.
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The headphone output is also an upgrade from the Scarlett Solo. Being able to adjust the headphone output separately is a major factor to get this over the Solo
Not having MIDI is a bit of a letdown but you can always get a separate MIDI interface if you need one later. If you're doing basic recording and streaming,
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