Pink Floyd’s David Gilmour has a unique tone that has inspired guitar players for many years. While his equipment has changed many times over the decades, his inspiration has not. How can you use your gear to sound like David and create such wonderful tones?
The Pink Floyd sound is a unique blend of psychedelic and experimental rock. It’s characterized by extended jams, unusual time signatures, and complex song structures.
Gilmour’s guitar playing is an integral part of this sound. His tone is instantly recognizable and unique. To get the Pink Floyd sound, you’ll need to use some specific equipment and settings.
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David Gilmour has used a variety of different amps and guitars over the years. But there are a few key pieces that have been essential to his sound.
The most important part of Gilmour’s tone is his use of effects pedals. He uses a wide range of pedals to create delay, reverb, and modulation effects.
To get the Pink Floyd sound, you’ll need to use a few specific amplifier settings. These settings will help you to create the delay and reverb effects. They are essential to the Pink Floyd sound.
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The gain knob is important for getting the right amount of distortion. Gilmour generally kept his amps set to a clean sound and used pedals for crunch or fuzz.
But the gain knob will affect the thickness of your tone. The lower it’s set, the thinner it will sound. So keep that in mind when setting this control.
You don’t want to set it too low as you will be missing certain frequencies in your tone. But it can’t be too high, either, or the sound might be overly distorted.
Guitar Amp Recording
The EQ controls on your amplifier will help you to fine-tune the sound. The treble, mid, and bass controls will all affect the overall tone. Pink Floyd has a brighter, present tone, and so the settings are important to recreate this.
If your amplifier has a presence control, this can be handy when trying to give your sound more clarity. Once the effects are layered on thick, the presence control may be used to give your tone a much-needed boost.
While Pink Floyd has changed a lot over the many decades. Their fundamental tone is relatively the same. David Gilmour has always relied on clean, high-powered amps and a lot of effects. Even though the gear has changed a bit.
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One of the most popular Pink Floyd songs is comfortably numb. This song has a very distinct sound that is essential to their live shows.
For the verses and a few other parts, the guitar is following along with the rest of the instruments as support. For these parts, your guitar amp settings will need to be for a clean tone.
This can be easily done with a Fender or Hiwatt amplifier. The solo parts can also be recreated by using a fuzz pedal in the front of the amp. Or, if you prefer, a distortion pedal can be used if you don’t have a fuzz.
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To get this tone, you’ll need to have a good fuzz pedal like the Big Muff Pi. There is also a tremolo part done on the guitar that requires the effect set fairly high.
These settings will work great when using a Fender Stratocaster guitar. You will also need effects that will help to add depth to the parts.
This is a very fun Pink Floyd song with a recognizable introduction. The guitar in this song is a lot more present and uses many effects.
David Gilmour Tone Building
These settings will be best on a clean amplifier with a single-coil style Guitar. For the most part, the guitar is clean, but any leads will then require the use of a fuzz pedal.
If you own a Hiwatt amplifier like the DR-103, then you will be able to get David’s tone quite easily. The speaker cabinet that would be preferred if possible is a Marshall 4×12. He used them for some specific settings.
If you have a different speaker cabinet, then the setting will need to be adjusted. This has a rather large effect on the sound.
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As you can see, getting a good Pink Floyd tone is not too difficult. With the right settings and equipment, you can recreate some of their most popular sounds. Don’t be afraid to experiment with your gear to get the best results.
Just make sure to upgrade your effects to get close. They are a very important part of this sound. Plus, as a guitarist, they will always be needed.
David Gilmour used Hiwatt amplifiers for their clean and loud sound. There were many settings used throughout the years. They changed with the use of different speaker cabs and circuits.
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Pink Floyd used a variety of guitars, but the most common ones were Stratocasters. These guitars provided single-coil pickups that were perfect for their clean sound.
My name is Don East, I'm the editor for Killer Rig. I've been playing guitar for over 20 years and have designed and manufactured products like guitar amps, effects pedals, and more. Over the years I have played in many bands and have a deep love for quality gear. I am an electrical engineer and have a passion for music gear, and now want to share what I know with the community!
Welcome to Killer Rig! This website was created to share knowledge based around guitars, amps, music gear and more. You will find guides to help improve tone, maintain equipment and find your killer rig!Most David Gilmour gear guides have a complete list of every single piece of gear Gilmour used from 1968 right through to the present day - unfortunately though, most of this gear is not produced anymore and getting hold of anything remotely close to the stuff David Gilmour used back in the day is probably going to set you back the cost of a new car!
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However interesting the gear this God of guitar used (and uses) may be, unless you're doing a pub quiz, it doesn't help when you are trying to find out which gear could help you along the way to achieving a similar sound.
Our David Gilmour Gear Guide provides you with a modern day equivalent of his most used instruments and most popular sounds, allowing you to achieve a similar tone without having to spend a fortune.
It balances the quality of gear with affordability to provide you with a definitive guide of our best recommendations to get that Pink Floyd sound yourself.
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Some of these products might not be the exact gear that Gilmour himself used, but it will help you along the way to getting his sound.
It's no secret that David Gilmour's most famous guitars were his black Fender Stratocasters, although not many people know that he started out with a Fender Telecaster in the early days of Pink Floyd.
In addition, Mr Gilmour has also been known to pick up a Gibson Les Paul, choosing one for the 'Another Brick in the Wall (part 2)' solo and using it on the subsequent tour.
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However, we'll stick to his main weapon of choice and discuss the Stratocaster. Here is David in the 70s, with three different black Fender Stratocaster guitars.
This Fender Player Series Stratocaster is available with either a Maple or Pau Ferro fretboard, but we haven't just picked it because it looks the same, but because you can get the classic single-coil sounds that made David Gilmour stand out and the fact that you have the whammy bar to wail on, which is particularly important!
In an interview taken from Gilmourish.com David said: A Strat was always what I wanted, and I’ve used the tremolo arm since I saw Hank Marvin using it”.
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The Fender Standard Stratocaster series offers extremely good value for money, offering guitarists with exceptional playability and fantastic tone from a guitar that will only get better with age.
It's also available in a wide range of different finishes, so if the classic black finish isn't for you, you've got options.
Of course, any Stratocaster will get you quite close to the Gilmour sound, but if you really want to sound like the guitar legend then replacing your bridge pickup with a Seymour Duncan SSL-5 could be the way to go.
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This pickup was custom wound especially for David himself, and will make a huge difference to your strat tones. However it's not essential, and you'll still be able to hit those Echoes riffs without one.
Gilmour has used many amps during his time in the studio, but on stage, he has mainly used Hiwatt Custom 100 heads and WEM cabs.
He has however gravitated towards Fender amps like the Fender Super Champ as well as the Fender Twin Reverb head andFender '65 Twin Reverb on occasion.
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However, if you're on a budget a valve amp is not always practical as they can be more expensive than solid-state, they're heavier, and - depending on the amp - you have to crank it quite loud to get the saturated valve sound.
So with that in mind, we've put together a couple of amplifiers that will allow you to get a decent Gilmour sound, won't break the bank and will
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